首页 | 本学科首页   官方微博 | 高级检索  
     

南朝永明体的产生与佛经转读之关系考察
引用本文:龚贤. 南朝永明体的产生与佛经转读之关系考察[J]. 江西财经大学学报, 2009, 0(3): 80-83
作者姓名:龚贤
作者单位:江西财经大学艺术与传播学院,江西,南昌,330013
基金项目:国家社会科学基金青年项目 
摘    要:汉语"四声"中国本有,非自印度输入.在南朝沈约等人发现"四声"之前,汉语早已形成了自己成熟的语音系统.周颙、王融、沈约等人从这个语音系统中发现并总结出"四声"、"八病",从而产生了永明体诗歌.魏晋南朝时期,佛经传入中土时梵音并没有随之大规模传入.即使有一部分传入,因为梵汉两种语言的语音适应对方极为困难,故只有极少部分人掌握;亦因为掌握的困难而难以产生重大影响.如导致汉语"四声"产生这样的重大事件.佛经转读与永明体的产生二者之间是平行关系,佛经转读对永明体的产生影响甚微.

关 键 词:汉语"  四声"    永明体  佛经转读

On the Emergence of the Poems of Yong-Ming Style with Respect to the Sutra Chanting in the South Dynasty
GONG Xian. On the Emergence of the Poems of Yong-Ming Style with Respect to the Sutra Chanting in the South Dynasty[J]. Journal of Jiangxi University of Finance and Economics, 2009, 0(3): 80-83
Authors:GONG Xian
Affiliation:School of Arts and Communication;Jiangxi University of Finance and Economics;Nanchang 330013;China
Abstract:China gave birth to the Four-Tunes of the Chinese language,which refutes the view of borrowing them from India.Before Shen Yue found the Four-Tunes in the South dynasty,the well-rounded Chinese speech system had come into being in China.Therein,Zhou Yong,Wang Rong,Shen Yue,and some others had found and summarized the Four-Tunes and the Eight-Principles,and thereafter came the poems of Yong-Ming Style.In the Wei,Jin,Southern and Northern dynasties when sutras were introduced into china,the tunes of Sanskrit ...
Keywords:Chinese Four-Tunes  poems of Yong-Ming Style  sutra chanting  
本文献已被 CNKI 维普 万方数据 等数据库收录!
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号