地方理论视角下丽江旅游扶贫网络游记研究

近年来网络游记已成为众多学者研究旅游者对某地的形象感知意象的重要手段。通过对大量有关地方理论文献的梳理,在结构主义以及社会文化等方面的地方理论视角下,利用八爪鱼软件对携程网站上有关丽江的网络游记进行整理,分析丽江旅游扶贫的地方文化意义。对网络游记的分析不仅局限于个人地方感知,还可以深入到社会文化内核对游客感知的影响等研究。     

基于游客需求的丽江大研古镇夜间旅游产品调查分析

在梳理了国内外夜间旅游产品研究进展的基础上,分析了丽江大研古镇夜间旅游产品的类型及空间分布,并对游客需求进行了调查,主要包括游客总体认知、游客需求偏好、游客满意度三个方面。认为丽江大研古镇良好的夜间旅游环境及其丰富的夜间旅游产品体系是吸引游客夜游的重要因素,但仍然具有很大的发展空间及潜力。同时也暴露了一些深层次的问题,诸如夜间旅游产品营销宣传力度比较薄弱、传统纳西文化元素缺失、旅游市场细分仍需进一步调整及完善等。     

基于循环经济理念的旅游区管理体系的构建——以丽江古城旅游区为例

本文在分析了循环经济的基本内涵、循环经济理念在旅游业中的体现的基础上,构建了基于循环经济理念的旅游区管理体系。并以丽江古城旅游区为例,具体分析了丽江古城旅游区的概况及其管理现状与存在的问题,构建了基于循环经济理念的丽江古城旅游区管理体系,并提出了相应的对策措施。     

丽江古城城市格局三元论及其文化透视

文章在突破丽江古城城市格局二元论的传统观点上,提出丽江古城的城市格局由三大文化板块构成,即商贸文化板块、纳西文化板块、汉文化板块.三大文化板块的形成与古城的三大水系有着密切的关系.古城三大文化板块的形成与演变并没有发生激烈的文化冲突,相反却是彼此之间的和谐共生,共同维护着丽江古城在滇西北经济交流线上商贸重镇的功能.     

How destination music affects tourists’ behaviors: travel with music in Lijiang,China

ABSTRACT

Recent music tourism researches are notable owing to growing socioeconomic significance of music. But the question about how music affects tourists’ behaviors in travel practice remains there. This study explores the effects of music on tourists’ behaviors by deploying a survey of tourists in Lijiang old town which is famous for abundant musical cultures. Results show that tourists’ behavioral intentions are influenced by music-induced emotions which are stimulated by music perception and music cognition. This paper provides a new insight into music characteristics in tourism and new ways for how tourism destinations engage with music.     

The host–guest interactions in ethnic tourism,Lijiang, China

One key way to understand the influences of tourism on destination communities is through host–guest interactions. Yet most current studies on host–guest interactions focus on their nature and outcomes, and rarely on the microscopic process. This study focuses on one local resident’s home located in Baisha Town, Lijiang, China, and investigates in depth the interaction processes there. By focusing on the intense interactions at the micro level, this study finds that locals and tourists often shifted the roles they played in the interactions between them. Also, the locals seem to be more active in the role shifting. The power of locals arises from their control of local knowledge and their usage of their private houses for business.     

基于旅游循环经济的丽江古城旅游业发展研究

丽江已成为云南旅游的优势骨干品牌和对外开放的重要窗口,但古城旅游环境将面临巨大的压力,而且资源禀赋不可替代,如继续沿用粗放型的经济增长方式,资源将难以为继,环境将不堪重负.因此,发展循环经济是其必然选择,也对同类世界遗产地的保护和利用具有一定的借鉴意义.旅游业循环经济在不同的层面上有不同的模式,包括企业层面的小循环、区域层面的中循环和社会层面的大循环.     

滇西北丽江地区土地资源可持续利用研究

丽江地我位于滇西北高山峡谷地区。该区土地资源的特点。（１）类型多样,空间结构规律性强;（２）以山地为主,主要分布在冷,寒凉山区;（３）陡坡土地多;（４）水资源丰富。但难以开发利用;（５）土地资源总体质量较差。土地利用方面存在不少问题;（１）利用方式多样,以林业用为主。但利用水平和产值偏低;（２）农业用地效益较低,差异大;（３）旱地多,陡坡地多,土地退化逐步扩大。耕地总体质量偏。土地资源利用与土地资     

丽江旅游形象感知研究——基于网络文本分析的方法

以网络游记为研究样本,结合网络内容分析法和扎根理论的方法研究自助游客对丽江旅游形象的感知。研究发现自助游客对丽江旅游的感知多倾向于积极方面,而消极感知则主要来自于游览体验、旅游设施、购物娱乐及旅游服务等方面。同时由于丽江在旅游资源开发及整体旅游形象推广中的不足,导致其辖内各景区(点)发展严重失衡。综合各类消极感知,提出丽江旅游形象推广的四点建议,包含特色生活方式再建构、旅游标准化管理等。     

Understanding the changing Intangible Cultural Heritage in tourism commodification: the music players’ perspective from Lijiang,China

ABSTRACT

While Intangible Cultural Heritage (ICH) emerges as a new topic in the fields of heritage studies and tourism studies, the changeability of ICH in tourism commodification is still under-researched. The tension between protection and commodification of ICH is intensified when ICH is regarded as a heritage to protect and a resource for commodification, such as in the case of China. With a musical ICH element in Lijiang, China as the case, this paper applies a Critical Heritage Studies approach to investigate the values and components of ICH from the perspective of the music players. From both the diachronic and synchronic dimensions, the research shows that the players construct the values of their ICH in a subject, diverse and dynamic process. The less- and the more-commodified forms of performance are not clearly differentiated; rather, they are regarded as equally important to realise players’ dynamic and subjective needs. Provided practitioners can engage with their ICH freely, commodification can be seen as an indispensable form of the ICH-making process. This paper aims to reveal the dynamism of ICH, to rethink the commodification of ICH, and to rethink the relationship between the commodification and the making of ICH from a critical approach.