论艺术审美教育

艺术审美教育与审美教育和艺术教育既有区别又有联系.艺术教育和艺术审美教育是实现审美教育的手段,审美教育是学校美育教育的目的.艺术审美教育是学校审美教育的核心内容,学校艺术教育的主要目的是为了实现艺术审美教育,进而实现美育教育.     

民间文学艺术的特别法保护探讨

我国拥有丰富多彩的民间文学艺术,针对民间文学艺术保护的立法滞后,本文在界定民间文学艺术内涵的基础上,借鉴国际上保护民间文学艺术的立法经验,从民间文学艺术的权利主体、客体等方面探讨了如何构建民间文学艺术保护的特别法.     

江苏传统民间艺术国际传播的现状、问题及对策

本文总结和分析了江苏传统民间艺术的发展现状及其存在的一些问题：传播主体暂时还处于职业化和政治化阶段;传播内容定位精准度不高,创意指数仍有提高的空间;传播渠道一定程度上忽视了＂长尾＂媒介。提出了应对措施：扩大传播主体,充分利用本土文化精英的力量、在苏外国友人的力量;建构多元化、立体化的传播网络,将江苏民间传统艺术与旅游业、影视业、本地民俗活动、地标建筑及街区装饰进行创意性结合;进行相关数据分析,准确定位目标受众。     

Affective commitment and future purchase intentions in the performing arts: An empirical approach

We examine whether affective commitment can influence customers' future purchase intentions. Our empirical approach focuses on the performing arts sector in which we interviewed 927 theatregoers at the entrances or exits to 150 theatres throughout Spain. The theoretical relationship management model proposed herein provides an analysis of the role played by satisfaction, trust, and commitment in future purchase intentions. Our findings reveal that affective commitment mediates the relationship between future purchase intention and both satisfaction and trust. We discuss the theoretical and management implications of our findings and identify some possible future research directions. Copyright © 2015 ASAC. Published by John Wiley & Sons, Ltd.     

对普通高校开展艺术教育的思考

高校艺术教育不单纯是一门课程、一种教学方式,而是一种教育思想和体系。树立通识教育的理念,提高艺术教师的综合素质,完善艺术教育教学体系等,是有效开展高校艺术教育的基本保证。     

Avoiding the ‘SoHo Effect’ in Baltimore: Neighborhood Revitalization and Arts and Entertainment Districts

This article investigates how state‐sponsored ‘arts and cultural districts' and ‘creative placemaking' revitalization strategies affect urban neighborhoods, using the Station North Arts & Entertainment (A&E) District in Baltimore, Maryland (USA) as a case study. Through ethnographic participatory methods and 39 qualitative interviews, we studied the activities and attitudes of various stakeholders within Station North. Since its designation as an arts and entertainment district in 2002, a number of public–private partnerships have helped increase home values in Station North, suggesting that the ‘branding' of Station North has been successful. While the institutions involved in the district, including community development corporations and local universities, are careful to insist that they do not want to displace low‐income residents, many interviewees expressed concerns that these institutions exert influence outweighing that of longtime residents. While a certain level of gentrification has occurred with the arrival of new residents, we argue that the people who are most likely to be displaced from the arts and entertainment district in the future are, paradoxically, artists, especially those who wish to buy homes and settle in the district. After discussing the case of Station North, we consider broader implications of the use of arts for urban revitalization.     

A DEA approach for selecting a bundle of tickets for performing arts events

Most performing arts organizations offer their customers the choice of either buying event tickets individually or buying a bundle of tickets for two or more events. During the selection of the bundle to be offered, the theatre manager faces several possible combinations of events. In this paper we tackle the issue of identifying the most efficient subset of the events scheduled to offer as a bundle. We formulate this problem following the choice-based network Revenue Management approach. Assuming the price as fixed on two types of events, lowbrow and highbrow, proposed by the theatre, the purchase decision is modelled on the basis of two random variables: the available time and the reservation price per perfomance. The super-efficiency DEA model will be implemented in order to find the most efficient combination of events to be bundled, defined as the one that offers the most favourable trade-off between expected revenue, attendance, and capacity consumption. A regression of the DEA scores on managerial variables and bundle attributes will allow us to obtain some insights into what determines the efficiency level of a bundle.     

Cracks in the Creative City: The Contradictions of Community Arts Practice

The recent flurry of research about arts‐led regeneration initiatives illuminates how contemporary arts festivals can become complicit in the production of urban inequality. But researchers rarely engage with detailed empirical examples that shed light on the contradictory role that artists sometimes play within these spectacularized events. Similar research in performance studies connects the political limits and potential of social practice arts — interventions that encourage artists and non‐artists to co‐produce work — as civic boosters strive to stage cities in order to attract investment. In this article, I explore the case study of Streetscape: Living Space at Regent Park, a participatory artistic intervention programmed in a public housing neighbourhood that is undergoing redevelopment in Toronto, Canada. Streetscape was part of the Luminato festival, an elite booster coalition‐led festival of ‘creativity’. I refer to these arts interventions to demonstrate how artists engaging in social practice arts can become complicit in naturalizing colonial gentrification processes at multiple scales. But I also reveal how artists can leverage heterogeneous arts‐led regeneration strategies to make space for ‘radical social praxis’ (Kwon, 2004), interventions that challenge hegemonic regimes. I conclude by interrogating the effectiveness of place‐based efforts in unsettling the ‘creative city’.     

浅谈高职院校武术选项课教学方法改革

武术是一项极具健身价值和民族文化特色的传统体育项目，发展势头良好，但目前高职院校开展武术教学仍存在着很多急需改进的问题。