EXPERIENCING FILM TOURISM: Authenticity & Fellowship

Authenticity, existential authenticity, sincerity, hyperreality and simulacra are overlapping concepts often used in accounting for the tourist experience. This study discusses these concepts in the context of a case study of Lord of the Rings film-induced tourism to New Zealand. Findings support an elaborated and extended version of authenticity that incorporates aspects of object and existential authenticity, sincerity of relationships and embodied experiences of place. These factors underpin tourists’ judgments and experiences of authenticity. Links are drawn between this analysis and the theoplacity framework for religious pilgrimage. It is concluded that value emanates not only from objects or sights but also from the moments of embodied interaction with place and others, which actively constitute those objects and sights.     

The Batek's dilemma on indigenous tourism

This article explains how a rainforest tribe in Malaysia negotiates their indigeneity, shaped on the one hand by global imaginaries held by tourists, and on the other hand by their quest for development and modernity. The Batek are traditionally hunter-gatherers and practice semi-nomadism. They face a dilemma on how to best maintain their agency while remaining ‘authentic’ and attractive to tourists. This paper builds on Bruner's (2005) argument that cultures and indigeneity evolve with modernity, and discusses the contemporary meanings of authenticity from the perspective of the indigenes. A conceptual model to understand the ‘authenticity gap’ in indigenous tourism is offered as we suggest ways in which tourism development may be harnessed, rather than rejected, to resolve this cultural dilemma.     

A structural model of host authenticity

Authenticity is significant for all modern peoples, including hosts. Hosts have the right to make their own interpretation of authenticity. The model that we constructed explains the process of hosts’ authentication through structural analysis of the antecedents and consequences of hosts’ authentic experiences. The effects of personal economic benefits are indirect and hidden, with personal emotional benefits being the key factor that mediates the conflict between economic benefits and authenticity. The model explains the complex but delicate mechanism of how hosts balance their dual demands, ‘benefits from tourism’ and ‘authentic culture’. When hosts use support for tourism as power to obtain hegemony over authenticity, they focus only on objective authenticity, which also implies ethnic tourism has become superficial in China.     

Authenticity and nostalgia – subjective well-being of Chinese rural-urban migrants

ABSTRACT

This study investigates the subjective well-being of Chinese rural-urban migrants by examining the effects of nostalgia and perceived authenticity in the context of rural tourism. Founded on the concepts of tourist motivation and nostalgia and drawn on selected Chinese philosophical values, this study identifies the unique Chinese philosophical value of ‘old home’ as the key factor of motivation for migrants returning to rural destinations. Rural-urban migrants deem rural regions, as well as, mentalities, cultures, and environments in general, as their cultural and spiritual hometowns. The study also reveals that migrants pursue authentic rural destinations, which would have an emotional and memorable appeal, because it stimulates their nostalgic feelings. The study proposes the necessity of investigating Chinese issues through the lens of Chinese philosophical values and invokes an age-old value to understand their perception process of authenticity: ‘one can't have fish and bear at the same time.’ Returning to rural destinations improves these tourists’ subjective well-being because they achieve an important lifetime goal based on their traditional Chinese philosophical value of ‘searching for ancestral roots.’ The study suggests that preserving rural authenticity can improve the social and cultural welfare of hosting communities and the subjective well-being of tourists.     

Connecting Visitors to People and Place: Visitors’ Perceptions of Authenticity at Canyon de Chelly National Monument,Arizona

This study examines the effect of visitors’ characteristics, motivations and sense of place attachment on perceptions of authenticity at a cultural heritage site. Data were collected in summer and fall 2006 through an on-site survey questionnaire administered to a random sample of visitors to Canyon de Chelly National Monument, Arizona ( n = 379; 76% response rate). The most important motives for visiting were ‘To enjoy nature’ and ‘To experience Navajo culture’. Additionally, visitors perceived a strong sense of place identity but a weaker sense of place dependence. Preservation of the archaeological resources was the most important contributor towards an authentic experience, followed by learning about customs and values of local people, meeting local people and visiting with an authorised Navajo guide. Attending interpretive programmes contributed the least. Results show that motivation to experience Navajo culture, the place identity dimension of place attachment, educational attainment, age and past experience at the monument had significant effects on the perception of an authentic experience at the monument. Place identity emerged as the strongest predictor of perceptions of authenticity, suggesting that a strong emotional bond is an important factor in visitors perceiving a site to be authentic. As visitor motivations for learning about the Navajo culture increased, so did perceptions of authenticity. Higher age also led to increased feelings of authenticity. As education levels and prior experience increased, perceptions of authenticity decreased.     

‘Through the magic of authentic reproduction’: tourists’ perceptions of authenticity in a pioneer village

As a concept, authenticity is widely debated across tourism studies and theoretically approached from numerous perspectives. This mixed-method qualitative study utilizes a constructivist framework for examining tourists' motivations, perceptions of authenticity and landscape experience in a self-proclaimed ‘authentic reproduction’ pioneer community. Spring Mill Pioneer Village is the original location of the former village; however, as a heritage landscape, it is composed of restorations, reproductions, and replicas of nineteenth-century structures. Thus, it is an appropriate case study for the examination of tourists' perceptions of authenticity. Moreover, tourists note authenticity as a motivating factor in their decision to visit the village, yet they define the concept in numerous ways. As a result, tourists’ pioneer community experience is governed by more than their perceptions of authenticity, but engages the village landscape, active atmosphere and their own imaginations.     

Working leisure: entertaining guests in gated tourist resorts

In the contemporary tourism sector, entertainment is a particular type of service that is increasingly provided by specialised categories of tourist and leisure workers, such as (adventure) sport instructors, tour guides or reps, or ‘pub crawling’ cicerones. However, little attention has been paid so far to the complex intermingling between work and leisure that sustains the routine ‘working leisure’ practices of this ‘entertainment staff’. By building upon the Foucauldian concept of biopower and Hardt’s notion of affective labour, this article examines how entertainment is routinely generated as a service by tourist entertainers in an enclosed tourist resort in Italy. In particular, an in-depth qualitative analysis, combined with an account of a personal experience, was used to structurally frame tourist entertainers’ daily ‘playful working’ practices into three interrelated and functionally complementary dimensions: regimentation, hostessing and experiential rewards. The findings show that entertainment, and hence a successful tourist experience, is effectively (re)generated only when ‘working (through) leisure’ practices both constrain and gratify the workers. This result corroborates the ambivalence of entertainment as biopolitical affective labour that is a subjugating but also a liberating practice.     

Participatory music-making and well-being within immigrant cultural practice: exploratory case studies in South East Queensland,Australia

ABSTRACT

Music participation is a way of life for many cultures and is an activity that is often passed on generationally. It can become especially important as a leisure activity for maintenance of self- and national identity for people who have migrated to countries of contrasting cultures, such as Australia. This article describes exploratory, qualitative research into the ways in which participatory music-making within communities from immigrant backgrounds in Brisbane, Australia may influence aspects of participants’ wellbeing. The sample for this research included three broadly-defined cultural groups living in the region: people of Baltic origin; people from Latin American and Caribbean backgrounds; and ‘newly arrived’ immigrants and refugees. Interviews with individuals have been analysed to explore the ways in which this involvement might affect mental, social, and emotional wellbeing. Our qualitative analyses demonstrated that beyond these aspects, factors of subjective wellbeing, both hedonic and eudaimonic, were apparent. This article aims to provoke discussions on the divergent ways in which immigrant communities utilise music-making practices to foster different types of wellbeing and the importance of maintaining diversity through cultural practices.     

Trans traveling and embodied practices: Panopticism,agency, dress,and gendered surveillance

We examined trans individual's enactments of gender authenticity negotiations with a unique perspective considering the intersections of dress and travel. We drew upon the concepts of power, agency of the body, and dress and ambivalence to examine relationships between embodied practices, traveling, and society by conducting 15 semi-structured interviews with trans individuals. Through our work we argue that dress and appearance-related practices while traveling play an integral part of negotiating gender identities in ways that feel authentic to the self for trans individuals. Part of these authenticity negotiations sometimes involve moments of lacking authenticity through self-surveillance in order to manage liveable and safer lives in unknown or even familiar spaces.     

Fairytale authenticity: historic city tourism,Harry Potter,medievalism and the magical gaze

ABSTRACT

This article makes an original contribution to debates about authenticity by asking how tourist experiences of the medieval historic environment are linked to fairytales, providing a new way for tourists to imaginatively authenticate heritage. The architecture of some historic cities is preponderantly medieval, an era which is strongly associated with fairytales. Magical-historical double affectiveness has been compounded in the collective imagination by modern fairytales such as the fantasy Harry Potter and Game of Thrones which employ historic city locations and faux-medieval settings, establishing a fluid magi-heritage simulacrum. This is concretised by the appearance in many historic cities of evidence of magical placemaking and staged magical authenticity, such as wizarding shops. The study used a visual methodology to examine 14 historic cities including Oxford, Cambridge, Bath, York, and Canterbury, demonstrating how the magical gaze employs fairytale schemata to imaginatively authenticate places. The findings illustrated how heritage tourists serendipitously encountered the medieval-fairytalesque, unfolding the agency of monumental cathedrals and castles and discovering stories and the historicisation of mythology within the extraordinary-ordinary streetscape. The research findings imply that in an era when the fantasy genre is increasingly popular, the experiential authenticity of heritage tourists may be enhanced by the ‘heritage marvellous.’     

Leisure pursuits: uncovering the ‘selective tradition’ in culture and well-being evidence for policy

ABSTRACT

This article reconsiders the value of leisure studies to well-being evidence for policy-making. It presents secondary analyses of Office for National Statistics data from the Measuring National Well-being (MNW) debate (2010). It finds that leisure is more important to the nation than accounted for in official reports. Using Raymond Williams’ framework of ‘lived culture’ and ‘recorded culture’, the article interprets this analytical discrepancy as demonstrating the culture of ‘selective tradition’.

Raymond Williams’ work is used to understand the sidelining of leisure in the MNW programme in two ways. Firstly, the article addresses survey design and analysis. It finds a methodological bias against free text data as evidence, affecting which aspects of cultural and social life appear central to well-being. Secondly, the article takes a discourse approach to cultural sector advocacy, which, in arguing the value of arts-related activity, relegates aspects of ‘culture as ordinary’ by default. These two selective traditions mean that ‘everyday participation’ is not valued in discussions of well-being evidence, advocacy or in the final MNW measures, despite its value to the public. This article prioritises everyday understandings of well-being over those of experts, offering an ethical and practical contribution to leisure studies and policy-making for well-being.     

Poststructural feminist theories of representing Others: a response to the ‘crisis’ in leisure studies' discourse

References made to a contemporary theoretical ‘crisis’ in leisure studies discourse have been made by a number of scholars in the field (Scraton, 1994; Coalter, 1997; Mommaas, 1997). This article examines the origins and nature of such a ‘crisis’ and attempts to map one possible route through the current academic impasse. It is argued that leisure studies’ reluctance to embrace recent theoretical advances in cognate disciplines and subject fields, together with a reticence to engage with poststructural discourse, has rendered culture marginal to leisure studies research. Increasing cultural analyses in sociology, geography and gender studies have been accompanied by widespread engagement with postmodernism and a concomitant disengagement with social and material analyses of power. This article discusses the role of the subaltern discourses of poststructural and postcolonial feminism as theoretical and political projects capable of addressing cultural and material power. The false dichotomy of social and cultural analyses in leisure, tourism and culture is then addressed in a dicussion of Othering. This discussion reveals the significance of the social-cultural nexus of leisure relations and the potential for research that engages with poststructuralism whilst continuing to further leisure studies' welldeveloped social policy discourse. In summary, poststructural feminist analyses are cited as one means of enhancing the theoretical sophistication of the subject field and of addresssing the current ‘crisis’.     

Destination brand authenticity: What an experiential simulacrum! A multigroup analysis of its antecedents and outcomes through official online platforms

Tourists' intensive use of information and communication technologies when planning travel has forced destination marketing organizations to design online simulacra of destinations in multiple formats. We focus our study on official online destination platforms to analyze preliminary experiences with destination brands and the online perception of authenticity. Previous consumption studies have theorized that consumers' encounters with products/services are antecedents of their perceptions of authenticity. In the tourism literature, however, the link between online destination experiences and online destination authenticity constitutes a research gap. To fill that gap, we used a multimethod approach to develop a causal-predictive model by which we observed that the online destination brand experience directly affects destination brand authenticity. The findings also show that both of these constructs directly and indirectly influence users' behavioral intentions toward the destination. We examine the moderating role of various official online destination platforms to enrich the theoretical and managerial implications discussed.     

Negotiating work and family: lifestyle migration,potential selves and the role of second homes as potential spaces

This article is based on ethnographic research conducted in the USA with migrants who use an act of relocation as a means of deliberately constructing identity as well as seeking greater ‘balance’ and ‘control’ in their lives. Specifically, it examines how ‘second’ homes can serve as a transitional or ‘potential space’ in the lives of these migrants not only between different geographic places but also what are taken to be distinct identities and ideals associated with these places and the lives lived in them. Such behaviour is not simply about coping and adapting to a new environment; rather, it is about using qualities of destination places to reconcile different visions of self and family purposefully set apart by relocation and a particular notion of ‘the good’ that underlies a ‘lifestyle commitment’ attached to the new place. The author highlights how research into the changing dynamics of work and family can help us understand, generally, effects of an emergent, economic order on working families and, specifically, how associated social and cultural changes shape this migration behaviour. Through analysis of lifestyle migration, this article contributes to discussion of the ways in which cultural values of work and family interrelate in migrancy as well as of challenges and opportunities facing migrants who purposefully attend to leisure activities and places associated with leisure as proper domains for essential identity work and to lifestyle as the means of realising what we may call the ‘potential self’.     

Tourism and decolonisation: Locating research and self

This paper critically explores decolonial theory and its relevance for tourism studies. We suggest that while postcolonial and related critical theoretical perspectives furthered understandings of the consequences of colonisation, such critical theorising has not provided an epistemological perspective of tourism which legitimises the cosmologies of, and actively empowers, traditionally marginalised groupings. We review published tourism research which adopts critical and postcolonial perspectives, and argue that while these have been valuable in terms of exposing the existence and effects of dominant discourses and practices in tourism, their emancipatory objectives are limited because tourism knowledge is still predominantly colonial. Epistemological decolonisation is thus presented as a more radical project which can provide an ‘other’ way of thinking, being and knowing about tourism.     

(Re)constructing the tourist experience? Editing experience and mediating memories of learning to dive

Abstract

Through an analysis of the mediative techniques involved in the production of videographic tourist memorabilia (specifically souvenir DVDs of learning to SCUBA dive), in this paper I seek to render visible the often unconsidered aspects of visual media production that result in not only visual images themselves, but also by extension, the construction of alternate realities of leisure space and tourist performance. A connectionist approach to the study of memory is advocated highlighting that mediatory technologies, whilst acting as stimulants for recollection, actually inform and construct memories rather than transmitting realistic snippets of past experience. In the paper, it is questioned whether ‘authenticity’ is a relevant frame of reference bearing in mind that the ‘post-tourist’ is often perfectly aware of the lack of authenticity in many tourist activities and happy to go along with a pretence. With this in mind, the paper concludes by stating that ‘reality’ is arguably being edited out of memories concerning tourism’s places and practices through the production of commercially driven and produced ‘souvenirs’. For the most part, the paper focuses on the experiences of young tourists between the ages of 18–25, the key demographic attracted to the field site in question.     

‘The smell of death and the smell of life’: authenticity,anxiety and perceptions of death at Varanasi’s cremation grounds

ABSTRACT

This paper contributes to an understanding of existential authenticity and existential anxiety in tourism studies through an investigation of tourists’ perceptions of death, the Self, and ‘others’ at the Hindu cremation grounds in Varanasi, India. Encounters with death at dark tourism sites serve as reminders of one’s own mortality affecting one’s attitude towards death, perception of self, and even challenging one’s personal values. Existentialists assert that anxiety is a condition of existential authenticity, and therefore moments of the existentially authentic experience are not always pleasurable. This paper argues that confrontation with death, as exemplified by the Aghori rituals and the cremation grounds in Varanasi, offers tourists an opportunity to examine the inevitability that life will end and to engage with this existential predicament and anxiety in an embodied sense, thereby pushing some of them towards life changes in the pursuit of existential authenticity.     

Performing heritage: the use of live ‘actors’ in heritage presentations

This paper investigates the phenomenon of ‘living history’ presentations of heritage, using live ‘actors’ to portray historical characters. Its aim is to discuss these presentations in the context of what may be understood as ‘heritage’, and of the nature of ‘performance’. Four case studies of heritage sites, each important as a tourist attraction, have been selected for detailed study, together with a number of other examples of heritage performance. It is clear from the empirical work that different performance strategies are employed within the heritage industry and by individual ‘actors’. Most of the performers take part as a leisure activity, and many do not consider themselves to be ‘performing’ at all. The greatest concern of participants lies in the degree of authenticity of the performance. Through ‘living history’, the ‘actors’ are drawn into an experience of heritage which has real meaning for them, and which may contribute both to a sense of identity and to an enhanced understanding of society, past and present. The popularity of such presentations with visitors also indicates that similar benefits are perceived by the ‘audience’.     

Knit,purl and upload: new technologies,digital mediations and the experience of leisure

In the last decade, there has been a resurgence of interest in knitting and an accompanying set of leisure practices from ‘stitch n bitch’ groups and pub knitting circles to fibre festivals and knit meets. Alongside this renaissance is a growing presence of ‘crafsters’ and ‘knitsters’ on the web, with blogs and podcasts devoted to the craft and social networking sites connecting a global community of knitters. The leisure experience of knitting now proliferates across multiple media sites and flows through various lifeworlds and circuits of consumption. This technological expression of the craft provides an interesting juxtaposition for exploring meanings and practices of mediated leisure and this article will argue that web 2.0 technologies have given users new ways to think about and engage with their creativity that, in turn, have become an embedded part of their construction and enjoyment of leisure practice. Technology use can be understood as a reciprocal and interconnected aspect of knitting as leisure and the study of techno-cultural change marks a territory where distinctions between leisure and technology are increasingly dissolved. Knitting as a material craft provides a useful example of the way in which virtual networks and environments have reshaped the consumption of leisure in rich and dynamic ways.     

Learning to leisure: femininity and practices of the body

Within this paper, I conceptualise practices of the body that are learnt and deployed as part of feminised body work within the cultural context of girls’ leisure. These are practices of the body that are engaged by young women in ways that allow them to (re)construct their subjectivities as well as ‘negotiate a physical sense of themselves’. Therefore, this paper begins by mapping the theoretical foundations upon which the analysis of femininity is couched. Predicated upon debates that distinguish between the girl as a passive, duped recipient of culture’s pedagogical signs and the girl as an active, autonomous ‘freely choosing’, ‘freely consuming’ citizen, I draw out the ways in which young girls’ body practices can shed light on the complex relationship between ‘choice’, agency, consumption and subjectivity. Drawing on data collected from workshops and focus groups, I locate consumption, body management and beautification as constituents and simultaneously constitutors of leisure time. I thus offer insight into the ways in which a group of twenty 13-year-old girls who attended a private (fee paying) school in the West of England account for, maintain, develop, and in places resist, localised appearance cultures. Structured around certain leisure activities – reading magazines, shopping for clothes, eating, engaging in physical activity, applying beauty products, make-up and hair styling – this paper concludes by highlighting the ways in which wider cultural discourses are having embodied effects and are being consumed, not without consequence, as commonplace everyday preoccupations.