| 生日演剧与戏曲文化传播 |
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| 引用本文： | 陈建华. 生日演剧与戏曲文化传播[J]. 湖北商业高等专科学校学报, 2011, 0(5): 123-128 |
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| 作者姓名： | 陈建华 |
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| 作者单位： | 湖北经济学院新闻传播学系,湖北武汉430205 |
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| 基金项目： | 湖北省教育厅项目（2007d308） |
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| 摘 要： | 明清时代,演剧是生日庆祝的重要内容,生日演剧作为一种习俗逐渐流传开来。生日演剧可以细分为婴儿出生演剧、成人生日演剧、老人寿诞演剧及祖先阴寿演剧。这一风俗促进了一种特殊的剧目——神仙庆寿剧的繁荣,此外,生日上也会演出元杂剧及当时流行的剧作,但内容须以喜庆为主,不宜点悲伤凄惨或带有杀伐内容的剧目。生日演剧使得戏曲形式体制更为多元,扩大了戏曲在观众中的影响,也促进了戏曲审美趣味的转移。
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| 关 键 词： | 生日 演剧 传播 |
Birthday Performances and Communication of Opera Culture |
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| CHEN Jian-hua. Birthday Performances and Communication of Opera Culture[J]. Journal of Hubei Commercial College, 2011, 0(5): 123-128 |
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| Authors: | CHEN Jian-hua |
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| Affiliation: | CHEN Jian-hua(Department of Journalism ＆ Communication,Hubei University of Economics,Wuhan Hubei 430205,China) |
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| Abstract: | In Ming and Qing Dynasties,drama is an important part of birthday celebrations,birthday drama as a custom gradually spread.Birthday drama can be classified as birth,adult birthday drama,drama,and birthday old yin ancestor＇s life drama.The custom for a special repertoire——opera gods Keiju prosperity,In addition,the birthday will be performed on the Yuan Dynasty and was a popular play,but the main content shall be happy,not miserable or sad with a point rage content repertoire.Birthday Performances makes the opera more diverse system,expanding the impact of drama in the audience,pro-moting the transfer of opera aesthetic. |
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| Keywords: | birthday drama communication |
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