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李渔语言艺术论对广告语创作的启示
引用本文:陈邵桂.李渔语言艺术论对广告语创作的启示[J].中国广告,2009(12):106-108.
作者姓名:陈邵桂
作者单位:湖南工业大学文学与新闻传播学院
基金项目:湖南省哲学社会科学成果评审委员会2008-2009年度立项资助课题“广告语创作技巧研究”成果之一,编号:0806002A
摘    要:清初戏曲理论家李渔关于戏曲语言研究的独到见解,对广告语创作具有重要启示:一是“从浅处见才”,将深刻的道理浅显化,复杂的内容简单化;二是“引用成语”即引用受众熟悉的现成的口头语;三是“意则期多,字惟求少”;四是“恪守词韵”和“声务铿锵”。

关 键 词:李渔  语言艺术  广告语

Liyu Language Art enlightenments
Abstract:Li Yu, an opera theorist in early Qing Dynsty, whose original views on the study of opera language is enlightening to the creation of advertising language.Here are some important enlightenments: First, making profound principles easy to understand and simplifying the complicated content; Second, quoting idioms, which refers to quoting the spoken language that are well known by the audience; Third, more implications, yet less words; Fourth, homologizing the rhyme and making the sound clangorous.
Keywords:Language Art Advertising language  
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