海明威作品中的现代视觉因素

将美国现代著名作家海明威简约的写作风格与“印象派”画家塞尚的现代性绘画风格进行比较 ,可从创作理念、技巧上的简约、文本中的平面可视画面三方面考察塞尚的现代绘画对海明威写作风格形成的影响、两者之间的相似性及互通互融的基础     

后现代的新城市主义与中国城市规划

讨论了现代主义、后现代主义与新城市主义在城市规划领域的思想核心和主要观点,结合中国城市规划的特点,从城市规划各个方面探讨了新城市主义对中国城市规划的启示,并论述了新城市主义在中国应用的实际与前景.     

基于模糊经济计算的引水工程投资决策研究

引水工程是解决水资源空间分布不均匀的重要手段,是基础建设的重要组成部分,但引水工程在建设以及运营期间具有诸多不确定性,利用传统的投资决策模型无法充分考虑项目的不确定性,直接影响投资决策的可靠性和科学性.针对这一问题,本文提出一种基于模糊经济计算的引水工程投资决策方法,在工程经济基本模糊计算的基础上,构建基于模糊经济计算的引水工程投资决策模型,利用模糊数充分描述项目的不确定性.并通过实例计算,验证了该模型的适用性和有效性,提高了决策的科学性和准确性,对于项目规避风险也有很高的指导价值.     

法国象征主义诗歌对中国现代主义诗歌的影响(下)

法国象征主义诗歌对中国现代主义诗歌的影响，首先是学主题的交鸣与内在情绪的共振，具体表现为对社会、人生的失望而归向内心的体验与思考，在这种心理体验与思考中呈现的是对现实的深刻理性批判，对人类自我的冷峻反省；其次是以纯诗追求为价值目标，分别从诗歌的音乐美、象征美、语言等形式的陌生化方面，表现出对诗歌形式本体意义的影响。     

法国象征主义诗歌对中国现代主义诗歌的影响(上)

法国象征主义诗歌对中国现代主义诗歌的影响,首先是文学主题的交鸣与内在情绪的共振,具体表现为对社会、人生的失望而归向内心的体验与思考,在这种心理体验与思考中呈现的是对现实的深刻理性批判,对人类自我的冷峻反省;其次是以纯诗追求为价值目标,分别从诗歌的音乐美、象征美、语言等形式的陌生化方面,表现出对诗歌形式本体意义的影响。     

21世纪的营销:后现代主义视角

“后现代主义”是法国现代哲学的一个流派,越来越多的领域引入这一哲学思想,西方经济学和营销领域也开始研究经济及消费生活中的后现代现象。文章在介绍了后现代主义思想并分析其对消费文化的影响的基础上,提出了新世纪企业应采取的新营销战略。     

Post Modernism Architecture： Humanistic Revolution of Post industrial Era

This paper makes synchronic and diachronic comparison of architectures to deliver two perspectives of the author： one is the revolution started by ＂human being＂ during the post modernism and Post Industrial Era in culture, art, architecture, etc.; the other is that post modernism architectural revolution, in essence, is revolution in human themselves.     

论伊甸的诗歌创作

伊甸从20世纪80年代走上诗坛,成为南方生活流的代表诗人;90年代后,已发展成现代主义诗人,诗歌风格由主体体验向个体经验掘进,由自我放大向个我内缩转型,由无限抒情向零度揭示转向,节奏趋缓,情感内敛,意象丰蕴,具有鲜明的先锋色彩.     

Modernist Ideas and Local Reception: The company towns of Piazzola sul Brenta and Borgonyà, 1895–1930

Utopianism, paternalism and the myth of progress were the ideological foundations underpinning company towns. These communities, which sprang up towards the end of the nineteenth century, were dependent on a single company for all or most of the functions and services necessary for town life. This article explores aspects of company town life as variously implemented and received depending on cultural and geographical contexts. In particular, this article examines the emergence of two company towns established during the same period but in two distinct geographical contexts: Piazzola sul Brenta in the Veneto (Italy) and Borgonyà in Catalonia (Spain). While development of these two company towns relied on the same ideals of social and technological progress, the visions of their respective companies, their locations and broader topographical circumstances differed significantly. These new towns are examined through key factors reflecting their owners' and planners' faith in social and technological progress, such as the harnessing of water power, the construction of railways and moral paternalism. These features are analysed by reflecting on the meaning of space in specific contexts. Piazzola sul Brenta and Borgonyà were experimental spaces that their designers and owners used to achieve ephemeral social, political and cultural goals, allowing me to examine both the ways and the spaces in which knowledge and ideas were received, and how different types of knowledge and ideas were transformed and realized.     

Unseeing Chinatown: Universal Zoning,Planning Abstraction and Space of Difference

The article investigates the technical rationality behind Bangkok's recent land use zoning plans. It does so through the example of Chinatown. The plans, intended to promote urban sustainability, introduce zoning techniques such as (1) land use subcategorization to hierarchize urban districts, and (2) density zoning to encourage intensive development around transit stations. The case of Chinatown foregrounds the discussion in this article, which then, in turn, explores the two zoning techniques. I argue that both techniques are formulated through a functionalist rationality, and thus omit place‐specific conditions of land, such as local practices, histories and land tenure. Worse yet, the landed elite uses them to justify displacement and eviction. The article theorizes Chinatown as a space of difference, pointing to particularities that are unseen and thus at risk of being unmade by what is often passed off as technical expertise.