| 后现代艺术理论的系统生产与媒介化 |
| |
| 引用本文： | 王秋秋. 后现代艺术理论的系统生产与媒介化[J]. 边疆经济与文化, 2016, 0(4): 97-100. DOI: 10.3969/j.issn.1672-5409.2016.04.047 |
| |
| 作者姓名： | 王秋秋 |
| |
| 作者单位： | 鞍山师范学院文学院,辽宁鞍山,114016 |
| |
| 摘 要： | 后现代主义艺术是由结构的变形与整合组成，可以打破时间的连续性、空间的一维性。结构的符号化是后现代艺术得以客体化，从审美意识到美的客观物的演变，通过生产与媒介来完成。后现代艺术符号化的过程，是经过媒体传播、媒介传播、符号化、符号的媒介化四个过程进行演变的，从而确立了一个仿真与虚拟的世界，并通过批量生产，使后现代艺术迅速覆盖全球。
|
| 关 键 词： | 媒介 符号化 传播 仿真 |
System Production and Media of Post Modern Art Theory |
| |
| WANG Qiu-qiu. System Production and Media of Post Modern Art Theory[J]. The Border Economy and Culture, 2016, 0(4): 97-100. DOI: 10.3969/j.issn.1672-5409.2016.04.047 |
| |
| Authors: | WANG Qiu-qiu |
| |
| Affiliation: | WANG Qiu-qiu;Anshan Normal University,Faculty of Arts; |
| |
| Abstract: | Post modern art is by the deformation of the structure and composition of one-dimensional integration, continuity, space time can break the. The symbolic structure is the postmodern art to the object, from the object to the evolution of aesthetic consciousness of beauty, to complete the production and media. Post modern art symbol is after medium of communication media, media, symbols, symbols of four process of evolution, thus establishing a simulation and virtual world, and by means of mass production, the modern art rapidly across the globe. |
| |
| Keywords: | Medium Symbolization Communication Emulation |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
