| 我国传统装饰绘画中的美学特征略谈 |
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| 引用本文： | 邓亚楠.我国传统装饰绘画中的美学特征略谈[J].兰州商学院学报,2004,20(1):119-122. |
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| 作者姓名： | 邓亚楠 |
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| 作者单位： | 内蒙古师范大学,国际现代设计艺术学院,内蒙古,呼和浩特,010022 |
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| 摘 要： | 用美学的理论观点和历史发展的客观规律相结合,对我国数千年以来的传统装饰绘画进行理性的分析与解剖,我们会发现中国传统装饰绘画的基本规律之所在。从原始图腾———石刻———壁画———世俗画,这一演变过程是不同时代、不同社会和经济条件下人们内心世界和审美情趣的形式化体现。
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| 关 键 词： | 传统装饰绘画 有意味的形式 装饰的风格 |
| 文章编号： | 1004-5465(2004)01-119-04 |
| 修稿时间： | 2003年10月10 |
The Aesthetic Conceptions and Theories Reflected in the Chinese Traditional Decorative Paintings |
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| DENG Ya-nan.The Aesthetic Conceptions and Theories Reflected in the Chinese Traditional Decorative Paintings[J].Journal of Lanzhou Commercial College,2004,20(1):119-122. |
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| Authors: | DENG Ya-nan |
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| Abstract: | After combining the aesthetic perspectives and theories and the objective laws of historical development,we can find the basic law of Chinese traditional decorative paintings by making a comprehensive and objective analysis of its thousands of years of history.Several major principles are thus discovered,which reveal that the series of evolution starting from primitive totem to stone carving,fresco and genre painting faithfully represent people' s inner thought as well as the aesthetic conceptions under different social and economic backgrounds. |
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| Keywords: | traditional decorative paintings connotation-loaded form decorative pattern |
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