| 论明朝的书法艺术 |
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| 引用本文： | 张学峰. 论明朝的书法艺术[J]. 安徽工业大学学报(社会科学版), 2003, 20(1): 52-54 |
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| 作者姓名： | 张学峰 |
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| 作者单位： | 安徽工业大学,文法学院,安徽,马鞍山,243002 |
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| 摘 要： | 明朝书法在不同时期呈现出不同的趋势和审美取向,它前期的平庸,中期的进步,后期的勃发,它由衰而 盛,在明末风云际会的时代背景里取得令人“尴尬”的辉煌。
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| 关 键 词： | 明朝 书法艺术 复古主义 吴门书派 浪漫主义 |
| 文章编号： | 1671-9247(2003)01-0052-03 |
On the Calligraphic Art of Ming Dynasty |
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| ZHANG Xue-feng. On the Calligraphic Art of Ming Dynasty[J]. , 2003, 20(1): 52-54 |
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| Authors: | ZHANG Xue-feng |
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| Abstract: | The art of calligraphy in Ming Dynasty presents different trends and orientation of aesthetic judgment--being mediocre in the early period, making progress in the middle period and beng thriving in the late days of Ming Dynasty, which has experienced from decline to rise and made embarrassing and even unexpected achievements in this changeable situation in the late days of Ming dynasty. |
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| Keywords: | Ming dynasty,calligraphy,the doctrine of " back to the ancient" ,the Wumen school of Calligraphy,romanticism, |
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