| 中国道家文化在《看不见的人》中的具体体现 |
| |
| 引用本文： | 高灵英.中国道家文化在《看不见的人》中的具体体现[J].郑州经济管理干部学院学报,2008(3). |
| |
| 作者姓名： | 高灵英 |
| |
| 作者单位： | 郑州大学外语学院; |
| |
| 摘 要： | 美国黑人作家拉尔夫.艾里森的《看不见的人》仿佛是用中国道家文化编制的一幅现代主义的上乘之作,渗透了老子的静观弱用、天道自然无为和返璞归真的观点,反映了主人公在寻找潜在孤独自我本质的过程中所经历的痛苦的心路历程。
|
| 关 键 词： | 《看不见的人》 道家文化 静观弱用 天道自然无为 返璞归真 现代主义 |
Chinese Daoism Embodied in Invisible Man |
| |
| GAO Ling-ying.Chinese Daoism Embodied in Invisible Man[J].JOurnal of Zhengzhou Economics & Management Institute,2008(3). |
| |
| Authors: | GAO Ling-ying |
| |
| Institution: | GAO Ling-ying(Foreign Languages School,Zhengzhou University,Zhengzhou 450001,China) |
| |
| Abstract: | Invisible Man by American black writer Ralph Ellison seems to be a great modernism masterpiece that embodies our Chinese Daoism: watching calmly and waiting for the change,being natural and letting things take their own course,returning to the natural state.It also reflects the hero's psychological misery who tries to pursue his own personal identity. |
| |
| Keywords: | Invisible Man Daoism culture watching calmly and waiting for the change being natural and letting things take their own course returning to the natural state modernism |
| 本文献已被 CNKI 等数据库收录！ |
