首页 | 本学科首页   官方微博 | 高级检索  
     

再谈中国画的笔墨问题
引用本文:樊金亮. 再谈中国画的笔墨问题[J]. 价值工程, 2013, 0(34): 320-321
作者姓名:樊金亮
作者单位:宁夏石嘴山市惠农区文化馆,石嘴山753200
摘    要:笔墨意境是中国画意境的基础。塑造个性化笔墨意境是画家安身立命的首要问题。在实践中本人发现了笔墨意境。其实笔墨含性之说,早已被古今大师所认识、所运用,且论著甚丰,如石涛《一画论》。笔墨意境作为一个新概念提出来,旨在使中国画返璞归宗,笔墨在没有完全组合、构成物象之前,其自身已经具有味素,也就是笔墨自身显现出来的抽象意境。上述笔墨元素在诞生过程中由于受画家品性等诸多因素的影响,笔墨意境时常会出现无法预料的效果。以下评论,仅为个人体会。

关 键 词:中国画  笔墨意境  笔墨元素  画家品性

Introduction to the Writings Artistic Conception of Chinese Painting
FAN Jin-liang. Introduction to the Writings Artistic Conception of Chinese Painting[J]. Value Engineering, 2013, 0(34): 320-321
Authors:FAN Jin-liang
Affiliation:FAN Jin-liang ( Ningxia Shizuishan City Huinong District Museum, Shizuishan 753200 , China )
Abstract:Writings artistic conception is the basis of the artistic conception of Chinese painting. Creating personalized writings artistic conception is important to painter. In practice, I found the "painting artistic conception". In fact, the saying that the ink contains "nature"has been recognized by ancient and modern painters. And works are very abundant, such as Shi Tao's Primitive Painting. Writings artistic conception aims to make the Chinese paintings to return to the original nature. The following comments are only personal experience.
Keywords:Chinese painting  writings artistic conception  writings artistic element  painter character
本文献已被 维普 等数据库收录!
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号