| Abstract: | The Hindu temple complex at Khajuraho in central India has become a major tourist site for Indians and international tourists only in the past twenty years. Built as a court nearly a thousand years ago, but abandoned two centuries later, Khajuraho remained a minor pilgrimage site into the present century. The distinctive features of Khajuraho include thousands of explicitly sexual relief carvings, much publicized throughout India. Westerners are direct in their examination of these features, which remain problematic to the majority of Indian tourists. In contemporary puritanical India, where journals and movies are highly censored, Khajuraho offers an opportunity for the loosening of such rules with highly philosophical efforts to “explain away” such “obscenities.” Yet communitas is incomplete: women are discouraged from close examination of the depictions, and men fail to communicate with their families about their content. |
