Archaeological heritage tourism in China: the case of the Daming Palace from the tourists' perspective

Archaeological heritage tourism has been critical in historic cultural revival, archaeological knowledge dissemination, environment upgrading, and local community improvement. Little has been undertaken to evaluate the effectiveness and consequences of archaeological heritage projects in China from the tourist perspective. This study of the Daming Palace Heritage Site in Xi’an illustrates how archaeological and cultural resources have contributed to tourists' experiences. Through investigating an array of approaches that have been applied to advance tourists' understanding of archaeological and cultural resources, the paper proposes that more versatile methods and creative works are to be integrated to develop effective interpretative methods for both education and entertainment purposes. Local government needs to change its top-down approach to a more inclusive one, to establish strong networks among state and non-state stakeholders, and to promote their collective involvement in archaeological heritage tourism. Heritage site packaging strategies and partnerships among heritage resources citywide are advocated. More attention should be given to how to integrate various resources of local communities into heritage tourism. The current organization of government-run archaeological heritage in China calls for more opportunities for archaeologists to contribute actively with their expertise to enhance interpretive programmes and general tourist experience.     

Monster mines,dugouts, and abandoned villages: a composite narrative of Burra’s heritage

In a bid to join recent efforts to develop innovative approaches to heritage, this article argues that adopting a collaborative mode of inquiry is a useful way of coming to terms with the plurality of ways heritage landscapes are enlivened by their visitors. It also points to some of the advantages of incorporating researchers’ personal experiences into academic research. With a focus on the Burra Heritage Trail in South Australia (geared around the Burra Heritage Passport), the article brings together four sets of research experiences, each informed by different (though cognisant) disciplinary backgrounds: art history, anthropology, heritage studies, and tourism planning. The result is a form of experimental autoethnographic writing in which four voices reflect upon their embodied, sensuous, and mobile experiences as ‘tourist’ moving through the same places, thereby offering multiple ways of knowing and telling about a single setting.     

Domestic tourists to Elmina Castle,Ghana: motivation,tourism impacts,place attachment,and satisfaction

Abstract

Current research on dark tourism lacks an in-depth investigation of the relationships between the various psychological factors that influence tourist satisfaction. Using the cognitive-affective-behavior system, this paper evaluates a theoretical model that postulates relationships between four constructs, namely: motivation, perceptions of tourism impacts, place attachment, and satisfaction. The study extends the tourism literature on cultural sustainability by showing the psychological connections of domestic tourists to a dark heritage site, and the implications for perceptions of tourism impacts on this heritage. Based on a sample of 414 domestic tourists at a dark heritage site in Elmina, Ghana, PLS-SEM confirmed several inter-relationships among the four constructs. Motivation had a positive relationship with perceptions of positive and negative tourism impacts, suggesting that the tourists who were more motivated to visit the site for cultural/learning experiences were also more inclined to perceive both positive and negative tourism impacts. Implications for dark tourism and how heritage site management can influence tourists’ perceptions of impacts are offered.     

Promoting coastal communities through cultural tourism: the case of fishing communities in Brunswick County,North Carolina

Heritage tourism, if planned based on the needs and values of communities, can benefit both tourists and residents. In coastal areas especially, urban and industrial developments may create negative impacts on historic coastal communities and their traditional way of life. This research attempts to identify and highlight the value of coastal cultural heritage, in particular commercial fishing heritage, for the promotion of cultural tourism. This study investigates whether commercial fishing heritage can provide an authentic cultural tourism to benefit local fishing communities. Fishing communities in southeastern North Carolina are in decline due to different factors including the shortage of fish, new fishing legislation and restrictions and urban development. Therefore, their traditional environment is fading away. This research attempts to highlight the important role of fishing cultural heritage in promoting cultural tourism for sociocultural benefits. The present study examines the level of tourist interest in fishing heritage and cultural places in the four fishing towns of Varnamtown, Shallotte, Holden Beach, and Southport in Brunswick County, North Carolina.     

Archaeological tourism: A creative approach

This theoretical paper conceptualises the role of tourism providers in facilitating creative tourism experiences by focusing on their ingenious enterprise, which we argue can help capture the tourism potential of intangible archaeological heritage. Intangible archaeological heritage can be understood as knowledge emanating from actors’ own interpretation of archaeological sites that have either become physically inaccessible or been destroyed since initial exploration. Archaeological heritage is often equated with tangibility, which results in an omission of experiences that intangible archaeological heritage can offer. By proposing a rethinking of the archaeological tourism framework, we argue that the touristic value of both tangible and intangible archaeological heritage is better realised and can be further utilised to study the easily overlooked aspect of providers’ ingenuity.     

Negotiating authenticity: Cathar heritage tourism

This paper explores the negotiation of authenticity with the case of Cathar heritage tourism in southern France. Also known as the Albigensians, the Cathars were a medieval sect practicing in the Languedoc Region of southern France from the tenth to the fourteenth century. Cathar heritage tourism is based upon various museums, heritage centers, castles, and seasonal trading fairs or markets supplemented by the activities of Cathar re-enactment or ‘living history’ societies. This interest in Cathar heritage has led to a highly saturated calendar of events. In 2010, for example, the total number of all varieties of these events in France was 36, with over 4000 people actively participating and the events attracting upwards of about 3 million visitors annually.

Based on a case-study approach, the geographical breadth of Cathar heritage tourism in France is outlined, giving brief case studies of each of the main types of tourist experiences. This is followed with a discussion on how notions of authenticity and commodification are constructed by key participants through the staging of particular types of Cathar heritage tourism.     

Service Fairness,Consumption Emotions,Satisfaction, and Behavioral Intentions: The Experience of Chinese Heritage Tourists

Drawing on the cognitive appraisal theory and the justice theory from the marketing and tourism literature, this study attempts to illuminate the embedded impact of tourist experience on overall satisfaction and behavioral intentions in a cognitive-affective-behavioral framework. The findings suggest that service fairness is an antecedent of consumption emotions (positive and negative) that, in turn, influence satisfaction and behavioral intentions in the context of Chinese natural heritage tourism. Notably, the results highlight the mediating role of tourists’ consumption emotions. This article concludes with a discussion of the theoretical and practical implications to heritage tourism researchers and managers.     

The classification of heritage tourists: a case of Hue City,Vietnam

Heritage, especially with World Heritage status, is increasingly becoming the main attraction of many tourist destinations. Heritage tourism is also the major tourism product in Hue city, Vietnam. Hitherto, there are almost no official statistics and research pertaining to heritage tourism as well as heritage tourists in Hue. This study aims at providing a preliminary profile of heritage tourists to Hue city and identifying different categories of heritage tourists, with a special focus on package tourists. The international heritage tourists' profile seems to be similar to official statistics of international arrivals, indicating almost no difference in socio-demographic profile between heritage tourists and general tourists in the context of Hue. Various significant differences were found between international and domestic tourists in terms of tourist characteristics, trip profile and the perception of Hue. Adopting McKercher's [(2002) Towards a classification of cultural tourists. International Journal of Tourism Research, 4, 29–38] cultural tourist classification, five categories of heritage tourists were identified, including purposeful heritage tourists, sightseeing heritage tourists, casual heritage tourists, incidental heritage tourists and serendipitous heritage tourists. Among these, sightseeing heritage tourists and purposeful heritage tourists were dominant.     

Heritage Buildings and Tourism: An Experiential View

There has been a lack of attention in previous heritage tourism studies to the experiential relationship between heritage buildings and tourism. The aim of this paper is to explore the experiences gained by international tourists from heritage buildings in a particular region of New Zealand: Hawke's Bay. Specifically, the paper seeks insight into the specific attributes of heritage buildings that influenced the experiences of international tourists in the region. An increased understanding of the experiential relationship between heritage buildings and tourism is essential in strengthening support for preservation, for product development and promotion. Fifty semi-structured, and 66 photograph-supported, interviews conducted with international tourists visiting Hawke's Bay elicited three key experiential themes that emerged from respondents' narratives. These are ‘visual appeal’, ‘personal reflections’ and ‘engaging experiences’. Specifically, it was found that a tourism townscape is not a passive space. Heritage buildings render the townscape an experiential space filled with emotion, mindfulness, engagement and personal meaning. The paper concludes that this finding has important implications for destination promotion and product development and stresses the need for future research into the relationship between heritage buildings and tourism.     

Host–guest authentication of intangible cultural heritage: a literature review and conceptual model

ABSTRACT

Cultural tourism and intangible cultural heritage (ICH) play a key role in tourism worldwide, and are especially important for communities in developing countries, due to the demand for authentic experiences. This article provides a review of existing literature on the authenticity and authentication of ICH. The review reveals scholarly inquiry has evolved from external-expert ‘cool’ authentication to direct host–guest on-site or ‘hot’ authentication whereby tourists participate in the process of determining authenticity. Further, existing models for authentication of ICH have focused only on either a guest’s or host’s perspectives with little attention to the inevitable mutual interaction of the host and guest in the authentication of ICH. Mutual authentication can enhance the tourist experience and improve community empowerment. This paper develops a conceptual model of the mutual (host–guest) authentication of ICH, incorporating both hosts’ and tourists’ perspectives. The model has application in ICH based tourism and emphasizes power relationships between the host and guest, and community empowerment across political, social, psychological and economic domains. Future research is needed to test and validate this conceptual model.     

An application of tourism carrying capacity assessment at two Italian cultural heritage sites

If not properly managed or organized, tourist flows can constitute a risk for conserving cultural heritage sites. It may therefore be important to estimate the maximum capacity a visitor site can receive without compromising its heritage integrity or visitors’ experiences. This research note formulates a comprehensive methodology to assess the carrying capacity of cultural heritage sites as a way of providing technical support for cultural development and tourism management policies. This approach proposes a combination of qualitative and quantitative indicators to assess tourist flows at a site, how tourists affect conservation and how the property itself shapes and conditions the visitor experience. This how-to study underscores the management system and suggests guidelines to improve the tourism product without generating negative impacts on the built heritage. Two museum case studies are highlighted – the National Museum of the arts of the XXI Century, in Rome and the National Gallery of Marche (Palazzo Ducale, in Urbino).     

Tourist Perceptions of Heritage Exhibits: A Comparative Study from Israel

It is common in tourism and leisure literature to define and approach tourism subgroups in terms of the presence of the tourists in certain spaces. This approach is challenged in the present paper. It is argued that the understanding of heritage tourism should be based on the link between the individual and the space, namely tourist perceptions of a site relative to their own heritage. Based on a study dealing with visitation patterns to places where historic artefacts are presented, it is suggested that tourist perception is key to the understanding of visitation patterns. It is not so much the artefacts the tourists see or observe, but the meaning they ascribe to them. The theoretical implications of this argument are discussed in terms of tourism in general and heritage tourism in particular, as well as the practical applications to cultural heritage management.     

Heritage authenticities – a case study of authenticity perceptions at a Danish heritage site

Authenticity in reconstructions of the past is essential to heritage management, and new technologies have made this a highly pertinent dilemma. Demands for new interpretation offers and experiences raise questions of the extent to which such demands can or should be met. New technologies have already made their way into the heritage industry as a means of innovation for interpretation offers, among these is augmented reality. New technologies have made a limited break-through arguably rooted in conservatism among heritage managers. This raises a question of managers' understandings and perceptions of authenticity and effects on heritage and new technologies. Based on an exploratory case, Lindholm Høje Viking burial and museum in Denmark, this paper proposes that different conceptions of authenticity can co-exist within the tourist setting, whereby new technologies can be implemented to strengthen heritage sites as tourism attractions while still paying attention to authenticity and ongoing authentication processes. Abstract, conceptual discussions of authenticity often stress the extremes, but it is here argued that a combination can exist in practice. The paper also suggests that understanding levels and patterns of authenticity among various groups of actors is central to discussions of authenticity and its role in tourism settings.     

Creative destruction Zhu Jia Jiao, China

Chinese water towns have experienced tourism investment since the adoption of the Open Door Policy in 1978. These river-based settlements offer an ancient small-town atmosphere, historic architecture, and a diversity of heritage commodities. The implications of this development in one such town, Zhu Jia Jiao, are examined through application of the model of creative destruction. Data collected on investments, tourist numbers, and resident attitudes reveal that this destination is in the model’s second stage of advanced commodification, which may be maintained if limits are placed on arrivals. Findings should be beneficial to other communities which are basing their development on marketing small-town heritage.     

The network of Spanish Jewries: in praise of connecting and sharing heritage

This article presents the case study of the Network of Spanish Jewries (‘Red de Juderías de España’ – Caminos de Sefarad) and discusses the implications of networking between heritage sites linked through thematic routes. Although the impact on the performances of the different sites can hardly be measured, the value of the Spanish Jewries is attributed especially to its potential to redress regional imbalances in tourism activity (one of the main concerns for Spanish tourism) and to be packaged as a more integral, economically viable, and enticing experience than stand-alone heritage-based products. Evidence from the case study gives rise to more general considerations on the value of heritage networks for a more sustainable tourist activity, knowledge-sharing, and coordination in management. The article also looks beyond tourism impacts to regional cohesion and economic development opportunities that could be reaped from the extension of the network across national borders.     

Exploring Critical Factors of Macau's Heritage Tourism: What Heritage Tourists are Looking for when Visiting the City's Iconic Heritage Sites

Although Macau is widely stigmatized as a gambling paradise, its colonial past has left the city with a wealth of heritage and cultural attractions that can be converted into priceless tourism resources. Macau's status as world heritage city further creates opportunities for the city to develop its heritage tourism business. This requires Macau to understand heritage tourists whose needs and wants may vary from ordinary travelers. A review of the literature, however, indicates that most academic discussions of Macau heritage are from a history or conservation perspective rather than from the prism of tourism; because of this, the present study aims to explore, from a tourism perspective, the critical factors that are essential to enhance tourist experience when visiting Macau's major heritage sites.     

Town walls,walled towns and tourism: paradoxes and paradigms

The paradoxical relationship between tourists and town walls is examined in the wider context of the walled town tourism. Such towns may be paradigm cases for historic towns as attractions for heritage, urban and cultural tourism among the ‘flows and scapes’ of delocated global tourism. Widely distributed across the ‘old’ world and extant even in the ‘new’, town walls can be seen as the grim barriers between contested identities or as the emblems of the peaceful security of the town within. The paper draws on material gathered as part of a European Interreg IIIc network project – ‘ARCHWAY’. Walled towns and related monuments represent nearly 20% of the 890-strong 2009 world heritage list and half the ‘ARCHWAY’ towns have world heritage status or aspirations. To meet the economic and urban planning challenges, walled towns have developed a range of options for success in, or for surviving, tourism. Examples from across Europe and beyond are critically appraised in the light of the literature of historic and heritage town tourism. As historic towns with obvious signs of past conflict, walled towns point the way to examining urban heritage tourism with de-romanticised vision.     

User experience model for augmented reality applications in urban heritage tourism

While Augmented Reality (AR) is increasingly being implemented across a number of industry sectors, an open issue remains over the emotional as well as experiential impacts of this new technology within urban cultural heritage tourism. Therefore, the purpose of this study is to create a tourist experience model for AR tourism applications in the context of urban heritage tourism. The data were collected through five focus groups with a total of 49 participants. A theoretical tourist experience model was generated using Hassenzahl’s [(2003). The thing and I: understanding the relationship between user and product. In M. A. Blythe, K. Overbeeke, A. F. Monk & P. C. Wright (Eds.), Funology (pp. 31–42). Dordrecht: Kluwer Academic Publishers] model of user experience. Hassenzahl's (2003) model relies on the basic idea that product characteristics and features have an effect on the actual consequences. The data were analysed using thematic analysis in order to examine the alignment of themes according to previously identified themes from the literature as well as investigate new emergent themes from the focus groups. This study extends the theoretical aspect of the user experience model by Hassenzahl (2003) through empirical confirmation. The findings reveal that the user experience is formed by the correlation of product features and the perceptions and experiences of tourists. Due to the fact that successful implementation use cases of mobile AR applications is still limited, particularly within the tourism industry, the establishment of a comprehensive set of factors has been considered to be crucial for successful implementation.     

Conceptualizing visitor satisfaction management in heritage settings: an exploratory blueprinting analysis of Leeds Castle, Kent

Historic buildings are central to the cultural identity of European nations, many are also important tourist attractions, but their internal configurations are idiosyncratic, with steep narrow stairways, many passageways and tiny windows. These conditions present contemporary heritage managers with a range of problems relating to conservation, as well as presentation and visitor management. This paper examines the relationship between service design concepts and the management of visitors' experiences and satisfaction within a heritage setting, applying a modified service blueprinting approach, based on visit diaries and interviews with management, in an exploratory study of Leeds Castle, one of Britain's oldest historic houses. The limitations of the research method are considered, and the paper discusses the need for further research into the management of visitor experiences in the heritage sector of tourism.     

Cultural heritage and Indigenous tourism

ABSTRACT

Tourism is acknowledged as a vehicle that can help sustain both tangible and intangible elements of Indigenous cultural heritage, including languages, stories, song, art, dance, hunting methods, rituals and customs. Often, cultural heritage products developed for tourism promise to provide many socio-economic opportunities for the communities involved, however, tourism can also present a challenge as the self-management of Indigenous cultural product and cultural identity can be problematic. Given the pivotal role culture plays in the sustainability of Indigenous tourism products, it is time for a twenty-first century examination of the nexus between cultural heritage and Indigenous tourism. This paper reflects upon tourism and contemporary Indigenous cultural heritage, both tangible and intangible. Through a review of the current literature on Indigenous tourism and cultural heritage, the authors identify key areas for future research and aim to stimulate further discussion around the ways Indigenous tourism may be developed to sustain Indigenous cultural heritage.