Laying the Victorians to Rest: Funerals,Memorials, and the Funeral Business in Nineteenth‐Century Otago

This article seeks to integrate the history of the physical aspects of burial practices with the cultural aspects of mourning and bereavement by considering the businesses that catered for the demand created by funerals and mourning in the second half of the nineteenth century. The example of the first major industrial and commercial urban centre to develop in New Zealand, Dunedin, is used to show that a range of businesses emerge quickly to cater for the funerary trade. Many were short lived, and few specialised exclusively in the funerary business.     

Sustainable development of industrial heritage tourism – A case study of the Industrial Monuments Route in Poland

The main goal of our research was to identify, characterize and discuss the main types of business models that can be found in touristic heritage sites that have been transformed into such from former industrial facilities or were newly created to pass on the heritage values. The research is a continuation of our study that started in 2017 on on Polish touristic sites, that are associated on a touristic route – Industrial Monuments Route of Silesian Voivodeship. This route is located in southern part of Poland and it is the largest industrial route in the country. Our research revealed, organized and complemented the different types of business model transformation that took place in the analysed sites, among them is the post-production organization model which is the most frequently occurring one. This model applies to touristic ventures or cultural institutions that are former production or extraction facilities. Thanks to the transformation of those sites they suite now to fulfil their new touristic function, even if originally they have been designed for other purposes. The use of such transformed business models has also proven itself as an effective and in many cases the only way to preserve and save cultural heritage from degradation.     

Everybody Knows This is Nowhere: The Kiev Park of Memory and Post‐Soviet Urbanism in Context

The reappraisal of the post‐Soviet landscape is in danger of overlooking two of its most important elements: firstly, the mass modernist housing that was more extensive here than probably anywhere else; and secondly, the post‐1989 capitalist context of property speculation, office development and decay. These routinely missed landscapes constitute the very things travelled through on the way to utopian, if ruined, monuments, such as those documented in Frédéric Chaubin's CCCP — Cosmic Communist Constructions Photographed. When visited, the surroundings of these structures turn out to be at least as interesting as the photogenic modernist monument itself. This essay is an account of a visit to one of the most architecturally contemporary of these structures — the Park of Memory crematoria in the Ukrainian capital, Kiev, designed by Abraham Miletsky in 1974. In Chaubin's photographs, the curling concrete volumes of the Park's central crematoria are flamboyant, fantastical and self‐referential, the very ‘iconic’ architecture that many post‐Soviet capitals would like to have in order to attract tourists. There is a lot more going on in the surrounding city than what is typically recorded in its visual representations, however, as discussed in this essay. Such monuments are not mute, and cannot be severed from their surroundings.