国内部分城市文化创意产业发展的金融支持研究

随着知识经济的兴起和全球化的发展,文化创意产业这个新兴产业已逐渐成为推动经济增长的重要力量,受到越来越多国家和地区的重视。我国也在"十二五"规划中明确提出要加强文化创意产业在城市中的支柱地位。本文研究上海、深圳、西安三个各富特色的国内城市文化创意产业发展特点、金融支持政策及其启示,以期对我国其他城市文化创意产业的发展有所借鉴。     

省际区域中心城市文化创意产业发展研究——以郴州市为例

以郴州市为例,采用历史与逻辑相统一、定性与定量分析等方法,对其文化创意产业发展的条件进行分析,探讨省际区域中心城市发展文化创意产业的可行性。结果表明,郴州在区位、文化、旅游、资源、政策等方面有较优越的条件,发展文化创意产业优势明显。因而制定郴州市文化创意产业发展的目标及策略,积极探索政府的＂非权利管理模式＂,建立＂文化创意产业的公共领域＂,以此来推进郴州市文化创意产业集聚发展的新业态,最终为国内其它有条件推进文化创意产业发展的区域城市提供一个可供参考的操作模式。     

省际区域中心城市文化创意产业发展研究——以郴州市为例

以郴州市为例,采用历史与逻辑相统一、定性与定量分析等方法,对其文化创意产业发展的条件进行分析,探讨省际区域中心城市发展文化创意产业的可行性。结果表明,郴州在区位、文化、旅游、资源、政策等方面有较优越的条件,发展文化创意产业优势明显。因而制定郴州市文化创意产业发展的目标及策略,积极探索政府的非权利管理模式,建立文化创意产业的公共领域,以此来推进郴州市文化创意产业集聚发展的新业态,最终为国内其它有条件推进文化创意产业发展的区域城市提供一个可供参考的操作模式。     

当代中国城市文化发展的主要方略

面对城市经济社会发展的新要求,中国许多城市提出了文化强市战略,打造城市品牌、重塑地域文化、发展创意产业以及构造普惠型公共文化服务体系是当代中国推进城市文化发展的一般路径。     

瞄准城市公共空间

苍白面孔的城市 "公共空间是一个城市整体形象中最重要的环节。应该是艺术的、科学的、人文的。公共空间没有创意的城市是文化苍白的城市。"北京市朝阳区文化委员会主任李龙吟指出,公共空间的创意也是政府永远的责任。公共空间需要怎样的文化创意?清华大学建筑学院副教授、山西省朔州市市长助理周榕说,长期以来,中国当代城市公共艺术一直被两种叙事俗套所困扰,一是主题的宏大叙事,二是形式的普遍叙事,这两大叙事俗套导致中国的大多数城市公     

文化创意产业与区域城市发展的培育——以广西北部湾经济区为例

文化创意产业与城市竞争力有密切联系.文化创意产业对城市发展的作用主要体现在提高文化品位、提升知识能力和促进产业结构升级等方面.本文探讨了文化创意产业与区域城市发展之间的关系,揭示了其发展的内在规律,并提出促进文化创意产业和城市良性互动的措施.     

创意产业促进城市发展的内容与途径

20世纪90年代以来,创意产业作为后工业社会的城市型产业,在发达国家中迅速兴起并成为世界财富创造的新源泉,有力地推动了城市复兴、城市空间结构的功能重塑和城市治理制度与政策的全面创新.对创意产业的深入探讨,不仅有助于全面了解创意产业与城市发展之间的关系,而且还将对城市发展创意产业的政策取向提供相关启示.     

国外文化规划、创意城市与城市复兴的比较研究——基于文献回顾

文化规划、创意城市和(文化导向的)城市复兴在当前的一些研究中范畴界定模糊,容易忽视其各自相对独立的研究路径和发展阶段。对国外已有研究成果进行梳理和归纳,对三者概念、研究内容、研究理论与方法进行比较分析。它们之间不仅有时序上的关联,在内涵中也相互交叉影响。通过对三者的比较研究,能更清晰地理解其内涵范畴及影响,为文化、创意促进城市的发展提供更为完整的认知。     

文化创意产业的业态特征及其协同发展的江苏视阈

在中国,文化创意产业目前仍是处在动态变化发展中的新型产业形态。不同国家、城市或地区所形成的政策架构对文化创意产业的实践和业态发展有着很大的影响。文化创意产业发展要研究区域特色发展的业态特征;要研究创意阶层的培育工程;要研究创意企业的运作方式与政策效力。     

城市化进程中的城市文化保护与发展——美国与欧洲城市景观文化取向比较

在城市化进程中,城市建筑衰败在所难免,衰败使中心区古老的建筑群逐渐沦为贫民窟,对城市文化及经济发展产生巨大的负面影响.面对城市中心年代久远的建筑群的衰败,美国与欧洲采取了不同的政策,同时也表现出城市景观文化的取向.本文通过比较分析美国与欧洲城市老城区景观发展政策、城市文化模式及其对城市经济的影响,希望为今日我国快速城市...     

The Limits to Artist‐Led Regeneration: Creative Brownfields in the Cities of High Culture

Despite the burgeoning literature on creative cities, seldom explored is the context of cities rich in cultural capital but more orthodox in their approach to preserving the autonomy of culture. This article discusses the status of artistic spaces occupying abandoned industrial premises (‘creative brownfields') in historic cities that traditionally shape their policies around prestigious cultural institutions (‘cities of high culture'). Based on comparative insights from St Petersburg and Lausanne, the article explores the relations and tensions between mainstream cultural governance and creative brownfields. While there is no lack of creative brownfields in these cities, their wider urban impact is found to be marginal; moreover, these sites represent dispersed instances of temporary occupations rather than situated clusters of creative actors. More than coincidental, this (lack of) spatialization is argued to result from a particular governmentality—that of high culture—which disregards, rather than promotes, spaces of alternative cultural governance. The article conceptualizes creative brownfields in cities of high culture as the ‘soft infrastructure' of cultural production, in contrast with those in ‘creative cities' as the ‘hard infrastructure' of urban production. The article also calls for a recognition of the local context of regulation and accumulation in understanding the cultural/urban interplay.     

创意产业与城市再生研究——以成都市为例

通过强化城市文化的创造性,发展创意产业,有利于提高城市居住环境,改变城市形象的负面影响,使城市发展获得再生.成都市特有的文化氛围和居住环境,对于吸引高素质群体的聚集具有很大的优势.同时,通过对创意产业发展的引导,有利于改变一味强调"休闲"对城市形象的负面影响.也有利于进一步强化成都市的文化氛围,保持、延续和强化成都市的文化特色.     

Identity Building Through Mediation by African Tailors

In contemporary African cities, dressing well and wearing exclusive garments has become crucial for people in search of identity, distinction and individuality. The research presented in this article, situated at disciplinary intersections of cultural studies, fashion practices and sustainability, provides a case study of African tailors conducted in Maputo and Lisbon, with a special focus on identity building of African immigrants in Portugal. However, the role of tailors in this acculturation process has been ignored in the consumption approach to creative cities. This study is therefore also a reaction to the mainly Western world of regular couture, and to ‘creative city materials’ that focus on consumption. Instead, we emphasize the importance of African tailors who de facto shape urban experiences—visually incrementing practices—that are fundamental to the comprehension of sartorial culture, while we also allude to the complex intersections between local and global markets. In the first part of this article we describe a semi-ethnographic study among tailors in Maputo and Lisbon. The second part presents a participatory action approach that entailed developing an educational programme for African tailors where culture and creativity meet. This programme empowered tailors to tap into their cultural knowledge on tailoring and their awareness of community identity. In our study we argue that the idea of creative cities and their creative economy should be approached from a cultural perspective, by building awareness of the importance of local creative classes instead of focusing on importing those classes.     

关于创意产业的几个问题

创意产业正在全球蓬勃兴起。但是,由于忽视了城市本身条件对创意产业的影响及局限性,目前的创意产业似有泛滥倾向。鉴于此,尝试从城市区域功能与创意产业发展关系的角度研究城市发展进程、城市转型机遇、城市创意资源禀赋和创意产品的市场条件对创意产业结构的作用,探讨不同区域功能城市的创意产业发展方向,进一步理清创意产业与创意城市的区域功能关系,为创意产业健康发展提供参考。     

Cultural Economy Planning in Creative Cities: Discourse and Practice

While a growing body of research analyses the functional mechanisms of the cultural or creative economy, there has been little attention devoted to understanding how local governments translate this work into policy. Moreover, research in this vein focuses predominately on Richard Florida's creative class thesis rather than considering the wider body of work that may influence policy. This article seeks to develop a deeper understanding of how municipalities conceptualize and plan for the cultural economy through the lens of two cities held up as model ‘creative cities’ — Austin, Texas and Toronto, Ontario. The work pays particular attention to how the cities adopt and adapt leading theories, strategies and discourses of the cultural economy. While policy documents indicate that the cities embrace the creative city model, in practice agencies tend to adapt conventional economic development strategies for cultural economy activity and appropriate the language of the creative city for multiple purposes.     

城市创意产业支撑环境评价研究

创意产业的发展需要有利的城市外部环境作为支撑,而城市为创意产业提供了最基本的投入.通过对创意产业支撑环境单要素、多要素作用机理的分析,在此基础上提出创意产业的发展受城市基础环境、城市产业环境及城市制度环境三大支撑要素的影响和制约.提出了创意产业支撑环境的评价指标体系,并运用TOPSIS理论构建了相应的城市创意产业支撑环...     

Cities,Creativities and Urban Creative Economies: Re-descriptions and Make+Shifts from Sub-Saharan Africa

The aim of this symposium is to examine the situation of the creative economy in cities—specifically cities of sub-Saharan Africa. In this introduction we set out the case for the need to ‘re-describe’ the (much derided) phenomenon of the creative city. This task requires clarification of what is understood in academe and policy communities by the term ‘creative economy’, the pronounced growth of this sector, particularly in the global South, and its particular urban character. Secondly, in the face of conceptual and policy confusion we argue for the actually existing, and growing, importance of the urban creative economy. Thirdly, with this ground clearing achieved, we seek to frame, and focus on, the emergence of new research on the urban creative economy. Finally, we use the evidence from the symposium contributions to argue for a reformulation of the creative economy within African sub-Saharan urbanization.     

文化及创意产业的空间特征研究

随着文化及创意产业的日益得到重视,其发展与城市空间之间的关系日益成为学术界和政府关注的热点话题之一。在众多案例分析基础上,本文提出文化及创意产业在空间格局上的需求和特征,并强调城市应当在为创意经济营造空间同时积极创造文化创新城市。     

创新型城市的文化识别研究

所谓"创新型城市",意味着城市在发展中产生出区别于自身历史的新质和区别于一般城市的特质;创新型城市必须具备独有的文化识别体系。城市文化是创新型城市建设的最广泛的基础。创新型城市的文化识别是城市文化主体自觉追求和活动的客观结果,创新型城市需要明确定位、全面展开,才有可能逐步实现。