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浅论苏轼“诗中有画”“画中有诗”命题的学理依据
引用本文:高云鹏.浅论苏轼“诗中有画”“画中有诗”命题的学理依据[J].沈阳工程学院学报(社会科学版),2009,5(1).
作者姓名:高云鹏
作者单位:中国人民大学文学院,北京,100872
摘    要:苏轼从文艺本质、创作、作品三个方面确立了以诗画"一律"、诗画"略同"为核心思想的诗画关系理论体系.他对王维"诗中有画""画中有诗"的评论就是建立在这个理论体系基础之上的.同时.这则评论与苏轼提出的"士人画"这个概念也有着密切的联系.文章通过对苏轼诗画关系理论的梳理和阐释,进而对"诗中有画""画中有诗"的内涵和外延作以全面的界定.

关 键 词:苏轼  王维  "诗中有画"  "画中有诗"  "士人画"

Elementary discussion on doctrinal foundation of Su Shi's proposition "pictures in poetry" and "poetry in pictures"
GAO Yun-peng.Elementary discussion on doctrinal foundation of Su Shi's proposition "pictures in poetry" and "poetry in pictures"[J].Journal of Shenyang Institute of Engineering:Social Sciences,2009,5(1).
Authors:GAO Yun-peng
Institution:School of Liberal Arts;Remin University;Beijing 100872;China
Abstract:From three aspects of the literary essence,creation and the works,Su Shi establishes a poetry-picture relation theory system which takes the ideas of "there are the same rule and similarity between poetry and picture" as core.His comments on Wang Wei's "pictures in poetry" and "poetry in pictures" are based on this theory system.At the same time,this comment has a firm relationship with Su Shi's concept of "elite's picture".By organizing and stating Su Shi's poetry-picture relation theory,defines roundly th...
Keywords:Su Shi  Wang Wei  "pictures in poetry"  "poetry in pictures"  "elite's picture"  
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