谈正确运用体态语言优化英语教学

改进英语课堂教学方法是实现教学目标、提高教学质量与效果的重要因素。正确运用体态语可简化英语教师课堂教学语言、优化教学效果     

Substantive or Symbolic Environmental Strategies? Effects of External and Internal Normative Stakeholder Pressures

Different forms of stakeholder pressures drive different environmental strategies in organizations. This article differentiates between internal and external normative stakeholder pressures to test their potentially unique effects on environmental strategies. The findings suggest that internal, normative stakeholder pressures primarily drive substantive commitments to environmental practices, reflecting an internalized, voluntary commitment to the natural environment and dedication to environmental leadership by the firm. External, normative pressures instead primarily drive symbolic commitments to environmental practices, aimed at managing the image of the organization to establish and reinforce an appearance of commitment to the natural environment. This novel perspective accounts for the institutionally plural contexts of organizations and their environments, in which internal pressures directly drive substantive environmental commitments and external pressures drive symbolic responses. Copyright © 2017 John Wiley & Sons, Ltd and ERP Environment     

梦想与现实间的悲情抉择——电影《海上钢琴师》中的象征意蕴

《海上钢琴师》(《The Legend of 1900》)以20世纪生活为故事背景,演绎了男主人公"1900"的音乐世界和船上生活。主人公最后的悲情抉择是他对整个现代社会的拒绝。电影中的轮船、音乐、城市等元素都具有象征意义。文章阐释这些电影元素的象征意蕴,挖掘电影对人类梦想的悲情演绎,以及对现代社会的深刻批判。     

客体物象对主体形象的暗示和显现——《觉醒》中“鸟”和“大海”的象征意义

《觉醒》是19世纪末美国著名女作家凯特·肖邦的代表作,也是美国文学史上一部女权主义杰作。作品中鸟和大海的物象具有对主人公形象及其生命历程的暗示和显现作用,从而显示出深邃而丰富的内涵和鲜明而独特的象征意义。     

风马象征意义的结构分析

风马,作为世代生活在雪域高原上藏民族文化的一个标志性象征,多有学者进行研究,但就风马的象征意义只是在历史与宗教背景下的简单陈述,缺乏对风马象征意义的结构性认识。以前人关于风马的研究为基础,结合结构主义人类学相关理论,对风马象征意义的结构进行分析,试图得出风马象征意义深层内涵的结构。     

象征性消费行为的存在主义心理学分析

文章以存在主义心理学为基本理论,对象征性消费行为进行分析,提出象征性消费行为是现代社会中个体的人获得存在感的一种重要手段。     

In and out of everyday life through film experiences: an analysis of two social spaces as leisure frames

The new information and communication technologies have made it possible to view films in different spaces. Using the symbolic interactionist framework as a frame of analysis, we interpret the meaning of the two experiences of viewing technology-mediated films in the home and in the cinema. We conducted field research during the first half of 2009, digitally recording 16 interviews with research participants living in Barcelona (Spain). The interviews were transcribed verbatim with the help of voice-recognition software. Reports from our research participants indicate that individuals considered only the cinema experience to be a true leisure activity, while the home experience was interpreted as a routine recreational activity. Therefore, the meanings of the film-viewing activity were associated with the symbolic properties of the frames of interpretation. Finally, we discuss the implications of these findings for the home as a unified centre where shared meanings are co-produced by family members.     

Me,My Tourist-Self,and I: The Symbolic Consumption of Travel

This paper argues that before the tourism industry can truly individualize products, experiences, and niche markets successfully, we need to better understand exactly what benefits a tourist is seeking to obtain through the symbolic consumption of tourist products. This study has made the first attempt to empirically test a model combining self-concept, self-congruity, motivation, and symbolic consumption behavior within a tourism setting. Based on a sample of 410 young “overseas experience” (OE) travelers, the results reaffirm that the self is multidimensional, whilst also suggesting that when buying a product, or consuming an experience abroad, the tourist looks beyond functional utility to social meaning. This study further suggests that when making consumption decisions, a tourist forms perceptions based on the likelihood that the product or experience will be congruent with their self.     

试析西方小说中象征手法的运用——霍桑的《红字》经久不衰的魅力

作为美国的第一部象征主义小说——《红字》,在流传的一百多年间一直经久不衰,究其原因是丰富的象征手法在这部作品中的运用。本文从女主人公的名字、红色、野蔷薇、《圣经》典故等方面入手,阐述了《红字》中的象征意义。