李叔同音乐批评思想研究

李叔同作为我国近代学堂乐歌的代表人物,不但创作了许多艺术质量上乘的乐歌作品,而且在我国近代新音乐萌芽之际,针对当时的社会音乐生活,发表了一系列极具现实意义的音乐批评言论,其主要观点有：立足＂文艺救国＂的音乐批评观念;立足于中国传统＂国学＂的音乐批评理论;＂先器识而后文艺＂的人格教育思想,在理论和实践方面,对指导和促进我国近代新音乐的发展与繁荣作出了突出的贡献。

Research on the Music Criticism Thought of Li Shutong

Li Shutong,as China＇s representative of modern school music,not only created many pieces of high-quality music works,but also published a series of very practical music criticisms towards the musical life at the time when China＇s modern new music was burgeoning.His main views are the music criticism concept based on ＂Art Saves the Nation＂,the music criticism theory based on the traditional Chinese ＂National Study＂,the personality education thought of ＂Art First and Instruments Second＂,etc.He has made outstanding contributions,both in theory and practice,to guiding and promoting the development of of China＇s modern new music.