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浅论汪曾祺《受戒》的绘画美
引用本文:曹付剑.浅论汪曾祺《受戒》的绘画美[J].沈阳工程学院学报(社会科学版),2012,8(3):302-303,314.
作者姓名:曹付剑
作者单位:西南大学中国新诗研究所,重庆,400715
摘    要:汪曾祺是一位极具创作个性的作家,他的绝大多数小说都试图跃出小说载体本身,在绘画艺术中得到了更好地表现和满足。在小说《受戒》中,汪曾祺运用多种能促成绘画美的手法:或是采用虚实相间,常留空白的技法;或是讲究画面形象之间的位置、层次、对比、衬托的关系;或是在小说中描写了大量的地方风俗。这些手法使小说具有三种绘画效果:空白美、布局美和风俗美。

关 键 词:汪曾祺  《受戒》  绘画美

Elementary discussion on painting beauty of Ordained by Wang Zeng-qi
CAO Fu-jian.Elementary discussion on painting beauty of Ordained by Wang Zeng-qi[J].Journal of Shenyang Institute of Engineering:Social Sciences,2012,8(3):302-303,314.
Authors:CAO Fu-jian
Institution:CAO Fu-jian(Institute of Chinese New Poetry,Southwest University,Chongqing 400715,China)
Abstract:Wang Zeng-qi is a very creative writer.Most of his novels are out of the novel itself to show better and meet the needs in the art of painting.In the novel Ordained,Wang Zeng-qi uses a variety of techniques to the painting beauty:the use of imaginary-real complication,leaving blank technique;or paying attention to the screen image between positions,levels,contrast,contrast relations;or in the novel depicts a number of local customs.These methods make the novel has three kinds of painting effects:blank beauty,layout beauty and custom beauty.
Keywords:Wang Zeng-qi  ordained  the painting beauty
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