Artists' positioning in and creating authentic identities through place and tourism in New Orleans's Jackson Square

In this paper, I explore how artist identities are constructed in relation to processes associated with tourism and a tourist site in New Orleans. My analysis draws from literatures concerning art, tourism art, and artist identities as well as from Goffman's work on identity, particularly in relation to impression management through setting, appearances, and manners in front and back regions. Relying on archival and ethnographic data, I show how facets of the ‘venerated artist’ social identity, tourism, and a nostalgic historical geography have privileged the place of artists in Jackson Square's Pedestrian Mall and supported the construction of authentic personal and felt artist identities. However, in these same ways, potentially progressive cultural practices associated with art, place, and identities are foreclosed, creating a variety of exclusionary issues.