| 徽州目连戏音乐的文化视野 |
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| 引用本文： | 盛霞,施文楠,陈昌文.徽州目连戏音乐的文化视野[J].安徽工业大学学报(社会科学版),2009,26(6). |
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| 作者姓名： | 盛霞 施文楠 陈昌文 |
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| 作者单位： | 1. 铜陵学院文学与艺术传媒系,安徽铜陵,244000
2. 铜陵市文化局,安徽铜陵,244000 |
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| 基金项目： | 2009年度安徽省高等学校优秀青年人才基金重点项目(2009SQRZ157ZD) |
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| 摘 要： | 徽州目连戏音乐源于佛经故事,具有悲情文化涵义和民俗文化特点,其唱腔具有"阴柔化"文化特征。
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| 关 键 词： | 徽州目连戏 阴柔化 宗教音乐 民俗文化 |
On the Cultural Horizon of the Music in Huizhou Mulian Opera |
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| Authors: | SHENG Xia SHI Wen-nan CHEN Chang-wen |
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| Institution: | SHENG Xia1,SHI Wen-nan2,CHEN Chang-wen1 (1.Department of Literature , Art Media,Tongling College,Tongling 244000,2.Tongling Bureau of Culture,Anhui,China) |
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| Abstract: | The music in Huizhou Mulian Opera,which originates from buddhist stories,has sad cultural meanings and cultural characteristics of folk custom.The aria of the music has cultural characteristic of feminine |
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| Keywords: | Huizhou Mulian Opera feminine religious music culture of folk custom |
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