中国经济发展新路——文化创意产业

21世纪是创意经济的世纪,伴随着全球化进程的是世界范围的创意产业蓬勃兴起,未来的中国应当从文化之邦走向创意之国,从制造大国走向创意大国,从"中国制造"迈向"中国创造"。发展创意产业,建设创意社会,是贯彻执行全面、统筹、协调、和谐的科学发展观的生动体现,也是我们创造性地贯彻马克思主义的生动体现,是建设和谐社会和实现全面小康的必由之路。     

Copyright: a systemic marketplace icon

This article argues that copyright is a systemic marketplace icon because of the breadth of its effects on market operations. Copyright determines how intellectual property rights for creative work are allocated between the different actors involved in production and consumption, and must balance the civic priority of public access to creative work with the market-driven principle of rewarding private interests for their effort. This duality tends to polarise opinion about its implementation by rights holders, because very different ideological assumptions underpin civic and market objectives. Copyright discourses reveal how these ideological struggles play out among interested parties, who use the concept of copyright to make arguments about how markets should be structured, how creative work should be exchanged, and how consumers should behave. In the process, copyright is constructed, explained, branded and promoted as an object to which market actors must orient themselves if they wish to conduct themselves appropriately, and as a rationale for material changes to market structures. At the same time, copyright discourses reveal the implications of copyright, which invoke both the market and democracy, for the quality of democracy, the circulation of creativity, and the availability of public knowledge, and help explain why ideological struggles over copyright are so difficult to resolve.     

Understanding the dynamics between supervisor‐follower social capital,work engagement,and employees' creative work involvement

This study examines the previously unexplored mediating role of work engagement in the link between creative work involvement and the relational resources embedded in supervisor‐follower exchanges. We studied three relational resources inherent to the exchanges between followers and their supervisors: trust in supervisor, goal congruence, and relationship informality. Data were captured from IT professionals working at four well‐established IT companies in Ukraine. The findings show that relationship informality and goal congruence positively affect employees' creative work involvement, yet these effects are less pronounced when controlling for work engagement. The significance and implications of these findings for research and practice are discussed. Copyright © 2016 ASAC. Published by John Wiley & Sons, Ltd.     

Creative tourism in Balinese rural communities

The present study extends knowledge on creative tourism in rural areas. It was unclear from previous research how features of creative tourism, such as risk of commodification, play out in rural areas of developing countries. The study built on theoretical overlaps which suggest that creative tourism may improve the potential of community-based tourism. Literature suggested that creative tourism may address three issues plaguing community-based tourism: (1) lack of financial resources could be circumvented with intangible heritage; (2) loss of cultural identity could be reversed by sparking interest for culture; (3) power relations between hosts and guests could be rebalanced by repositioning locals from servant to teacher. These theoretical overlaps were explored in the context of five Balinese villages using a microethnographic approach with participant observations and expert interviews. Findings from this study partly confirm and extend the theoretical synergies. Furthermore, a new synergy, increasing enthusiasm for intercultural exchange, and one negative interaction, intangibility as a differentiator, were found. Findings also revealed conditions for success in developing creative tourism in a community-based tourism context. In sum, we contribute the conclusion that creative tourism in rural areas is promising under certain conditions.     

The Limits to Artist‐Led Regeneration: Creative Brownfields in the Cities of High Culture

Despite the burgeoning literature on creative cities, seldom explored is the context of cities rich in cultural capital but more orthodox in their approach to preserving the autonomy of culture. This article discusses the status of artistic spaces occupying abandoned industrial premises (‘creative brownfields') in historic cities that traditionally shape their policies around prestigious cultural institutions (‘cities of high culture'). Based on comparative insights from St Petersburg and Lausanne, the article explores the relations and tensions between mainstream cultural governance and creative brownfields. While there is no lack of creative brownfields in these cities, their wider urban impact is found to be marginal; moreover, these sites represent dispersed instances of temporary occupations rather than situated clusters of creative actors. More than coincidental, this (lack of) spatialization is argued to result from a particular governmentality—that of high culture—which disregards, rather than promotes, spaces of alternative cultural governance. The article conceptualizes creative brownfields in cities of high culture as the ‘soft infrastructure' of cultural production, in contrast with those in ‘creative cities' as the ‘hard infrastructure' of urban production. The article also calls for a recognition of the local context of regulation and accumulation in understanding the cultural/urban interplay.     

创新环境及其政策的出发点：兼论增强区域的全球化竞争力

本文对创新的环境内涵做了深入的描述和探讨,并以此导出２１世纪中国的创新体系的设想。首先,概括阐述了古典的区域增长模式,总结评价并指出等级规模原则、分散式集中原则、空间功能分工原则和等价原则今天对发展中的国家仍然有重要的意义。接着对创新环境的内涵进行广泛的描述和探讨。最后导出了在经济全球化背景条件下构造区域创新体系的设想。     

艺术设计教育中的素描基础教学

艺术设计专业素描课教学,在重视传统素描基本功训练,强调对素描本身艺术语言研究的前提下,应重视创造性思维,加强对学生的主观创造性的培养.在对不同物象的情绪表达、抽象表达、意象创造、设计构想等美学范畴的思考和训练中,要以提高学生的形态审美能力、设计表达能力和创新思维能力为目标,达到更好地与设计专业课的衔接和过渡,使素描真正成为艺术设计的基础.     

标准化如何促进文化创意产业的发展

文化创意产业,对产业结构的升级和发展模式的创新具有重要意义,在全球范围内已形成蓬勃发展的态势。文章介绍了我国文化创意产业的现状和发展趋势以及面临的问题和困难,提出了通过标准化工作促进我国文化创意产业发展的思路,探讨了文化创意产业标准化体系建设的措施。     

城市更新背景下都市创意产业发展研究——以上海为例

本文以上海市创意产业发展为例,对创意产业的特点进行深入探讨,这不仅有助于全面了解创意产业与城市发展之间的关系,而且还将对城市发展创意产业的政策取向提供相关启示。