| 《三国演义》成书过程以及作者和艺术表现手法研究 |
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| 引用本文： | 黄晋.《三国演义》成书过程以及作者和艺术表现手法研究[J].湖南经济管理干部学院学报,2012(1):97-100. |
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| 作者姓名： | 黄晋 |
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| 作者单位： | 东北师范大学文学院,吉林长春130024 |
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| 摘 要： | 《三国演义》以蜀汉为正统,处处尊刘贬曹,尤其是明清时期流行的毛评本,进一步＂强调汉室皇朝正统＂为作品主题思想,具有极高的艺术创作价值。结构严谨,脉络分明,语言精练。虽然,它也存在一些瑕疵,但是其依然是一部瑕不掩瑜的流传千古特别是在明清时期广为流传的伟大古典文学巨著。
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| 关 键 词： | 三国演义 成书过程 作者 艺术表现手法 研究 |
The Writing Process, the Author and Artistic expression of the Romance of the Three Kingdoms |
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| HUANG Jin.The Writing Process, the Author and Artistic expression of the Romance of the Three Kingdoms[J].Journal of Hunan Economic Management College,2012(1):97-100. |
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| Authors: | HUANG Jin |
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| Institution: | HUANG Jin(School of Liberal Arts,Northeast Normal University,Changchun130024,Jilin,China) |
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| Abstract: | The Romance of the Three Kingdoms,took Shu Han as the legitimate one,in which LiuBei was greatly respected,while CaoCao exaggeratedly disparaged.The version remarked by Mao Zonggang criticizes on ＂the Romance of the Three Kingdoms＂,one of the most widely recognized comments in Ming and Qing Dynasties,the novel moves it further ＂stresses the Han dynasty legitimacy＂ as its theme.It has extremely high artistic creation value,features by its rigorous structure,clear train of thought and succinct language.Despite of some flaws,it’s still widespread great historic classical literature masterpiece,especially in the Ming and Qing dynasties. |
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| Keywords: | The Romance of the Three Kingdoms the writing process author means of artistic expression research |
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