矛盾中发展的电影艺术表达空间

本文在分析优秀影片为何在国内无法放映的基础上,旨在讨论国家广播电影电视总局制定的方针,例如<电影管理条例>,与电影艺术表达空间的密切关系,从而让读者清晰的认识到电影艺术在政治与艺术形式的矛盾中,如何积极、健康的发展.电影艺术家在坚持"二为"方针的基础上,孜孜不倦的追求自己的艺术梦想.     

从符号性灭绝到审查性公开：《非诚勿扰》对同性恋的再现

文章分析了热门影片《非诚勿扰》对同性恋的再现。通过对过去三十年同性恋题材一主要是男同性恋题材——的华语电影的发展进行一个简要的梳理,文章把影片关于同性恋的再现纳入一个不断变迁,映照社会政治和反思文化传统的话语体系之中。本文对这部影片相关剧情展开了细致的文本分析,围绕的中心问题是同性恋再现的公共性是如何在审查权威的监控下得以实现的。结合影片上映后引发的各方争论,尤其是来自同性恋社区和运动积极分子的反应,文章最后讨论了同性恋电影对当代中国同性恋社群争取公共空间,提升社会可见度,并最终实现平等权利的意义。     

Just Doing Business or Doing Just Business: Google,Microsoft, Yahoo! and the Business of Censoring China’s Internet

This paper addresses the criticism recently directed at Internet companies who have chosen to do business in China. Currently, in order to conduct business in China, companies must agree to the Chinese government’s rule of self-censoring any information the government deems inappropriate. We start by explaining how some of these companies have violated the human rights of Chinese citizens to freely trade information. We then analyze whether the justifications and excuses offered by these companies are sufficient to absolve them of moral responsibility. We argue that both justifications and excuses offered are insufficient. Wilfully abiding by unjust laws, albeit necessary to do business in China, should not trump moral actions that protect rights. “This is not something we did enthusiastically, or not something that we are proud of at all.”– Elliot Schrage answering questions from Congress regarding Google’s decision to censor its Internet searches in China Neil Haddow is currently finishing his PhD in philosophy at the University of Waterloo. His interests are moral and political philosophy at the theoretical and applied levels. He is the co-author of another paper forthcoming in The Journal of Business Ethics on age discrimination and automobile insurance. G. Elijah Dann presently lectures for the Department of Philosophy at the University of Toronto. He is author of After Rorty: The possibilities for ethics and religious belief (Continuum Press, 2006), and is editor of a forthcoming book on Christianity entitled, Leaving Fundamentalism (Wilfrid Laurier University Press, 2007).     

文化与贸易：WTO体制下进口电影审查制度的法律分析

因WTO的贸易自由化宗旨及历史原因,WTO的现行规则未因电影产品的文化和经济属性对其内容审查制度存有“特殊待遇”条款。WTO成员既不能以电影的文化性采取贸易限制措施,也无法有效适用“公共道德”例外条款证明其违反相关贸易承诺的正当性。为履行“入世”承诺,中国唯有在国内层面上经过适当的法律协调,国际层面上相关成员方共同的长期努力,才能使电影的文化性、服务性受到重视,享有相应的特别待遇。     

Asymptotic confidence intervals for the length of the shortt under random censoring

A short t of a one dimensional probability distribution is defined to be an interval which has at least probability t and minimal length. The length of a show and its obvious estimator are significant measures of scale of a distribution and the corresponding random sample, respectively. In this note a non-parametric asymptotic confidence interval for the length of the (uniqueness is assumed) short t is established in the random censorship from the right model. The estimator of the length of the short t is based on the product-limit (PL) estimator of the unknown distribution function. The proof of the result mainly follows from an appropriate combination of the Glivenko-Cantelli theorem and the functional central limit theorem for the PL estimator.     

从观点的自由市场到观点的市场审查

观点市场理论主张在观点表达和交换过程中排除国家干预,相信市场机制对于甄别观点正误的有效性。现代社会中,大众传媒是观点表达和传播的主要物质载体和社会手段。市场逻辑下的传媒业暴露出媒体垄断、重广告商轻受众、低质量内容驱逐高质量内容以及弱势群体沉寂化等问题。受到市场审查的大众传媒在观点的多元性、编辑的独立性、内容的实质性以及公众的接近性等四个方面存在不足。     

Push-button-autocracy in Tunisia: Analysing the role of Internet infrastructure,institutions and international markets in creating a Tunisian censorship regime

Internet censorship and control have been commonplace in Tunisia since the Internet became available to then public in 1996. It was not until the last days of the Jasmine revolution in January 2011 that the Tunisian government shut down the censorship regime, raising numerous questions about Internet censorship in Tunisia. This article will look at how former Tunisian president Ben Ali was able to shut down the Internet censorship regime within a matter of hours. In order to answer this question, it looks at the history of the Tunisian Internet and its Internet censorship regime, before analysing Internet architecture, Internet institutions, functional differentiation between elements of the regime and the role of international technology markets. Each of these factors contributes to the overall censorship regime and helps understand how former President Ben Ali was able to shutdown Internet censorship within a matter of hours. In conclusion, tracing the genesis of the Tunisian censorship regime may contribute to understanding the role of institutional, architectural and market-based factors in enabling other censorship regimes across the world.     

美国电影预告片检查制度及其合法性

预告片本质上是电影广告,这是美国预告片检查制度得以建立的必要性与合法性所在。作为电影广告,预告片在很大程度上能够影响电影票房收入。为了吸引观众,预告片以性、色情、暴力、吸毒等内容为主要叙事元素,引发政府与压力集团的谴责与反对,催生出美国预告片检查制度。这种检查制度建立于古典好莱坞时期,历经新好莱坞时期并延续至今。预告片检查的合法性基础在于预告片是不受《第一修正案》完全保护的商业表达。但是,随着制作艺术与技术的提升,预告片逐渐成为兼具商业性与艺术性的混合表达,预告片检查制度的合法性面临挑战。     

特朗普政府对华投资保护政策的新进展与中国对策

美国对华投资保护逐渐加强,并呈现出新表现和新特点。美国对华投资保护政策转变的原因包括:美国通过遏制中国的科技创新能力来巩固其全球科技领导地位;美国各界对"中国崛起"达成新的共识;美国对中国对外投资规模和投资模式的担忧;"非对称"和"非互惠"的双边投资准入政策等等。除此之外,美国对华投资保护政策存在以下影响:未来双边或多边投资框架协定可能会朝着更加有利于"美国优先"的方向发展;美国对华投资保护的不断升级或将产生连锁反应;美国将重点打压中国高端制造业和技术密集型产业投资;美国通过重塑和强化以美国为主导的全球价值链阻碍中国向价值链高端攀升。