论20年代中国现代诗歌意象艺术

文章阐述了20世纪20年代中国现代诗歌意象艺术的嬗变及其特征：胡适倡导的白话新诗运动是以意象派理论作为外缘性动力与理论基础的；郭沫若的《女神》初步体现了意象诗质与意象诗式的现代性变革；闻一多代表的新格律派诗，以对传统诗歌意象的转化、对诗歌意象的视觉性建构为特征，反映了五四后回眸传统、反思五四诗潮的倾向；李金发代表的象征派诗歌，以象征意象的创造与象征意象思维的运用，显现了中国诗歌意象体系的异质性变革。并总结了20年代意象艺术的特征。

The Imagery Art of Chinese Modern Poetry in the 1920s

This paper elaborates the transmutation and the features of Chinese modern poems in the 1920s. The Baihua new poems movement advocated by Hushi was based on the external motivation and theoretical basis of imagism theory. The Godness written by Guo Moruo demonstrated the poet essence and modernized reform of imagery poems. The new metrical poems, with Wen Yiduo as its representative, which were characterized by the conversion of traditional image and visual structure of poem image, reflected the tendency of reviewing tradition and reflecting the May 4th poet tide. Imagism poems with the representatives of Li Jinfa, showed the heterogeneity reform of China's poems imagery system by creating images and supplying the imagery thoughts. It also summarizes the artistic features of image in the 1920s.