从格雷马斯叙事学视角解读《三次奇遇》 |
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引用本文: | 毕青.从格雷马斯叙事学视角解读《三次奇遇》[J].安徽工业大学学报(社会科学版),2009,26(4):56-58. |
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作者姓名: | 毕青 |
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作者单位: | 徐州师范大学,外国语学院,江苏,徐州,221116 |
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基金项目: | 徐州师范大学人文社科基金重点项目 |
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摘 要: | 以格雷马斯的"角色模式"和"语义方阵"理论为视角解读辛格的代表作《三次奇遇》,可以揭示文本内隐的深层逻辑结构,深刻地洞悉辛格深湛的创作思想。
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关 键 词: | 《三次奇遇》 角色模式 语义方阵 创作思想 |
An Interpretation of Three Encounters from the Perspective of Greimas' Structural Narratology |
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Authors: | BI Qing |
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Institution: | BI Qing(School of Foreign Studies,Xuzhou Normal University,Xuzhou 221116,Jiangsu,China) |
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Abstract: | Based on A.J.Greimas' theory of actants and the semantic square,this paper tries to analyze the narration of one of Singer's masterpieces Three Encounters so as to lay bare Singer's critical attitude towards Jewish Haskalah. |
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Keywords: | Three Encounters the theory of actants the semantic square creative thoughts |
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