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61.
本文运用文献资料法、访谈法、问卷调查法等方法,对西安市小学校园集体舞推广情况的调查研究,了解了当前校园集体舞在西安市小学推广的基本情况,为校园集体舞在西安市小学的推广提出了对策和建议。 相似文献
62.
本文主要通过文献资料法、实地调查法、问卷调查法、数理统计法等研究方法,对延安大学体育舞蹈专修课程教学现状进行了全面的调查与分析,旨在探索当前延安大学体育舞蹈专修课程教学过程中存在的主要问题,试图为今后改善和提高体育舞蹈专修课程教学质量提供一定的经验借鉴和理论依据。 相似文献
63.
随着我国网络游戏快速发展,各大游戏网站相互竞争,为提高市场占有率探寻新的盈利模式是游戏运营商一直思考的问题。本文通过对我国网络游戏发展现状做了概述,对当前游戏网站的时间计费模式,出售虚拟道具模式,游戏内嵌入广告等盈利模式进行重点分析,最后对游戏网站未来盈利模式发展作了展望。 相似文献
64.
从火灾隐患、火灾荷载、日常管理等方面分析了歌舞娱乐放映游艺场所的火灾危险性,进而从源头管控、落实单位主体责任、加强日常消防监督管理等方面就如何加强歌舞娱乐放映游艺场所消防安全管理提出了具体的工作措施和对策。 相似文献
65.
文章针对当前流行的现代舞纳入中职、技校的体育教学中的价值和意义进行探讨与分析,并对现代舞教学的内容、方法和评价等体系构建进行了探讨与研究,同时对中职、技校开展现代舞的教学和如何培养学生学习兴趣提出了建议。 相似文献
66.
舞蹈创作的创新思维方式及原则探析 总被引:2,自引:0,他引:2
创新是艺术的生命,纵观舞蹈史,其实就是一个不断汲取传统经验,不断丰富舞蹈内容和形式的过程。然而,舞蹈创新并不是天马行空,也需要遵循一定的规律和原则,笔者就舞蹈创新过程中需要注意的几个问题进行了探讨。 相似文献
67.
Carla Stalling Walter 《Consumption Markets & Culture》2013,16(1):19-40
Dance is an integral part of culture, as is consumption. However, there is a paucity of published research regarding the effect of dance on consumption. In particular, studies on how black social dance in commercials depicts culturally defining racial tensions and stereotypes, and its effect on Euro American consumption are scant. Consequently, qualitative research was employed to survey and interview a small group of Euro American respondents. A Diet Pepsi commercial served as the research text. A consuming value system reinforced the association of the dance with consumption of individual identity as cool; fractured conformity away from the defining macro social structure; and provided for resistive self and community identities. Three contributions result from the research. First, an alternative way of seeking knowledge through dance theory demonstrated dance's value for consumer's lives. Second, Holt's 2004 work was built upon. The dance demonstrated cultural myth recreation in a “macro dance” performed in the “micro dance” of everyday life. Third, ethnographic dance premises were extended and served as the research framework. 相似文献
68.
Robert Snape 《Leisure Studies》2013,32(3):297-311
In post‐industrial countries, folk dance may be considered as an embodied performance of a perceived tradition and is representational of values attached to an imagined past. The English Country Dance is one such form of folk dance, having been revived, or re‐invented, in the early twentieth century by Cecil Sharp who claimed it to be a national dance of England. However, Sharp re‐defined it not as a popular and spontaneous leisure activity but as a serious middle‐class art form representing an English sensibility and the virtues of a pre‐industrial pastoral collectivism. After the hiatus of the First World War, the English Country Dance continued to offer a resistance to the modern, this time in the form of a burgeoning popular dance culture which embraced urban sophistication and jazz dance. Using the concept of performativity, this paper attempts to demonstrate that the leisure context of the English Country Dance, in terms of spatiality, style, consumption and gender, enabled a continuity of resistance to the modern in a changing socio‐cultural environment. The paper draws upon primary research in the archive of the Manchester Branch of the English Folk Dance Society and upon records of contemporary dance in the Mass Observation archive. 相似文献
69.
吴文生 《安徽工业大学学报(社会科学版)》2010,27(5):152-153
形体舞蹈课将人体语言艺术和体育美学融为一体。教育者应精选教学内容、注重教学方法,以实现其美育目标,提高学生的认识美、鉴赏美、表现美、创造美的能力。 相似文献
70.
Using a minor case study of the local fitness culture scene in Tokyo, Japan, this exploratory and qualitative article aims to discuss and analyse the consequences of globalisation of fitness culture. The article focuses particularly on how fitness culture is negotiated in Japanese society – at a national, local and subjective level, and in relation to attempts to uniformly rationalise and standardise gym and fitness culture. The results indicate that the fitness geography is changing, and through the establishment of a globalised fitness culture, Japanese youth are following in the footsteps of many other countries. However, this does not mean that we are witnessing a homogenisation process, or a completely McDonaldised version of fitness culture in Japan. Instead, this cultural phenomenon is shaped and formed in particular ways, pointing towards certain strong national sentiments concerning body ideals, views on gender and exercise and relaxation. For example, the cuteness ideal has a strong influence on the way young women talk about and perceive body ideals and corporeal performances in Japan. 相似文献