Local Perspectives on the Impact of Tourism on Religious Festivals in Bhutan

The Himalayan nation of Bhutan is known to embrace Gross National Happiness rather than Gross National Product as the measure of its people's well-being. Happiness, spirituality and cultural authenticity are prominent factors in Bhutan's tourism image, and these attributes are most clearly exhibited in the traditional festivals that are among the most popular attractions for many foreign tourists. This paper introduces the cultural practice of religious festivals in Bhutan and investigates how tourism may be affecting these festivals. Within this context, this paper reports on the findings of a survey of Bhutanese monks and lay people, regarding their impressions of the effects of tourists on one particular event – the Tsechu festival. With the Bhutanese government's aim to increase the number of annual tourists more than fourfold to 200,000 by 2018, this research provides a baseline study of the perceived impact of tourism on religious festivals and addresses the issue of whether such an increase in volume of tourists would pose a threat to the integrity and value of these festivals as perceived by Bhutanese people.     

Normative and innovative sustainable resource management at birding festivals

The sustainable ancillary resource management (SARM) practices of US-based birding festivals are investigated. A questionnaire completed by organisers of 108 of 135 identified festivals (80%) revealed several normative SARM practices such as signage re-use and container recycling, and a large number of innovative practices undertaken by one or more festivals. Cluster analysis yielded roughly equal groups of 'non-innovators', 'normative recyclers', 'innovative energy conservers', 'innovative recyclers' and 'comprehensive innovators'. SARM innovators also tended to be ecotourism innovators, while innovation was also related to attendee numbers but not festival longevity or identification of festival with 'ecotourism'. No clear diffusion effects are evident. Follow-up surveys suggested positive relationships with cost, attendee satisfaction/demand, and sense of responsibility, but not revenue generation. A dedicated organisation and sponsored certification protocols are suggested to facilitate dissemination of innovative SARM practices, which were less prevalent than expected given the nature of such events.     

Historical and geographical context in festival tourism development

Festivals have increasingly become a significant tool for economic development through both tourism and the re-imaging and re-branding of cities and regions as modern cultural centers. To understand the issues and challenges of festival tourism events, it is important to know the historical and geographical context in which they occur. Conceptually, the historical context can be viewed through the degree to which an event has a vernacular indigenous origin or is newly created. The geographical context, on the other hand, reflects the degree to which a festival is defined by the place in which it occurs or is more global in its thematic orientation. A contextual framework for festival tourism that takes these two factors into account results in four types of festival events: Local Heritage Festivals, Local Contemporary Festivals, National Heritage Festivals, and Global Contemporary Festivals. These four festival types face issues related to their local identity, uniqueness, liminality, and authenticity. The contextual framework for festival tourism is applied to the current situation of rapid festival development in China, with recommendations that Chinese event managers need to focus more on historically and geographically meaningful themes developed in partnership with local populations if they want to ensure an event's long-term success.     

Building a local identity through sellout crowds: the impact of brand popularity,brand similarity,and brand diversity of music festivals

Festival organizations must often balance commercial and artistic priorities when providing a platform for creative expression and regional identity building. However, research on the complex relationship between festival brand metrics and visitor attendance is limited. This relationship is particularly relevant to local governments, tourism boards, and festival organizers because, without reach and visitors, regional branding and identity building are likely to fall on deaf ears. Using data collected from 136 Dutch music festivals, as well as hierarchical regression analysis, this study confirms that a balancing act is necessary with respect to brand popularity, brand similarity, and brand diversity and that being too unique as a festival brand can become a double-edged sword. This finding is particularly relevant because many festival organizers often highlight innovativeness and uniqueness in their requests for funding, regional marketing support, and community engagement. The implications for festival organizers, destination marketers, and local governments are discussed.     

城市旅游地居民对传统节事的感知及态度——以泰安市东岳庙会为例

通过问卷调查和个别访谈的方法就泰安市居民对东岳庙会的感知和态度进行了研究。结果表明,居民对庙会在社会文化、经济方面的正面影响感知强烈,但满意度并不高,节事在城市旅游和社会发展方面的作用还没有充分体现出来。传统节事应该在挖掘传统文化与地方特色的基础上,在举办方式、居民参与形式、营销宣传等方面进行改革和创新,以提高节事的举办质量和居民的满意度。     

旅游节庆对旅游城市目的地形象建设的推动作用

近年来,我国旅游节庆发展迅猛,呈现出“百花齐放”的局面,但是成功的旅游节庆只是少数,很多地方盲目办节,给当地经济带来很大负担。文章立足旅游城市目的地形象建设的角度,探讨旅游节庆对旅游城市目的地形象建设的推动作用。另外,就我国目前举办旅游节庆出现的问题进行简要分析,以求为我国当前并不成熟的旅游节庆找到一点思路。     

Exploring dress,identity and performance in contemporary dance music culture

Electronic dance music and its associated cultures have experienced significant growth and diversification in recent decades, evolving from their origins in the warehouse, acid house and rave ‘scenes’. The myriad of interrelated scenes under the umbrella term ‘dance culture’ provides a range of aesthetic and social event experiences, where participants can experiment with and perform multiple identities. This paper explores the significance of dress and identity within dance culture, drawing on an autoethnographic study which included participant observation, field trips, online research, focus groups and interviews. It investigates performance and presentation of identity within these commodified places, in particular how participants negotiate and traverse various credible roles. It suggests that the performance metaphor is useful in conceptualising event spaces and demonstrates the hugely significant role that dress and identity play in the construction and consumption of these events.     

The Festival in My Hometown: The Relationships Among Performance Quality,Satisfaction, and Behavioral Intentions

Despite the high volume of research on festivals in Western cultures and the incredible growth of festivals over recent decades, little empirical research has been conducted on festivals in Thailand, many of which have existed more than 100 years. Therefore, the purpose of this study was to investigate the motivations that drive people to attend the Tenth Month Merit-Making Festival (TMMF) in Nakhon Si Thammarat, a province in southern Thailand, what they thought of products and services provided at the festival, what their level of satisfaction was, and whether or not they would recommend the festival to others or attend it again in the future. There were 324 respondents participating in the study. Friend—family togetherness, festival novelty, excitement, and escape were the leading motivations for attending the festival. Respondents were most satisfied with arts and crafts, entertainment, ticket price, displays and exhibitions, and the festival's duration. The activity–culture factor was the best performer. Those who were satisfied with the festival would encourage others to attend the festival, but they might not attend again in the future themselves.     

Serving Time: Volunteer Work,Liminality and the Uses of Meaningfulness at Music Festivals

Drawing from a participant‐observer study of volunteering in the context of UK music festivals, we examine how the sense of meaningfulness and community relate to instrumental goals of consumption and efficiency. We argue that the liminal nature of the festival setting supports an ambivalence in which meaningfulness is established through constructions of community, while the commodification of community feelings leads to heterogeneous understandings of the work setting. Our findings reveal heterogeneous ways in which work was rendered meaningful by festival volunteers, ranging from (1) A commodity frame, characterizing work as drudgery seeking ‘fun’ through consumption (2) A ‘communitas’ frame, emphasizing a transcendental sense of collective immediacy and (3) A cynical frame, where communitas discourse is used instrumentally by both managers and workers. We discuss meaningful work as caught between creative community and ideological mystification, and how alternative workspaces vacillate between emancipatory principles of solidarity and neo‐normative forms of ideological control.     

宁波市农业节庆创新发展研究

本文概括了农业节庆的概念,分析了农业节庆对当地社会和经济方面的积极影响,并结合宁波农业节庆现状调研结果,提出了农业节庆创新发展的思路。