《红楼梦》中“见”的结构功能与翻译

《红楼梦》中形式多样的"见"表达丰富的视觉意义,但在有时"见"的视觉意义出现淡化、弱化甚至虚化现象时,却具有了烘托功能、叙事功能和连接功能等结构功能。     

浅析《型世言》的叙事特征

运用叙事学理论研究《型世言》,可以看出其叙事视角灵活多变,叙述方式独特,说明作者在“树型今世”的创作主旨下还是非常注重小说的艺术形式、艺术技巧的运用,有助于“型世”的目的。     

Representations of the emotions associated with a wine purchasing or consumption experience

Wine products possess pronounced cultural and symbolic characteristics. Given how hard it is to differentiate the product's more objective dimensions, it is important to understand the emotions and feelings that accompany wine purchasing, consuming or sharing experiences. The present study uses a writing workshop and literature review to uncover the relationships between the dimensions of the emotions that people feel during an experience of this kind, along with the mode of expression of different consumer groups. It also offers specific analysis of the role played by brands among the different characteristics of emotions. Towards this end, a series of wine‐related experiential narratives has been compiled and treated via a structural text analysis approach followed by lexical contents analysis. One of the findings breaks consumers' involvement down into four categories of emotions. Another comes from a content analysis of the narratives that will differentiate among three separate consumer groups. Lastly, suggestions will be made in terms of wider consequences for the field of wine marketing.     

论《活着》的叙事美学风格

余华是当代著名的实力派作家,《活着》发表于1992年,是余华的第二部长篇小说,此小说的主要特征是叙述者由作者主体转向了人物主体,而且采用双重声调的叙述结构和镶嵌式叙述结构。《活着》采用了最单纯最朴素的叙述声调,平实的语言、单纯的句式带来扑面而来的温情和熟悉的亲切感,引起读者情感声调的激荡和共鸣:叙述声调的安详平静与人生苦难的沉重形成了巨大的情感张力。     

“China,why not?”: serious leisure and transmigrant runners’ stories from Beijing

The purpose of this study was to examine how amateur, serious distance runners negotiate their running practices upon transnational migration to China. Despite the extensive body of research into expatriate experiences and adaptation, serious leisure as a site where meaning-making occurs has not been studied in existing research. Through interviews with five female and two male expatriates, we studied the ways in which Western runners brought meaning to the transition experience and negotiated meanings and bodily practices associated with running. Through narrative analysis, we identified three core narratives of migration (possibility, necessity and growing up) and two emergent narratives (community and running to feel like oneself) about shifting meaning in running. We conclude with implications for future research in serious leisure and migration studies.     

格雷玛斯叙事语法对《茶花女》的阐释

从法国叙事学家格雷玛斯的结构主义符号学的观点出发 ,运用其叙事语法的主要理论 ,分析法国著名作家小仲马的小说《茶花女》中的爱情故事及其深层的意义     

Narrating Crisis,Constructing Policy: Economic Ideas and Institutional Change in Syria

During crises, ideas play a decisive role in shaping radical paradigm shifts in economic governance. However, not all crises immediately produce such ‘great transformations’. Why do some ideas result in incremental rather than abrupt change after crisis? To identify mechanisms potentially explaining this variation, I conduct an exploratory process tracing of an understudied case of incremental institutional change: post-independence Syria. Competing political actors in Syria converged on identical policy responses to crisis despite their very different interpretations of its causes. Although power oscillated between these increasingly bitter rivals in the early 1950s, their ideational consensus on economic issues nevertheless led to a decade of steady institutional change that transformed previously fragile government institutions into powerful vehicles of statism. I derive from this analysis the potential causal significance of two new variables – crisis narrative and crisis response – and hypothesise that their configuration can explain variation in post-crisis patterns of institutional change. Ideas can explain not only the new direction of economic governance after crisis, but also the speed and scale of its movement.     

Telling tales: online comic and gripe story‐sharing by service workers about difficult customers

The article extends previous research on the storying practices of service workers, workplace humour as resistance, and workers’ autonomous use of social media. Discussion strings from two hairstylist forum storylines, exemplifying comic and tragic story‐sharing about difficult customers, were analysed using Gabriel's notion of story‐work. Processes of coping, entertainment, identity‐construction and learning are clearly evident in the discussion strings and social media is confirmed as a ‘new’ terrain for the enactment of employee agency. Findings emphasize that service workers are engaged in contradictory and ambiguous relations of resistance and accommodation as they learn how to deal with difficult customers. The article's contribution is to show how service workers share their fears and anxieties about difficult customers through storying and humour in generative dialogical poietic processes in social media. Further research is suggested.     

《项狄传》叙事结构分析

《项狄传》的叙事结构是反复偏离中的顺利进展。小说中的离题话探讨了小说的形式和内容以及人类思维的内容、方式和表达习惯。《项狄传》解构了小说的开头和结尾存在的必然性,暗示了小说开头和结尾的不确定性,指出叙事作品的中部曲折复杂,并非直线推进的。希利斯·米勒的叙事线条理论有助于分析、解释《项狄传》的叙事结构。     

影视声音的叙事和空间重建

叙事空间、非叙事空间是存在于影视空间的两种叙事方式,是指作品中画面和声音营造出来的空间,也是影视创作者艺术创作的空间。它常采用时空重组等多种表现手段,利用观众审美感知中的心理作用,将断裂或跳跃的时空连结起来,形成观众心理感觉上相互联系的画面时空流程。各种声音元素经过选择、运用,不仅将空间由画面内部延伸到画面以外,也使有限的视觉形象扩展为无限的空间想象,体现出现代影视艺术的全新空间观念。