吴子良生平、文论及散文特色

吴子良是南宋永嘉学派的重要传人。他一生居官办实事,不畏强权,崇尚气节。论文主张＂主之以理,张之以气,束之以法＂。他的散文颇富文人特色：句式整齐,多用偶句;设譬用喻,辞藻丰富;层次清晰,结构严整;议论深刻,记叙生动。     

散文泛化语境下王充闾散文的文体创造

王充闾作为当代文坛的散文大家,以自身丰厚的学养和文化积淀为我们提供了众多有价值的文本,并为散文文体的发展做出了贡献。从上世纪90年代以来的散文泛化的生态语境下出发,通过分析王充闾散文文体意识的确立及散文文体的表现形态,指出他对当下文学性散文文体的贡献及重要意义。     

创新思维创造中国奇迹——纪念中国共产党成立90周年

中国共产党的成立,改变了人类历史进程。尤其是改革开放后的33年,超越了发达国家发展需要上百年的时间,跻身于世界经济强国之列,令全球震惊不已。实践证明：中国共产党人的创新思维能力体现在每一个历史转折关头,因此创造出无数的中国奇迹,并引领着未来前进的方向。     

直觉对科学创造的重要性分析

本文探讨了直觉与科学创造的重要性,论述了直觉与灵感产生的关系,强调老师在教学过程中应该重视学生直觉思维的培养。     

Value co-creation and employee service behaviours: The moderating role of trust in employee - hotel relationship

Value co-creation (VC) is generally considered as having mutually beneficial implications for all actors involved. Nonetheless, emerging evidence on value co-destruction and its consequences on the wellbeing of co-creating actors implies that narrowing down on specific fallouts of this process is needed for managerial interventions. This paper contributes to the value-co-creation literature by exploring the relationship between customer participation in VC on some difficult to detect employee service behaviors: workaholism and fear-based silence. The extent to which employee trust (TRS) in employee – hotel relationship moderates these relations is assessed. While the findings from 422 frontline employee-customer data within luxury hotels in Ghana support a negative effect of VC on fear-based silence and workaholism, TRS buffered these effects. We recommend that VC in service failure and recovery be approached with tact, compassion, and forgiveness.     

Why Do Property‐Liability Insurers Destroy Liquidity? Evidence from South Africa

This paper examines liquidity creation behaviour in the property‐liability insurance market in South Africa. Using annual data on 76 insurers from 2007 to 2014, the paper employs the three‐stage approach to estimate liquidity creation. The results suggest that property‐liability insurers are characterised by liquidity destruction by transforming liquid assets in cash and investable securities into illiquid reserves liabilities. The findings also indicate that the R1.32 billion in liquid assets were transformed into illiquid reserves liabilities in 2014, an increase from the R700 million liquidity de‐created in 2007. The increases were mainly driven by large insurers which accounted for about 70% liquidity de‐created. The results of panel regression analysis provide evidence in support of the “risk‐absorption” hypothesis which argues that high levels of capital increases liquidity creation. In addition, size, leverage and reinsurance were also identified as the firm‐level factors that explain liquidity creation. The policy implications of the findings are discussed.     

文学作品名翻译中文化信息的传递

文学作品名中文化信息的翻译处理,总体上有归化向异化转变的趋势。但有时归化与异化交织互补,具体体现为文化意象的移植与替化,文化对等词的替换或是以译名的基本信息替代原名的文化信息。     

审美客体与主体在文学翻译中的体现

译品在目标语中被成功接受与翻译的过程中,译家的审美思想和各种思维的交相运用密不可分。文学作品的美学特质要求译者在翻译过程中能综合运用美学理念和翻译思维。本文从翻译的审美客体与审美主体出发,从哲学的范畴阐述了文学翻译中审美客体与主体不可能是分开的两个独立的方面,而是具有矛盾统一性这一辩证关系。同时通过实例分析怎样把握好两者的关系,使译文最大程度地达到和谐统一的美。     

立象以尽意——中国古典诗歌创作范式

＂立象以尽意＂是一个哲学命题,它反映的是存在和表达方式之间的关系。经由哲学领域发展到文学领域后,这一命题对中国古典诗歌创作产生了重大影响,成为古典诗歌创作的范式。诗人们的创作遵循＂言不尽意———立象以尽意＂这一思维模式,从语言之＂象＂、无形之＂象＂、有形之＂象＂三个方面,试图在诗歌中树立起一个大于语言本身的＂象＂,从而来实现＂尽意＂的目的。正是这种创作范式,形成了中国古典诗歌含蓄隽永、意境深远的艺术特征。