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传统民间造物艺术情感化设计反思水平的思考
引用本文:张凯. 传统民间造物艺术情感化设计反思水平的思考[J]. 南京经济学院学报, 2014, 0(4): 105-108
作者姓名:张凯
作者单位:江苏大学艺术学院,江苏镇江212013
基金项目:2010年江苏省社会科学研究基金项目(项目批准号:10YSD016)研究成果之一
摘    要:反思水平的设计是情感化设计的最高层次,其核心是文化。传统民间造物艺术所包含的自然观、器物观、人际观蕴藏着中国传统文化的智慧和精髓,构成了中国传统文化稳定的内核,并与当代设计中的"以人为本"、可持续发展、适度设计、高情感满足和人格化设计等设计理念遥相呼应,且意义更加深广。研究传统民间造物艺术的文化内涵,对于拓展和丰富当代设计理论,提升反思水平情感化设计品质,推进中国本土化设计风格的形成,均有着重要的现实指导意义。

关 键 词:传统  民间造物  情感化设计  反思水平

Thinldng of Traditional Folk Artistic Creation in Reflective Level of Emotional Design
Zhang Kai. Thinldng of Traditional Folk Artistic Creation in Reflective Level of Emotional Design[J]. Journal of Nanjing University of Economics, 2014, 0(4): 105-108
Authors:Zhang Kai
Affiliation:Zhang Kai (Jiangsu University, Zhenjiang 212013, China)
Abstract:Design of Reflective Level is the highest level of Emotional Design, and its core is culture. Traditional Folk Artistic Creation that includes the view of nature, implements and interpersonal re]ation, contains the wisdom and essence of Chinese traditional culture,which constitutes the stability kernel of Chinese traditional culture, and it forms echo with the contemporary design concepts that contain people-oriented design, sustainable development, appropriate design, high emotional satisfaction and personal design. This has very important meanings. So it has very important practical significance to study cultural connotation of Traditional Folk Artistic Creation, especially to expand and enrich the contemporary design theory, enhance Emotional Design quality of Reflective Level, promote the formation of design styles of Chinese localization.
Keywords:tradition  folk artistic creation  emotional design  reflective level
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