植入式广告在广播中的运用

植入式广告在影视和网络游戏中渐入佳境,而在广播中尚待开发,有关广播的植入式广告的理论探讨还是空白。本文针对植入式广告在广播中的运用进行了探讨,并提出实务过程中需要注意和解决的问题。     

浅析植入式广告在广播中的运用

所谓植入式广告,指的就是将产品或品牌及其代表性的视觉符号甚至服务内容策略性融入电影、电视剧或电视节目内容中,通过场景的再现让观众留下对产品及品牌印象,继而达到营销的目的。早在1929年的动画片《大力水手》中就可以看到植入式广告的雏形,即大力水手波比为菠菜罐头大做广告。之后在1932年,美国《刀疤脸》的制作者就以25万美元的价格将影片中雪茄的植入式广告使用权拍卖给鹰牌雪茄的制造商。在我国,上世纪90年代家喻户晓的室内情景喜剧《编辑部的故事》,剧中的道具“百龙矿泉壶”在一时间名声鹊起。     

植入式广告在影视中的发展

随着现代科技的发展和互联网的兴起,广告越来越多的以植入的形式出现在各种载体中,影视由于其本身的特性,成为广告植入的一种有效的载体。本文分析了植入式广告与影视的结合方式的基础上,提出了在影视中植入广告要注意的问题。     

探究植入式广告的合理运用

随着经济全球化的发展,尤其是电影、娱乐、传媒产业的全球化发展,植入式广告——一种新型的广告形式也随着好莱坞大片进入中国观众的视野。发展到目前,商业电影中有没有植入广告,甚至成为制片商有没有面子的事,一部商业电影中植入广告与否成为其能否卖座的晴雨表。但目前我国的植入式广告还处于发展阶段,不当的植入、盲目追求植入的数量和经济效益,大大地影响了植入式广告的广告效果,给植入式广告的发展带来瓶颈,因此对合理运用植入式广告的研究显得尤为重要。     

浅谈影视剧中的植入式广告

近些年来,无论是电影电视剧或是大型节目中,植入性广告已经成为其中必不可少的组成元素。与传统广告相对比,它不是通过直接向受众推销其产品,而是运用电影或电视剧里面的人物的行为、语言来间接的向消费者传播自身产品的优势,让消费者潜移默化的接受了其商品,并且让其在选择同类商品时更加侧重植入式广告的商品。但是,由于目前没有一个对植入性广告的合理管理,使得植入式广告市场良莠不齐,使得一些真实性差推销性强的劣质植入广告给这一新兴的领域带来了极大的消极影响,造成了消费者对植入性广告的极大的抵触心理。本文就从多个方面浅谈植入性广告的发展现状、未来发展方向以及相应的问题及解决办法,以促进影视剧植入性广告的市场的良性发展。     

浅谈电影植入式广告

植入式广告作为一种全新的广告形式与影视作品相融合,将商品或者服务以非广告的表现手法,在受众无意识的情态下,悄无声息地灌输给受众.本文介绍了植入式广告的界定,影视作品中植入式广告的主要形式,分析了当前我国电影植入式广告的融入策略.     

浅析春晚中的植入式广告

本文是以央视春晚中的植入式广告为研究对象,探求央视春晚中的植入式广告的优势与缺陷,受众心理与发展前景。春晚与广告毕竟属于两个独立的元素,二者的融合并不意味着二者没有冲突和矛盾,这种矛盾背后的兼容带给我们的不仅仅是外在的内容,还有更深的思考,相信在不远的将来我们将摒弃赤裸裸的\"嵌入\",让广告融入到春晚这个大舞台中,给大家以美的享受,达到艺术和利益双赢。     

浅谈我国的植入式广告的现状

随着我国广告业的迅速发展,越来越多的新型广告形式应运而生。植入式广告作为新型广告形式的代表迅速崛起于广告市场,而我国又是植入式广告增长最快的市场之一。本文通过介绍植入式广告的发展、特点和运营状况等各个方面来对我国国内植入式广告的发展状况与态势进行分析。     

游戏植入式广告在品牌营销中的价值

文章探讨了在网络游戏中植入式广告的特点及运行手法,并采用实例分析的方法从传播效果角度对游戏植入式广告在营销中的价值进行了阐述.     

刍议植入式广告

随着广告业的发展,传统硬性广告发展趋势不容乐观,如广告的有效性下降、消费者对广告的抵触、广告发布的时间和空间的压缩,使越来越多的企业不得不寻求新的广告传播方式,而植入式广告则跳出了传统广告的直白诉求模式,以更加隐蔽、积极、动人的形式潜入受众的视野,使受众在没有任何戒备心理的情况下,于不经意间构建起对商品的潜意识知觉,接受关于产品或者品牌的信息.本文从植入式广告概述开始,分析了植入式广告的作用,以及提出了操作植入式广告应注意的问题,以期为企业的广告传播提供有益启示.     

Consumer Responses to Product Placement in Television Sitcoms: Genre,Sex, and Consumption

The paper presents a study of consumer responses to products placed in a sitcom, “Ads R’ Us,” created as a stimulus to ascertain the influence of a television program’s genre and male/female respondents’ sex on responses. Textual analysis is used to analyze sitcoms, a category of programs created in accordance with genre conventions, the structural framework that influences responses to media vehicles. First‐generation feminist reading theory, which challenged the patriarchal assumptions mostly unquestioned in the US until the early 1960s, is used to analyze responses produced by second‐generation respondents, who came of age a generation later, after the women’s liberation movement led to socio‐cultural changes. The study draws from multidisciplinary theory and integrates stimulus‐side/response‐side research to enhance understanding of the text‐context‐consumer relationship. Findings indicate that second‐generation responses to placed products are problematized by the coexistence of patriarchal and feminist perspectives that color male/female readings of sitcoms.     

Product placement in US and New Zealand television soap operas: an exploratory study

Although the soap opera as a television genre has consistently captured the imagination of millions of people around the world, surprisingly little has been written about it in the marketing literature. Understanding the consumption imagery in soaps may allow marketers to assess the relevance of product placement for their promotion strategy better, as well as providing valuable insight into the consumption habits of their considerable viewing audiences. Data were collected through content analysis from two soap operas, one in the USA and one in New Zealand. The results indicated a high level of consumption imagery, including brand references. Furthermore significant differences in the types of product and the emotional outcome of product use were found between the countries.     

When Product Placement Is NOT Product Placement

Abstract

The development of product placement in films and television shows can be readily observed by anyone who has devoted a significant part of their lives going to the movies. The first product placements were generic and fictitious and were hardly noticed by the movie-going public. But, as the placement of real products became more prevalent, it became apparent to the serious film buff that the presence of a fictitious or clearly disguised product became more of a distraction than the use of actual products. The attempt to make serious realistic films is sometimes sidetracked by a clearly fake product that strikes at the suspension of disbelief of movie goers, particularly when they have some familiarity with the product NOT being placed.     

控制权结构、信息不对称与定向增发

股权分置改革完成后,增发新股融资中的定向增发已经成为上市公司股权再融资的重要方式。本文采用Logit模型,从控制权结构和信息不对称两个角度考察了中国上市公司增发方式选择的影响因素。研究发现,上市公司终极控制人为国有性质时,更倾向于选择定向增发。对于实施定向增发的上市公司,大股东控制力越弱,更倾向于认购新增股份。信息不对称程度越大的公司更倾向于选择定向增发,并且在实施定向增发时,更倾向于选择向大股东发行。此外,上市公司拟实施整体上市时,定向增发往往伴随着资产认购。     

TV Product Placement in Korea

This study reviewed the process of discussion and the present state related to the permission of product placement (PPL) in Korea. This study also reviewed opinions for or against PPL-related laws and regulations and the relaxation of PPL restrictions. The responses of stakeholders and PPL-related discussions of the academic and government organizations were addressed through public hearings and forums when PPL was restricted by the Broadcasting Act. Finally, this study reviewed the present state after the permission of PPL, including PPL-related laws and regulations and PPL selling methods. In January 2010, as the revised bill of the enforcement ordinance of the Broadcasting Act was approved in a Cabinet meeting, PPL was permitted for terrestrial broadcasting and cable channels. The broadcast advertising market is expected to continue expanding in the future.     

Product Placement of Medical Products

Abstract

Product placement is a well-established marketing technique that nevertheless continues to provoke considerable criticism and debate. Likewise, direct-to-patient marketing of pharmaceuticals is legally acceptable but is controversial among ethicists and medical professionals. Little has been published regarding the ethical challenges and pitfalls involved in medical marketing, including the issues of whether medical products should be treated differently from consumer products and whether pharmaceuticals are distinct from medical devices. Discussed are examples of pharmaceutical marketing as well as an episode from the Chicago Hope television program in which a medical device was touted as a solution for a problem for which the Food and Drug Administration (FDA) has not approved the use of the device. Legal and ethical considerations for product placement of medical products as they influence patient demand are also analyzed, as well as some of the pitfalls that may accompany direct marketing of medical products.     

When Product Placement Goes Wrong: The Effects of Program Liking and Placement Prominence

Previous research has found a positive shift in brand attitude after exposure to product placements. The study presented here investigates conditions under which product placements may cause a negative shift in brand attitude. The results reveal that prominent placements can negatively impact brand attitudes of viewers who report high levels of program liking. Conversely, viewers reporting lower levels of program liking shift brand attitude in a positive direction after exposure to a prominent placement. However, the positive shift in brand attitude for participants with lower program liking disappears when a persuasive-intent prime precedes exposure to the placement. Subtle placements are less likely to result in negative shifts in brand attitude. The Persuasion Knowledge Model (Friestad and Wright 1994) is used to explain the results.     

Leapfrogging in a Vertical Product Differentiation Model

The model considers a two-period duopoly game where in the first period the leader produces a good with a given quality and the other firm can only imitate it. It is the Stackelberg case where, in addition, the leader has the choice of the quality of the good and the imitation is costly, but not prohibitively so. Under this assumption quantities and profits in terms of the quality are derived as subgame perfect equilibrium. In the second period there exists the possibility for the leader and/or the follower to make an investment. The outcome of this is uncertain: it could either be the case that a good of better quality can be introduced, or that a cost-reduction in producing the existing good is attained. The former case is a product innovation, whereas the latter case is a process innovation. By solving the game backwards as a function of the quality of the first period, there exists the possibility of an equilibrium where the follower chooses to invest and the leader does not invest .