共查询到16条相似文献，搜索用时 31 毫秒
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Catherine M. Matheson 《旅游与文化变迁杂志》2013,11(1):57-74
This paper centres upon the concept, authenticity, within the context of a Celtic music festival. Increasing attention has been paid to the music–tourism relationship and this paper seeks to elaborate upon the contested meanings and dimensions of Celtic music in the wake of its commodification through tourism. Attention is accorded to the interlocking tensions relating to commodification and authenticity within music and tourism studies and, moreover, the role of emotion within the authenticity and music debate. Drawing upon empirical research conducted at a Celtic music festival (Glasgow, Scotland) comprising in-depth interviews and a questionnaire survey, it is suggested the festival audience attach authenticity to the music on the basis of their emotional interaction with the music. This occurs by the ways in which emotion is evoked within the music and the relationship between music, emotion and audience identities. 相似文献
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Steve Pan 《旅游与文化变迁杂志》2013,11(2):186-187
ABSTRACTRecognised as intangible cultural heritage, the tradition of the Viennese coffeehouse culture attracts tourists. This study examines how the intangible heritage tourism of the Viennese coffeehouse culture has been developed and mutually constructed through the relational network of social practice and how it has functioned as a significant legacy for the development of Viennese cultural tourism. The results reveal that five groups of significant actors/actants have impacted the development of the intangible heritage tourism of Viennese coffeehouses: celebrities, pastries, indoor settings, recommendations, and servicescapes. These actors/actants have become collectively embedded into the relational network of Viennese coffeehouse culture. 相似文献
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