关于加强凡河流域环境保护的现状及对策

本文以铁岭市凡河流域保护现状为基础,总结了流域保护工作取得的成绩,查找保护工作存在的主要环境问题,提出了对凡河保护工作的建议,以期为其它流域的保护工作提供参考。     

Exploring value co-creation in Fan Fests: the role of fans

Abstract

Fan Fests have recently provided various opportunities for host cities, organizers, sponsors and fans, manifesting a modern intersected third place service setting (other than a stadium) where varied stakeholders can co-create value and sport experience and consumption can take different forms and shapes. Yet, although Fan Fests are becoming integral parts of mega-events, research has fallen short of capturing the unique nature of such value co-creation ecosystem, and the role of fans in such value co-creation environment. This paper takes up this challenge and explores the still evolving nature of the Fan Fest, using a primarily consumer and participant focused approach in order to explore the experiences of a Fan Fest and address questions of event construction, participation, organization and consumption. Drawing on SDL and Consumer Culture Theory perspectives we situate the role of fans in value co-creation in Fan Fests and provide implications for management and future research.     

论赵蕃行役诗的特点

赵蕃的行役诗数量较多,众体兼备,含蕴深广.内容上,这些诗把行踪见闻与内心律动浑然融合,忠实记录了旅程中的见闻、诗人的行踪以及内心活动等,描写了船行时遭遇的疾风骤雨、急流险滩等惊心动魄的情景;情感内蕴上,这些诗反映了衰微时代文人的末世情怀,折射出南宋社会内忧外患的政治情势,具有比较深刻的社会认识价值.     

Conceptualizing excessive fan consumption behavior

This research develops a theoretical model that provides new insight into excessive consumption and identification based on the consumption of rugby and brand biography of the All Blacks. This paper is grounded in Maori protocols and the spiritual relationship between the All Blacks, New Zealand and Maori. The conceptual model development process is based on the grounded theory approach and analysis of interview evidence from 15 fans in New Zealand. The model posits that the cultural sources of excessive identification or importance in consumption relate to country factors. In terms of response, excessive fan identification has two major outcomes at the individual level, one positive and the other negative. From a negative standpoint, excessive behavior leads to deviant behaviors, such as violence, misplaced priorities, psychological flow and rationalization. From a positive standpoint, however, excessive identification leads to more benign consumption in the form of cultural and social capital and communitas. Future research implications are discussed.     

简论袁黄《了凡四训》劝善思想的宗教影响

袁黄《了凡四训》是一篇劝善积德的儒家家训作品,但在劝善原理、劝善法则、劝善实践、道德评价以及训诫的写作形式等方面都深受宗教,特别是禅宗思想和观念的影响。这种宗教影响既与明代三教合一的社会风气有关,也与袁黄家族崇教的家学源渊有着密切关系。     

从舞台特性看《桃花扇》之失误

明清传奇压卷之作的《桃花扇》 ,是我国戏曲史上一部划时代的历史剧 ,为何在 18世纪中叶至今鲜见于舞台呢 ?原因与作者的创作思想有着密不可分的联系 :一、虚情趣、实史迹 ;二、结构平稳 ,过于讲究对称和谐 ;三、存雅去俗     

湘湖压乌山传说考

萧山湘湖中的压乌山传说由来已久。受该山地理位置和形状的影响,压乌山最初应该存在“压湖山”和“饭甑山”等名称,萧山方言中的“压湖”与“亚父”读音接近,“饭甑”与“范增”读音接近,压湖山因此与“亚父”范增发生了联系。再加上压湖山独立于湘湖之中,很早就为周边居民所关注,故约在隋唐时期就演化出了“亚父掷山”的传说,受这一传说的影响,压湖山也变成了“压乌山”。     

Exploring fans’ participation in digital media: Transcreation of webtoons

The increasing popularity of webtoons, a popular type of digital content, has led to the emergence of an interesting phenomenon known as transcreation. Transcreation indicates fans’ twofold activity of both translating and recreating webtoons into a new language while maintaining the content’s originality. Although transcreators play a significant role in facilitating the spread of webtoons in the global market, the role of such transcreators has, to date, received scant attention. By employing a means-end chain approach through laddering interviews, this study explores the fans’ goal structure in the transcreation of webtoons. The results reveal that transcreation is an expression of enthusiasm toward webtoons and the creators, facilitating socialization and establishing a sense of belonging in the transcreation community. Fans improve their language skills with the aim of obtaining career-related benefits and enhance their expertise to achieve personal growth. Fans’ transcreation activity plays a vital role in the globalization of webtoons, facilitated by the platform’s socio-technical resources. This empirical study provides insights into fans’ active participation in the digital media industry.