李渔语言艺术论对广告语创作的启示 |
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引用本文: | 陈邵桂.李渔语言艺术论对广告语创作的启示[J].中国广告,2009(12):106-108. |
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作者姓名: | 陈邵桂 |
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作者单位: | 湖南工业大学文学与新闻传播学院 |
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基金项目: | 湖南省哲学社会科学成果评审委员会2008-2009年度立项资助课题“广告语创作技巧研究”成果之一,编号:0806002A |
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摘 要: | 清初戏曲理论家李渔关于戏曲语言研究的独到见解,对广告语创作具有重要启示:一是“从浅处见才”,将深刻的道理浅显化,复杂的内容简单化;二是“引用成语”即引用受众熟悉的现成的口头语;三是“意则期多,字惟求少”;四是“恪守词韵”和“声务铿锵”。
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关 键 词: | 李渔 语言艺术 广告语 |
Liyu Language Art enlightenments |
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Abstract: | Li Yu, an opera theorist in early Qing Dynsty, whose original views on the study of opera language is enlightening to the creation of advertising language.Here are some important enlightenments: First, making profound principles easy to understand and simplifying the complicated content; Second, quoting idioms, which refers to quoting the spoken language that are well known by the audience; Third, more implications, yet less words; Fourth, homologizing the rhyme and making the sound clangorous. |
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Keywords: | Language Art Advertising language |
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