Where are the enslaved?: TripAdvisor and the narrative landscapes of southern plantation museums

ABSTRACT

This study examines two southern Louisiana plantation museums: Laura and Oak Alley, using a framework that stresses the narrative power and politics of these heritage sites. Located a mile from each other along the Mississippi River, they present two similar yet different narratives of the antebellum American South. Laura places more emphasis on the enslaved who inhabited the plantation than does Oak Alley, whose narrative centers upon the opulence of the plantation home – that is, ‘the big house'. This study explores what visitors take away from their plantation tours. Specifically, it examines their thoughts about how the enslaved are represented at these two museums. The study's data come from visitors’ comments posted on the travel website TripAdvisor. The object of the study is to gain a greater understanding of what visitors learn about the history of the enslaved on these tours and how they participate, along with site managers, in the narrative construction of the plantation and negotiating the divide between tourism as amusement and tourism as memorial.     

Counter-narratives of slavery in the Deep South: the politics of empathy along and beyond River Road

ABSTRACT

The historical institution of slavery is unevenly memorialized across the US's cultural landscape. This unevenness is particularly noticeable in ‘Deep South’ states such as Mississippi and Louisiana, where cotton and sugar cane plantations once required vast numbers of slaves to economically succeed. While many antebellum plantation sites now function as tourist attractions complete with ‘Big House’ tours, they often ignore or annihilate the memory of slavery from plantation history. However, not all plantations and museums disregard slavery, and the owners and workers at these sites intentionally employ slavery counter-narratives to evoke empathy in visitors and create a more socially just cultural landscape. This paper examines three sites along and beyond River Road that employ counter-narrative techniques: the Natchez Museum of African-American History and Culture, Frogmore Cotton Plantation, and Whitney Plantation. The paper includes a discussion of each site's narrative tactics and how they stand out from other plantation sites in their representation of slavery. Engaging in growing conversations on the possibilities of empathetic responses to counter-narrative spaces, this paper argues that empathy – while important and possible for many visitors and consumers at these sites of memory – may preclude important political activism and greater solidarity between racial groups.     

Placing the enslaved at Oak Alley Plantation: narratives,spatial contexts,and the limits of surrogation

ABSTRACT

As iconic landscapes of the American South and significant heritage tourism destinations, Southern plantation museums have traditionally erased slavery and the enslaved from their narratives of the antebellum past. Recently, some plantation museums, such as Oak Alley Plantation in Louisiana, are commemorating the enslaved within their landscapes and narratives, although often in limited and insufficient ways. In this paper, I draw on theories of symbolic excavation and commemorative surrogation to understand both the difficult memory work necessary to include the history of slavery at plantation museums and the fact that such museums or memorials act as surrogates for the lives of enslaved women and men that have been lost from our social memory. Using photographic documentation, content analysis, and textual analysis, I then examine the Slavery at Oak Alley exhibit to argue that fully assessing the efficacy of such commemorative surrogates requires that they be placed within the spatial narratives of both the plantation museum and the history of slavery more broadly.     

On the political utterances of plantation tourists: vocalizing the memory of slavery on River Road

ABSTRACT

Within the study of southern plantation house museums, the cultural power that tourists exercise in interpreting, reacting to, and even shaping historical narratives has received limited attention. The purpose of this paper is to advance our understanding of the agency of visitors at plantation museums, paying particular attention to their verbal expressions as they respond to the depiction of slavery on guided tours. Spoken words, questions, and conversations of plantation tourists are not unproblematic transmissions of information but represent “political utterances” that play a crucial role in the constitution and mediation of the process of remembering (or forgetting) the enslaved. We consider the importance of tourist voice and outline two analytical settings for studying the political utterances of plantation visitors – the vocalizing of interpretative communities in post-tour or exit interviews and docent reaction to on-tour comments and questions posed by visitors. Drawing evidence from interviews with visitors and docents at four tourist plantation along the River Road District, we demonstrate the diversity and impact of the political utterances of tourists, and how these vocalizations of memory can possibly lead to greater changes in the way in which slavery is dealt with and remembered at southern plantation museums.     

Who are they? Visitors to Louisiana's River Road plantations

ABSTRACT

This article examines the responses of 448 tourists to an exit survey at four Louisiana River Road tourist plantations. We investigate and discuss the relationships between the demographics of the tourists and their interests as they relate to tourist plantations. Cluster analysis of the visitors' interests indicates that visitors typically fall into one of four interest clusters: “Everything is great!”; “Culture and the Enslaved”; Culture without the Enslaved”; or “Everything is just Okay”. Several plantation managerial and theoretical implications are discussed, as well as suggestions for future research directions.     

Charleston,South Carolina Tourism and the Presentation of Urban Slavery in an Historic Southern City

ABSTRACT

Heritage tourism's depiction of slavery makes for an interesting study. Several years ago, David Butler published an article in this journal that was highly critical of the depiction of slavery by Southern US plantations during tours offered to visitors, indicating that these attractions “whitewashed” this aspect of their history. The current study, intended as an extension of Butler's work, focused upon urban slavery versus plantation slavery and the handling of the issue by historic antebellum houses now opened as heritage tourist attractions in Charleston, SC. Encouragingly, it was learned that these historic homes are doing a much fairer job of exposing their guests to the issue than had been noted by Butler's plantation tours.     

Cultural production and transmission in museums: A social practice perspective

Integrating craft heritage with tourism activities is one way to perpetuate craft culture. The museums alongside Hangzhou's Grand Canal innovatively address craft heritage perpetuation by fostering interactions between visitors and craft-makers. Combining social practice theory with interaction ritual theory, this study explores the viability of this initiative through interviews with artisans who work in museums and interact with visitors. Craft-makers' work routines consist of three practices: cultural production, transmission, and operation. These practices demonstrate both collaborative and competitive relationships. The nature of relationships depends on whether or not ritual ingredients are congruent. The craft-makers develop different levels of agency to cope with tensions. This study enhances understanding of heritage perpetuation and visitor engagement.     

Community engagement and heritage tourism at Geneva Estate,Dominica

Community and heritage tourism can be developed alongside the promotion of Dominica as the ‘Nature Island of the Caribbean’, in which the island's natural resources are commodified as an ecotourism destination. The development of Dominica's tourism product to include heritage tourism through the presentation of plantation sites allows tourists to experience the island's culture and history. A direction for the advance of community and heritage tourism is demonstrated with a case study of the Geneva Heritage Project, begun in 2011 at Geneva Estate near the village of Grand Bay. Through a partnership between professional researchers and a community group, the Grand Bay Tourism and Environmental Committee (GTEC), the Geneva Heritage Project demonstrates an avenue for community groups to define and to interpret the community's history. Members of GTEC collaborated with professional archaeologists and students to conduct archaeological and historical research, which included the collection of data used to create interpretive signs and to compile documentary sources to be made available to community members and tourists. Such collaborative efforts promote the value of resource preservation in a nation lacking legislation to protect its cultural and archaeological resources.     

Interpretation of contested heritage at an attraction in St. Lucia

The tangible sugar heritage in the Anglophone Caribbean is important to its tourism product. This heritage, like the plantations which play a central role in regional preservation efforts, was created as a result of the enslavement of Africans to provide a large, cheap labour force. Sugar heritage is thus a contested heritage and there is disagreement about how this heritage should be interpreted. In fact, the silence of slaves resounds in the interpretation evident at many former sugar plantations in the Americas. The question, however, is if consumers of this heritage notice the absence of slave voices at this sites that are now primarily used as places of leisure and pleasure in the tourism industry. This study confirms that the silence is perceived by tourists visiting Morne Coubaril Estate, a popular attraction in St. Lucia. Though their satisfaction and overall quality of experience are not related to their disappointment with this component of interpretation, they nonetheless overwhelmingly support the need for more details about slavery and greater emphasis on slavery in the interpretation on site. These findings are important at both the site and destination level, given the current inclination to exploit cultural heritage resources to diversify the region's tourism offerings.     

Museums as narrators: heritage trails in a digital era

ABSTRACT

In today’s tourism industry, merely offering tourists a variety of cultural events is not enough. Fully understanding their desire for an experience is the key. The attraction value increases if tourists can become personally involved and be affected by the narratives involved in place-making. This article examines the connections and cooperation among museums in a region where an important heritage trail is operating. When the old Telemark Canal was active (1892–1990), this enabled important products to be shipped from the upper mountainous areas to the coastal urban region in Telemark County, Norway. Shortly after being closed, the canal was transformed into a heritage trail and tourist attraction through renovation initiatives. Based on a closer examination of two of the attraction clusters along the heritage trail of the canal, we ask whether there is a key narrative that can link the local museums and cultural centres in the canal region. The discussion will consider how the widespread use of the internet has created new options for museums and cultural centres to benefit from neighbouring tourist attractions such as heritage trails.     

Negotiating authenticity: Cathar heritage tourism

This paper explores the negotiation of authenticity with the case of Cathar heritage tourism in southern France. Also known as the Albigensians, the Cathars were a medieval sect practicing in the Languedoc Region of southern France from the tenth to the fourteenth century. Cathar heritage tourism is based upon various museums, heritage centers, castles, and seasonal trading fairs or markets supplemented by the activities of Cathar re-enactment or ‘living history’ societies. This interest in Cathar heritage has led to a highly saturated calendar of events. In 2010, for example, the total number of all varieties of these events in France was 36, with over 4000 people actively participating and the events attracting upwards of about 3 million visitors annually.

Based on a case-study approach, the geographical breadth of Cathar heritage tourism in France is outlined, giving brief case studies of each of the main types of tourist experiences. This is followed with a discussion on how notions of authenticity and commodification are constructed by key participants through the staging of particular types of Cathar heritage tourism.     

From Civil War to Civil Rights

Summary

Alabama sold its Old South heritage by commemorating the Confederacy and celebrating the wealth produced by slave labor through pilgrimages. Yet in the 1980s, the state cut a new course by marketing African-American heritage and the sites of civil rights conflicts. Joining other groups in memorializing the movement, Alabama successfully commodified its controversial past as heritage tourism. Ironically, Governor George Wallace initiated the marketing strategy to alter Alabama's negative image. Selma captured the idea with its “From Civil War to Civil Rights” advertising campaign. The juxtaposition of apparently incongruous events points not only to the mixed motivations behind heritage tourism but also to the potential that exists as the public engages and confronts contested pasts.     

Heritage tourism and New Western history: a narrative analysis of six Colorado museums

Museums are important in heritage tourism, often presenting interconnected national, regional, and local histories. This article explores how six Colorado museums present state and regional identities. I ask how these museums have attempted to incorporate insights from ‘New Western’ History into their exhibits. New Western historians have called attention to the ‘legacies of conquest’ – the peoples displaced, the cultures destroyed, and the environments damaged by Anglo-American colonization of western lands – and offered critical and dissonant ‘counter-narratives’ of the region’s past. However, the region’s heritage tourism – a significant and growing industry – has emphasized more conventional narratives of settlement and economic progress. This study applies narrative theory to analyze how these critical histories are presented to tourists in Colorado museums and historic sites. Narrative theory examines how objects, texts, and media are shaped into stories, in this case stories linking popular readings of heritage to critical understandings of past events. Six case studies indicate that critical histories are presented in some sites, but are rarely the central focus of these attractions. However, the spatial juxtaposition of narratives and counter-narratives in these museums offers insight into how critical and dissonant history is beginning to be incorporated into heritage tourism in the American West.     

Lithuanian genocide heritage as discursive formation

This paper presents a synthesis of Foucault’s Archaeology of Knowledge and the concept of discursive formation to critique museums and sites of memory as spaces in which competing discourses of cultural identity emerge. The research context is the troublesome place of genocide and victimhood in discourses of occupation in Lithuanian museums and sites of memory. Analysis suggests that these exhibitions produce a rarefied field of knowledge around the ideas and concepts that they reveal, and, as discursive tourism texts, they play a role in maintaining the cultural identity of Lithuania. The contribution offers a novel, post-structuralist framework for understanding exhibitions as sites of discourse production, since it is the first study to deploy the ideas from Archaeology of Knowledge into an analysis of specific heritage sites.     

A Canterbury tale: imaginative genealogies and existential heritage tourism at the St. Lawrence Ground

At its most innate, heritage is biological, and perceptions of our own origins can drive many heritage journeys. However, like many heritage excursions, genealogical travel can also fuse objective fact with imagination in the search for meaning and identity. This paper explores a genealogical journey to a cricket ground in Kent, where the search for a family member's past seamlessly merged with broader heritage constructions. Through this journey, it was found that heritage could be seen as a series of dualities; a mixture of collective and individual, objective and imaginative, and tangible and existential. Furthermore, it considers that heritage sport tourism – a topic broadly concerned with extrinsic, tangible heritage such as sports sites, sports museums, and sporting artifacts, can also be viewed through a more existential lens.     

An environmental social marketing intervention in cultural heritage tourism: a realist evaluation

ABSTRACT

Following Pawson and Tilley's principles of realist evaluation and the context–mechanism–outcome (CMO) framework, this paper conducts a process evaluation of an environmental social marketing intervention in a heritage tourism organisation. Social marketing and employee environmental interventions have received relatively scant attention in tourism. Additionally, prior literature mostly focused on the evaluation of intervention outcomes (i.e. how far the intervention produces precise targeted outcomes) and ignores the importance of process evaluation (i.e. identifying what works, for whom, under which circumstances and how, plus issues of intervention maintenance). This paper fills this literature gap using realist evaluation theory and academic perspectives, as well as via the reflections of practitioners involved in intervention design and delivery. Findings suggest that a good understanding of the tourism and organisational context (regarding the dimensions of structure, culture, agency and relations) and the use of tailored, action-focused mechanisms (for each context dimension) are critical to achieving transformational outcomes in environmental interventions in cultural heritage organisations. Based on these findings, it is concluded that the CMO is a useful framework for assessing environmental social marketing interventions in tourism (both for heritage and other tourism organisations). Implications for tourism practice and further research directions are also discussed.     

Does living in the vicinity of heritage tourism sites influence residents’ perceptions and attitudes?

Abstract

This study investigates whether the perceptions and attitudes of residents living within the vicinity of heritage tourism sites differ from those living further afield. It examines residents’ attitudes toward tourism development; community attachment; environment and culture attitudes; economic gain; and involvement, alongside the moderating role of distance from heritage tourism sites. In doing so, it investigates how the aforementioned factors influence residents’ perceptions of tourism development in their city. Data was collected from inhabitants of Kashan and Tabriz, two historic cities couched within Iran’s growing heritage tourism sector, and analyzed using partial least squares - structural equation modeling. The findings demonstrate significant differences between the perceptions of tourism impacts, economic gain, environmental and cultural attitudes, and involvement between residents living within the vicinity of heritage tourism sites and those living further afield. However, these findings contradicted the hypotheses; identifying higher positive perceptions, environmental and cultural attitudes, economic gain, and involvement for residents living far from heritage tourism sites. Further, the findings did not support the moderating role of distance for the effects of influencing factors on residents’ perceptions. Therefore, this study proffers significant theoretical contributions and practical implications with regards to developing sustainable tourism in Iran.     

Sources of Slavery-Destinations of Slavery

Summary

This study seeks to account for differences between the UK and US in including sites of black slavery as part of their heritage tourism and museum agenda. Both countries were heavily involved in the slave trade and both currently have immigrant communities with an appreciation of their origins. However, and unlike the American situation, it is only recently that Britain has opened the contentious issue of slavery to public gaze. In this regard, attention focuses specifically on the mounting of a pioneering Slave Exhibition at Liverpool's Maritime Museum and, by interviewing its chief curator, various insights are gained as to the potential and pitfalls of such a permanent display of an inglorious past. Further interpretation is added by references to the general literature on heritage tourism, the emerging context of “thanatourism” and the framework of a Force Field model that can usefully accommodate the competing interests of rival stakeholders.     

Knowledge transfer processes in the authenticity of the intangible cultural heritage in tourism destination competitiveness

ABSTRACT

As tourism based on intangible cultural heritage usually encompasses a knowledge transfer process, the authenticity of the heritage (or its perception) can be affected by knowledge transfer. These knowledge transfers occur to present the heritage to the tourists (courses, tour guiding, etc.), but also in the destination itself when the heritage knowledge is codified in museums, tour guides are trained, or the heritage is transferred to newer generations. These situations present potential challenges where authenticity is distorted or even lost, and it affects the competitiveness of the destination. The work attempts to analyse those knowledge transfers and their challenges regarding authenticity to sustain the competitiveness of the destination.     

Warfare tourism experiences and national identity: The case of Airborne Museum ‘Hartenstein’ in Oosterbeek,the Netherlands

This paper examines through an analysis of Dutch warfare tourism whether there is a relationship between the subjective perceived salience of Dutch identity and heritage tourists' motives, emotions and overall satisfaction. Using a social identity theory framework, this study provides a view of motives for Dutch warfare heritage tourism and the ways in which this specific variant of heritage tourism evokes different emotions and satisfaction evaluations in visitors. Specifically, we found that visitors who identified strongly as ‘being Dutch’ (the ‘in-group’) have stronger self-enhancement motives compared to those who identify less strongly, and that edutainment features strongly in the museum experience. Visitors seeking initiative/recognition express feelings of disappointment suggesting that the museum's symbolic function as a place of national in-group identity could be more highlighted. We demonstrate that an affirmative and engaged experience can manifest at nationally symbolic sites through positive historical narratives and entertainment, and through ‘in-group’ self-enhancement activities.