| 李可染“融合中西”的绘画思想 |
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| 引用本文： | 钟国胜.李可染“融合中西”的绘画思想[J].沈阳工程学院学报(社会科学版),2011,7(3). |
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| 作者姓名： | 钟国胜 |
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| 作者单位： | 鲁迅美术学院美术史论系,沈阳,110004 |
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| 摘 要： | 李可染是推动传统山水画现代变革的艺术大家,在艺术实践中,他融合中西,提出了面向自然写生,发掘自然美的特质,有机吸纳西方绘画的写实因素,对传统山水画开拓创新,创造山水画新意境的绘画思想。他的绘画思想与艺术实践拓展了山水画的表现形式与精神内涵,为传统山水画的时代风格建构做出了重大贡献。通过考察李可染的绘画创作及理论思想,可以发现,融合中西一直是他坚守的内在思想理路。
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| 关 键 词： | 李可染 融合中西 艺术思想 |
Art thoughts of ‘Chinese and Western culture’ from Li Keran |
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| Zhong Guo-sheng.Art thoughts of ‘Chinese and Western culture’ from Li Keran[J].Journal of Shenyang Institute of Engineering:Social Sciences,2011,7(3). |
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| Authors: | Zhong Guo-sheng |
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| Institution: | Zhong Guo-sheng(Department of History and Theory of Art,Luxun Academy of Fine Arts,Shenyang 110004,China) |
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| Abstract: | Li Keran is the art master of developing traditional landscape painting.During his art career,he merges Chinese and western cultures,raising his opinion of creating new artistic conception of landscape painting by exploring the characteristics of natural beauty based on natural sketch and absorbing realistic factors of western painting organically.His painting idea and art experience widens the performance and intension of landscape painting.It contributes to the time style structure for the traditional lan... |
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| Keywords: | Li Keran merging Chinese and western culture art thoughts |
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