社火溯源

社火,亦名社伙。有的则称谓射虎、芯子、花杆、抬阁、摆故事等,是华夏民族文化艺术宝库中的丰厚遗产。社火,生发于劳动实践,扎根于人民群众,在数千年的发展过程中,屡经民间艺术家们的雕琢、锤炼与再创造,形成了系统完整的群众性的且具有特殊风采的广场艺术。     

学会用钱说话

·质量专业人员在讨论到他们的活动所产生的财务影响时，往往会感到很困难。 ·要想引起管理者的关注，质量专业人员必须学习重要的财务术语，诸如像净收益、资产回报率等，并能够理解资产负债表和收支表。     

消费者真正渴望的是什么？

正如爱默生所说,真实是我们的元素。可以预见,在商业社会经历产品经济、服务经济和体验经济的发展阶段之后,以“提供真实”为根本诉求的真实经济将会很快流行开来     

改变世界的10大营销案例

全球历史上最伟大的10个营销案例,它们不仅在当时激起了巨大的口碑效应,并极大地提升了产品销量,而且历久弥新,影响了未来世界的营销规则。     

Spatial collisions and discordant temporalities: everyday life between camp and checkpoint

How do we make sense of the colonial subject that is neither in revolt nor in open crisis? How do people reproduce their lives, fashion routines, etch out some meaning when the political is evacuated, when time is on hold? These questions loom over a contemporary disjuncture in Palestine, marked in part by the splintering and opening up of the field of subjective bonds, attachments and associations to new modalities of production, less circumscribed by previous normative parameters and engendering a host of complexities and ambivalences in politico-social relationalities. Yet most scholarship on Palestine remains caught up in reductive binaries of violence versus resistance and heavily reliant on rigid and aggregated categories, the bulk of it unable to capture entire assemblages of action, subjective dissonance, productive ambiguities and contingent vitalities that inflect so much of contemporary quotidian life. The refugee in particular has emerged as a destabilizing figure, capable of subversively using the spatio-temporality of the camp as the very resource through which to disturb ascribed categorizations. Reading the paradoxical multiplicity of actions that refugees — women, children and the elderly — perform in the space between Qalandia camp and its checkpoint provides an insight into some of what defines contemporary refugee subjectivities — flexibility, a readiness to take risks, an ability to maneuver through different temporal orders and instrumentalize the spatial fragmentation. These subjects, traversing and negotiating liminality in everyday life, point to lived and bodied affirmations of presence and visibility that cannot be understood through frameworks of recognition and rights.