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南派筝曲音乐风格的形成与其地域音乐文化的关系
引用本文:王喆,李婷婷.南派筝曲音乐风格的形成与其地域音乐文化的关系[J].铜陵财经专科学校学报,2013(3):85-87.
作者姓名:王喆  李婷婷
作者单位:[1]铜陵学院,安徽铜陵244000 [2]铜陵市天津路小学,安徽铜陵244000
基金项目:安徽省哲学社会科学规划项目“南北筝派音乐风格的比较研究”(AHSK09—10D192)
摘    要:对南派筝曲的音调来源、音阶结构、旋律发展手法和音乐结构四个方面进行形态学分析,揭示南派筝曲与南方地域音乐文化的密切关系,比较南派筝曲音乐风格的差异,探寻南方民间音乐对南派筝曲在音乐风格上的影响,挖掘南派筝曲地域性音乐风格形成的文化属性,并从文化地理学的视角追究这种地域性艺术风格的成因,以期演奏者能从理论上把握南派筝曲所蕴含的文化内涵。

关 键 词:古筝流派  音乐风格  文化属性

Impacts of Local Music Culture on Formation of Guzheng Music Style in Southern China
Authors:Wang Ze  Li Ting-ting
Institution:1.Tongling University,Tongling Anhui 244000,China; 2.Tianjin Road Primary School of Tongling City, Tongling Anhui 244000, China)
Abstract:In this paper, the author reveals the close relationship between Guzheng music in Southern China and the regional musical culture in the area with a morphological analysis of Guzheng music in Southern China in such aspects as the origin of peculiar Guzheng tones, the structure of musical scale, the technique of melodic development, and music structure; contrasts the music styles of different southern Guzheng schools to explore the impact of the southern folk music upon the Guzheng music styles in Southern China and the cultural nature in the formation of the regional Guzheng music styles; and traces the causes of the regional artistic style in the perspective of cultural geography, so as for Guzheng players to understand the cultural connotation of Guzhcn music in Southern China in a theoretical way.
Keywords:the Guzheng school  music style  cultural nature
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