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传统具象油画中的抽象性语言分析
引用本文:张剑.传统具象油画中的抽象性语言分析[J].浙江工商职业技术学院学报,2007,6(2):32-34.
作者姓名:张剑
作者单位:宁波美术馆,浙江,宁波,315000
摘    要:西方传统油画在崇尚科学的理性思想下,由于更注重事物的模仿,抽象性语言的发掘还处在自发期,然而,在追求“真实性”的背后仍然潜藏着语言的抽象性,这种潜在的抽象性语言为现代油画的发展提供了许多有益的启示,通过对传统油画中抽象性语言的分析,有助于我们更深入了解西方油画的发展脉络,并为当下具象油画的发展提供有效的借鉴。

关 键 词:具象油画  抽象性语言  非具象
文章编号:1671-9565(2007)02-0032-03
修稿时间:2007-04-28

Analysis on the Abstract Language of Traditional Oil Painting of Objectives
ZHANG Jian.Analysis on the Abstract Language of Traditional Oil Painting of Objectives[J].Journal of Zhejiang Business Technology Institute,2007,6(2):32-34.
Authors:ZHANG Jian
Institution:Ningbo Art Gallery, Ningbo 315000, China
Abstract:Affected by the rational thought of advocacy of science, western traditional oil painting places more value on the imitation of objectives. The exploration of the abstract language is still in its spontaneous period. However, the abstract language hides in its seeking after the art of reality. The potential abstract language gives a lot of inspiration to the development of modern oil painting. Through the analysis on the abstract language of traditional oil painting of objectives, it helps us further understand the development of western oil painting and provides some effective reference to the present development of oil painting of objectives.
Keywords:oil painting of objectives  abstract language  non-objectives
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