| 枯蓬胜艳葩——论艺术中的丑及其美学意蕴 |
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| 引用本文： | 余安安.枯蓬胜艳葩——论艺术中的丑及其美学意蕴[J].辽宁商务职业学院学报,2014(3):293-296. |
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| 作者姓名： | 余安安 |
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| 作者单位： | 中国社会科学院研究生院,北京102488 |
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| 摘 要： | 现实生活中的丑在艺术作品中得以表现,这种表现是丰富多元的,并形成艺术美的元素.艺术家凭借对世界的观察和对人生的体悟,融入了不同寻常的审美理念,通过独特的艺术手法来完成对丑的刻画或改造,产生了难能可贵的美学价值.丑丰富了艺术的内涵,展现了审美的张力,在传统艺术和现代艺术中占据重要地位,蕴含着丰富深厚的美学意蕴.
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| 关 键 词： | 丑 审丑 艺术美 |
Study on Ugliness in the Art and Its Aesthetics Implication |
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| YU An-an.Study on Ugliness in the Art and Its Aesthetics Implication[J].Journal of Liaoning Business Vocational College,2014(3):293-296. |
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| Authors: | YU An-an |
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| Institution: | YU An-an (Graduate School ,Chinese Academy of Social Science, Beijing 102488 ,China) |
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| Abstract: | Works of art show ugliness of real life and the manifestation is rich and polyphyletic and becomes the element of beauty. Artists perform ugliness by observation of world and understanding of life. Ugliness has an important place in traditional art and modem art. Ugliness has aesthetic value. |
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| Keywords: | ugliness ugliness observation artistic beauty |
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