The representation of travel and identity in Bernardo Bertolucci's The sheltering sky

This study aims to analyse the representation of travel in movies by analysing Bernando Bertolucci's movie [Aldrich, W., Thomas, J. (Producers), & Bertolucci, B. (Director). (1990). The sheltering sky [Motion picture]. United States: Warner Bros]. Filmic travelogues are intended here as illustrations of a process of discovery and transformation of identity from a post-modern perspective. The questioning of the self happens through a journey to a timeless place which managed to preserve a sense of the past. The characters' transformation from tourists to travellers and nomads becomes a kind of pilgrimage in search of authenticity. In this perspective, the desert comes to represent a more general emptiness surrounding and inside the characters. The theories formulated by Bauman, Urry, MacCannell and Wang are central to this analysis, including the subjects of the quest of authenticity, the distinction between travellers and tourists and the files of representation.