博物馆解说系统的游客期望、使用和评价研究——基于知识需求的分析

博物馆的社会教育功能越来越受到游客和社会的关注,然而,当前我国博物馆解说系统的规划设计在很大程度上忽视了游客的知识需求特征,一定程度上影响了游客的游览体验,并影响到博物馆教育功能的实现.文章以成都金沙博物馆为研究对象,对游客的知识需求和博物馆解说系统期望、解说工具使用,以及游览后的知识获得和解说系统评价进行了分析.结果发现:游客具有较高的知识需求水平,对博物馆解说系统在知识丰富性、知识传递的过程和方式寄予了比较高的期望;游客对知识需求和解说系统的不同期望水平并未对解说工具的使用比例整体上造成明显的影响,然而游客对解说工具的使用满意度在很大程度上影响了他们对知识获得和解说系统的评价;游客的期望只在部分程度上得以实现,而且体现出超过较低期望游客的预期,但未达到较高期望游客要求的特点.在此基础上,文章提出了金沙博物馆解说体系今后需要解决的一些问题.     

“The only place where people don't judge other people's body”: Obese people's museum experience

This exploratory study was designed to examine obese people's perception of factors affecting their museum-visiting experience. To best capture the experiential aspect, a qualitative research approach was adopted, and 24 in-depth semi-structured interviews were conducted. Findings yielded that the museum experience was hardly affected by the physical appearance and the presence of other patrons, this is contrast to previous studies in tourism related arenas. This is partly due to the realization that museum visitors tend to concentrate on the exhibits, and pay less attention to fellow visitors. Participants related to the “code of behavior” in museums that discourages gazing or explicitly staring at people. However, participants noted constraints and difficulties arising from the interaction between their body size and the physical environment. The study concludes that museums provide obese people with a safescape – a protective zone.     

Evaluating museum visitor experiences based on user-generated travel photos

ABSTRACT

This research introduces online travel photos published on social media platforms as a complementary data resource to examine the behavior and experience of museum visitors. The practical value of online travel photos is demonstrated through a case study of popular Hong Kong museums, particularly by using the photo content and metadata available from the Flickr platform. The proposed approach is a generic method for understanding museum visitor behavior and preferences, and supports museum practitioners in developing improved products for visitors. The case study findings are particularly beneficial for tourism managers, especially those in Hong Kong, in promoting and attracting tourists to visit local museums.     

People with disabilities visit art museums: an exploratory study of obstacles and difficulties

Visits to art museums are a major component of culture and heritage tourism. This study focuses on the obstacles that Israelis with disabilities – 30 people who use wheelchairs or crutches and 15 visually impaired people – face while visiting art museums. The in-depth interviews revealed that people with disabilities are not able to experience the museum as they wish, despite museum efforts toward becoming accessible to all. Participants emphasize the non-physical elements of the museum environment (e.g. staff attitudes and interaction with other visitors), as being major difficulties in achieving a full museum experience. The study shows that visitors often turn the barriers they confront into a difficulty, nevertheless the struggle itself has a negative effect on the visit experience.     

Free Time in an Art Museum: Pausing,Gazing and Interacting

Art museums are popular places where people choose to spend free time. Leisure in art museums may be characterized by silence, contemplation, reaction to art, and interaction with other visitors. The purpose of this exploratory investigation was to understand more about the nature of the art museum experience, using as a setting the Kunsthistorisches Museum (KHM) in Vienna, Austria. Between 2006 and 2008, a total of 100 adults who visited this museum engaged in conversational interviews with the researcher. Conversations showed that visits to art museums during free time stimulate complex interactions between visitors and art. Patrons consider art museums to be spaces for visual contemplation and playful leisure behavior, and sites of continued education that can inform our understanding of serious leisure.     

Tourists as Story-Builders: Narrative Construction at a Heritage Museum

Although tourism scholarship supports the idea that the appreciation of a tourism experience depends on the availability and communication of stories, attention has been paid almost exclusively on marketers and tourism organizers as the main designers and promoters of narratives, ignoring the role of tourists themselves in this process. Using heritage museums as an empirical context, this research suggests that the success of a narrative presentation in tourism destinations also depends on the tourists' involvement, willingness, and ability to actively participate in the storytelling experience. In this sense, tourists act as story-builders whose main task is to construct a historical narrative based on the selection and integration of the available sources. The findings show that museum visitors go through a three-stage process during their effort to complete a heritage narrative and make sense of their tourism experience. This work sheds light on the coconstruction of tourism experiences and provides marketing direction for the successful narrative staging of museums and tourism places in general.     

Beyond the authentic taste: The tourist experience at a food museum restaurant

This study investigates the factors influencing food experiences perceived by food tourists in the context of a food museum and its associated restaurant. A qualitative exploratory approach was employed, using Chinese tourists visiting Hangzhou Cuisine Museum in Zhejiang province. This research finds that food tourists look for knowledge accumulation and gastronomic experiences when visiting a food museum and restaurant complex, and each experience is formed by both tourist and setting factors. The findings highlight the significant and more complex engagement of setting factors in the museum restaurants. The institutionalised characteristics of museums are equally expected within the in-house restaurants, and social trust in the museum along with external factors that verify authentic representation of the museum contributed to the perceived authenticity of the food tourist's dining experience. This paper discusses broad implications for food experience design at food museums and restaurants as emerging tourism attractions.     

Craft museum visitors’ interactive experiences,benefits and behavioural intentions: perspectives of Chinese parents

ABSTRACT

Family visitors are important audiences for museums. This paper develops a model that examines the influence of Chinese family visitors’ leisure experiences in museums on their behavioural intentions (BI) with their perceived benefits (mindful benefits and non-mindful benefits, MB and NMB) as the mediating variables. Based on the theoretical framework of an interactive experience model, parents’ experiences in museums were divided into experience of existential authenticity (interaction with the exhibits) (EA) and experience of parents-children interaction (PCI). A total of 375 local family visitors at a cluster of craft museums in Hangzhou, China participated in the survey. The PLS-SEM analysis indicates that both EA and PCI have positive effects on perceived benefits. EA, which emphasises the personal interactions between visitors and exhibited objects as well as their intangible meanings, is found to be more powerful than PCI in shaping visitors’ BI. MB and NMB differ in their influence on visitors’ behaviours. Only MB is linked with visitors’ BI. Further, MB partially mediates the relationship between EA and BI, and fully mediates the relationship between PCI and BI. Implications are offered to enhance family visitors’ experiences through appropriate service management strategies.     

Positioning museums on an authenticity continuum

This research was designed to contribute to scholarly and applied understanding of how curators define authenticity and how those perspectives fit into the contemporary role of museums today. The study was drawn from a sample of curators based in the heritage museums of the state of Iowa, United States. A complex cross-section of ideologies behind the museum curtains is unveiled. This study positions the curators on an authenticity continuum and suggests a negotiation model reflecting active citizenship and social capital for the museum audience seeking a cultural tourism experience.     

Customer Satisfaction and Behavioural Intentions in a Rural Community Museum Environment

Abstract

This paper examines a cornerstone concept of mainstream marketing theory relating to the importance of customer satisfaction as an influence on future behavioural intentions. The underlying premise is that visitors to a tourist attraction whose expectations are met or exceeded will be satisfied with their experience, and that the degree of perceived satisfaction will positively correlate with their stated intention to repeat purchase and to recommend the experience to others. This paper reports an exploratory project to test the above proposition within a tourism industry context, specifically with reference to the museum sector. The study measures visitor satisfaction levels and future intentions to revisit or recommend the Matakohe Kauri museum in Northland, New Zealand-a rurally isolated tourist attraction which is heavily dependent on referrals to support its continued existence. Research was undertaken by means of a two part structured interview technique, conducted on site with 141 respondents on six separate days in September and October 1996. Visitor expectations were established by questioning prior to entry, whilst a subsequent exit interview captured respondents' perceived degree of satisfaction with their visit. The second interview included a measure of stated intention to return and to recommend the museum to others. Provisional indications are that perceived levels of satisfaction have little bearing on the visitor's stated intention to return to the attraction; however, a significant relationship exists between perceived satisfaction and intention to recommend to others. The results of this research will prove valuable as a foundation for a recommended programme of further research to more rigorously assess the performance of customer satisfaction theory within a rural folk museum environment.     

Key factors maximizing art museum visitors’ satisfaction,commitment, and post-purchase intentions

As there is a lack of empirical research examining art museum visitors’ post-purchase behaviors, this study tested the theoretical associations among image congruence, quality, affective experiences, satisfaction, and commitment to build a sturdy model of behavioral intentions. The concept of involvement was also included as a moderator. A field survey at art museums was conducted. The level of construct validity and reliability for all variables were satisfactory. Results of the structural model revealed that the proposed theoretical framework sufficiently accounted for the variance in intentions. Satisfaction was of greatest importance in generating intentions. Commitment and satisfaction acted as important mediators. Among nine hypothesized direct linkages, eight hypotheses were supported. Findings from the invariance model assessment supported the moderating influence of involvement on the relationships among quality, satisfaction, commitment, and intentions. The strength of such relationships among these variables was greater when museum visitors’ involvement level was high.     

Impact of generativity on museum visitors' engagement,experience, and psychological well-being

The increasing importance of museums has attracted scholars and industry practitioners to focus more on museum tourists. Visiting museums has become a means to meeting the generative needs of tourists. Therefore, this study investigated generativity, defined as guidance and care for the development of the next generation through self-expanding forms, and its impact on engagement, experience, and psychological well-being. Seventeen semi-structured interviews were conducted with tourists at the Macau regional art museums to verify and enrich the generativity measurement scale of museum tourists. Subsequently, structural equation modeling was performed on questionnaire data of 416 art museum tourists in Macau. The results revealed that generativity directly affects engagement, experience, and psychological well-being. Moreover, engagement directly affects experience and psychological well-being, and experience directly affects psychological well-being. Additionally, engagement and experience are mediating variables between generativity and psychological well-being. Theoretical contributions and practical implications are provided accordingly.     

Evaluating museum websites using a combination of decision-making theories

ABSTRACT

The role of museums is very important in cultural and heritage tourism, and a museum website plays an important role in attracting visitors, both physically and online. Therefore, these websites must be evaluated to ensure that their goals are met. However, the evaluation of a website is complex and is often omitted during the website’s life cycle, despite its importance. To simplify this process, this paper presents a framework for evaluating museum websites. The framework, based on an inspection method, is called the inspection evaluation method (IEM). This method uses criteria proposed by several researchers in a review of the different evaluation experiments for museum websites that have previously used an inspection method. IEM, different from all other methods reviewed, uses a combination of an analytic hierarchy process with a technique for the order of preference by similarity to an ideal solution for combining these criteria. The framework was applied to evaluate and rank the websites of five museums known worldwide. This combination uses the advantages of two multi-criteria decision-making theories and reduces their disadvantages.     

Does it pay off for museums to foster creativity? The complementary effect of innovative visitor experiences

This paper aims to explore the link between creativity orientation, investment in visitors’ experience and operating and funding performance in tourist attractions, taking museums as a case study. The empirical work is based on an analysis of the information provided by a sample of Spanish, French, German, British and American museums. The findings highlight the positive impact of creativity orientation on museums’ operating performance, but show a curvilinear effect on funding performance. The use of new technologies and adaptation to the audience proves positive when seeking to attract visitors.     

Reading between the lines: Multidimensional translation in tourism consumption

This paper argues that for translation to enhance the tourist experience literal accuracy is not enough and translations should be culturally sensitive to their target readers. Using the example of museum websites as a form of purposive tourism information designed to both inform and attract potential visitors, this paper analyzes websites of museums in the UK and China. We argue that no matter how accurate a translation may be, if the norms of the target tourist community have been ignored a translation may fail to achieve its purpose and may even have a detrimental effect on the tourism experience. By bringing together translation and tourism theory, we demonstrate when the cultural element of tourism is considered alongside the translation of texts, the need for linguistic accuracy is superseded by a requirement for cultural sensitivity.     

Museum visitors’ heterogeneity and experience processing

This research examines the relationships between affective and cognitive antecedents and consequences of satisfaction under a market heterogeneity approach. It includes co-creation of preparatory activities. The sample consisted of 276 museum visitors in London. Two analysis have been conducted: structural equation model and latent class path analysis. The paper contributes to the development of a theoretical framework for further understanding of service experience in which co-creation plays an important role. Two segments were identified: 1) emotional (with lower degree of co-creation, equally distributed by age and nationality); 2) rational (higher degree of co-creation, younger and domestic visitors). Our research shows significant differences between the two segments regarding variables such as satisfaction, loyalty, service experience, emotion, positive disconfirmation and willingness to pay more.     

Augmented reality in the tourism industry: A multi-stakeholder analysis of museums

In places of tourist interest and attractions, such as museums, Augmented Reality (AR) is an emerging technology that enhances (through additional digital contents) and leverages visitor experience creating opportunities for an array of immediate and peripheral stakeholders. However, to achieve this, both researchers and managers need to better understand how to effectively co-create value through the involvement of different stakeholders and their interconnected relationships. Thus, we analysed three interrelated streams of literature (digital innovation, tourism management and stakeholder theory) and we developed a conceptual paper that sheds light on AR in museums. An in-depth analysis of the topic allowed us to develop theoretical propositions and applications on the subject, in particular from a multi-stakeholder perspective. Finally, our research proposes a preliminary conceptual model that highlights the need for the identification of the roles and interactions of museum's stakeholders towards a more digitalised museum experience through AR.     

Assessing the asymmetric impact of interpretation environment service quality on museum visitor experience and post-visit behavioral intentions: a case study of the National Palace Museum

This paper examines the asymmetric positive–negative relationship between interpretation environment service quality, museum visitor experience, and post-visit behavioral intentions. The researchers collected 406 valid questionnaires from visitors to the main exhibit building in the National Palace Museum. Results suggest that the asymmetric effect differs depending on the attribute being examined. When visitors reported their perceptions of personal and sociocultural interpretation environment services, negative perceptions had a larger impact on museum visitor experience than positive perceptions. Moreover, results suggest that museum visitor experience functions as a mediator between perceptions of interpretation environment service quality and post-visit behavioral intentions.     

Exploring and Enhancing the Psychological Value of a Fine Arts Museum

Abstract

Museums have a vested interest in attracting and retaining loyal audiences to their galleries and special events, be they residents or tourists. However, there is very little evidence as to what visitors are seeking in their museum experiences (Harrison, 1997). This study employed a relatively new survey methodology designed to identify the underlying reasons for visitors' patronage behaviors. More specifically, the laddering technique was used to better understand what motivates people to visit a particular museum, what do they think about while visiting a museum, and how do they evaluate a museum as compared to its closest competitors. Such an understanding can assist management in satisfying visitor expectations. It can also assist an organization in defining its image to be projected in promotional campaigns.     

A journey through the museum: Visit factors that prevent or further visitor satiation

Museums seek to provide visitors with memorable experiences. However, some visitors experience a hedonic decline and satiation after their visit. The present research aims to evaluate how the time spent, the route, and the anticipation of the visit might either prevent or further visitor satiation. A field study and a field experiment are performed. Findings reveal that spending more time in the museum and anticipating the content can increase the perceived satiation and diminish visitors' emotional response, although the attention level diminishes for short visits and when the content is not anticipated. In a real context, following a free route reduces perceived satiation, with visitors following a self-regulatory process and adapting the time spent to the level of satiation.