| 美学中的荒诞 |
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| 引用本文： | 叶晓玲.美学中的荒诞[J].福建金融管理干部学院学报,2006(6):60-63. |
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| 作者姓名： | 叶晓玲 |
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| 作者单位： | 福建政法管理干部学院,福州,350007 |
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| 摘 要： | “荒诞”作为西方现代主义文化艺术最典型的审美形态和最核心的审美范畴，经历了由艺术表现手法发展到文艺思潮流派，然后上升为审美范畴的过程．本文分析“荒诞”作为审美范畴的内涵，全面阐述荒诞派文艺作品主要审美特征，深入探求荒诞派文艺的思想根源。
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| 关 键 词： | 荒诞 荒诞派 存在主义 |
| 文章编号： | 1009-4768（2006）06-0060-04 |
| 收稿时间： | 2006-11-10 |
| 修稿时间： | 2006年11月10 |
Absurdity in Aesthetics |
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| Ye Xiao-ling.Absurdity in Aesthetics[J].Journal of Fujian Institute of Financial Administrators,2006(6):60-63. |
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| Authors: | Ye Xiao-ling |
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| Abstract: | Absurdity is the most typical aesthetic shape and the most central aesthetic category in the western modernism cultures and arts. Absurdity has experienced from the artistic technique of expression to schools of the thinking trends in the literature and art, and has been promoted into the aesthetic category. In this essay, the writer tries to explain the main aesthetic characteristics of the artistic works belonging to absurdity school, analyze the absurd intension as an aesthetic category, and explore the ideological roots of the literature and art in absurdity school thoroughly. |
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| Keywords: | Absurdity Absurdity School Existentialism |
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