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| 日本汉文言小说《谭海》的小说观念及艺术特色 | |
| 引用本文： | 何晓丹. 日本汉文言小说《谭海》的小说观念及艺术特色[J]. 沈阳工程学院学报(社会科学版), 2007, 3(3): 419-421 |
| 作者姓名： | 何晓丹 |
| 作者单位： | 福建师范大学,文学院,福州,350007 |
| 摘 要： | 《谭海》这部日本汉文笔记小说在小说观念上体现了向我国魏晋六朝时期的回归,体例特征上它契合文言笔记小说发展的总体趋势。它的创作也颇有艺术特色,既体现为总体格调的趋雅和教导倾向,又体现为简古倾向。 |
| 关 键 词： | 《谭海》 回归 艺术特色 |
| 文章编号： | 1672-9617（2007）03-0419-03 |
| 修稿时间： | 2007-01-14 |
Novel concept and artistic feature of Tan Hai of Japan written in classical Chinese |
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| HE Xiao-dan. Novel concept and artistic feature of Tan Hai of Japan written in classical Chinese[J]. Journal of Shenyang Institute of Engineering:Social Sciences, 2007, 3(3): 419-421 | |
| Authors: | HE Xiao-dan |
| Affiliation: | College of Chinese Language and Literature, Fujian Normal University, Fuzhou .350007, China |
| Abstract: | Tan Hai,Japanese novel is written in classical Chinese,shows the return towards Wei Dynasty,Jin Dynasty and Six Dynasties of China on the aspect of novel concept.Tan Hai corresponds to the general development trend of note novel written in classical Chinese on the aspect of style character.Its creation shows artistic features,namely,general pattern tends to elegance,instruction and simplicity. |
| Keywords: | Tan Hai return artistic feature |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ | |