| 论现代绘画的审美态度 |
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| 引用本文： | 孙江丽,周海彬.论现代绘画的审美态度[J].福建商业高等专科学校学报,2014(2):97-100. |
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| 作者姓名： | 孙江丽 周海彬 |
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| 作者单位： | [1]福建省龙岩华侨职业中专学校美术教研组,福建龙岩364000 [2]福建商业高等专科学校商业美术系,福建福州350012 |
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| 摘 要： | 二十一世纪的今天,现代绘画主张从美学研究的秩序中解脱出来,主张无目的的美学观念。而对待绘画作品,人们认为只有艺术家才能与艺术对话,依然习惯于依赖所谓艺术评论家的标准去获得绘画的审美信息,不敢发表自己的一些看法,哪怕是一些真实的感受,其中大多数的人们是由于忙碌,由于惰性,对绘画审美的认识盲从于"专业认识"的介绍。这剥夺了时代进步而赋予人们的审美自由。
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| 关 键 词： | 现代绘画 审美态度 真实感受 审美自由 |
On Aesthetic Attitude of Modern Painting |
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| Institution: | SUN Jiang - li, ZHOU Hai - bin (Fujian Longyan Huaqiao Vocational School, Longyan 364000, China Department of Fine Art, Fujian Commercial College, Fuzhou 350012, China) |
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| Abstract: | In twenty-first century, modem painting advocates it free from aesthetics order, and no objective aesthetic concept. Many people believe that only artists can communicate with arts, and they too rely on art critics＇ standard to express their own ideas. Therefore, this typical recognition makes ordinary people lose their own aesthetic freedom. |
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| Keywords: | modern painting aesthetic attitude true feeling aesthetic freedom |
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