供应商绿色压力对交通运输企业绿色创新行为的影响

阐释了3位知名瑞士风景园林师——基纳斯特(1945—1998)、德贡布(1939—)和沃格特(1957—)的作品,并论及他们如何受到了奥地利作家汉德克(1942—)的现象美学影响。3位风景园林师均致力于通过形式的塑造来揭示景观体验;而空间中的运动是上述1位作家和3位风景园林师作品共同的核心主题,此外,他们还极为关注城市空间的边缘地带。从城区行走到城外、在城市与自然间穿梭往返,是汉德克作品中反复出现的主题。正因如此,汉德克探寻到了一种与其诗意理想相呼应的景观的“易读性”(legibility)和“可体验性”(experienceability),这也使他在2019年被授予了诺贝尔文学奖。讨论了3位风景园林师的设计方法和场地实践,并将他们作品的核心归纳为——身处场地、寻找形式、通过设计干预赋予景观清晰性和可体验性。

On-site Practice: Being "In the Field", Searching for Forms, Making Landscape Experienceable through Words and Design

The paper lays its focus on the work of three Swiss landscape architects of international renown, Dieter Kienast (1945-1998), George Descombes (1939-), and Günther Vogt (1957-), and how they were influenced by the phenomenological aesthetic of the Austrian author Peter Handke (1942-). All three landscape architects aimed to uncover an experience of an existing landscape that is, however, only manifested through form. Movement in space is a central motif in the work of the author and the landscape architects, whereby their observations focus very often on the margins of urban space. Walking in the city, out into the periphery, crisscrossing and passing through nature are frequently recurring motifs in Handke''s work. At such moments, Handke found a "legibility" and "experienceability" of landscape that corresponds to his poetic ideal, for which he was awarded the Literature Nobel Prize in 2019. Being in the field, searching for forms and making landscapes legible and experienceable through design interventions is core to the work of the landscape architects that are presented in this paper, which also touches on their methodology and on-site practice