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徽州木雕戏文人物服饰造型的文化蕴涵
引用本文:邬红芳,王晔. 徽州木雕戏文人物服饰造型的文化蕴涵[J]. 安徽商业高等专科学校学报, 2014, 0(3): 46-48
作者姓名:邬红芳  王晔
作者单位:安徽工程大学艺术学院,安徽芜湖241000
基金项目:基金项目:安徽省高等学校人文社会科学重点研究基地重点项目:民族服装装饰艺术数据库(2009sk365zd)
摘    要:徽州文化是中华民族母体文化的重要组成部分,其中徽州木雕遗存了众多的戏文题材雕刻,折射出该地域民间戏曲文化的厚重与繁盛。木雕戏文人物造型的服饰具有整体匀称与局部夸张的整体美、佩饰灵动与人物鲜活的动态美、自然形态与艺术升华的协调美和图案形式与人物身份的符号美的特征,诠释了木雕戏文服饰造型表意性的文化品格。

关 键 词:徽州木雕  戏文人物  服饰造型  文化内涵

On the Cultural Connotation of Opera Figure and Costume Modeling in Huizhou Woodcarving of Anhui
WU Hong-fang,WANG Ye. On the Cultural Connotation of Opera Figure and Costume Modeling in Huizhou Woodcarving of Anhui[J]. , 2014, 0(3): 46-48
Authors:WU Hong-fang  WANG Ye
Affiliation:(School of Arts, Anhui Polytechnic University,Wuhu 241000, Anhui,China)
Abstract:The culture in Huizhou of Anhui is one of the most important parts in the maternal culture of Chinese nationality. And the woodcarving of Huizhou remains numerous carving works in the opera theme, which is the reflection of the profoundness and prosperity in the folk opera culture of this region. The costume in the modeling is characteristics of varieties of beauty., that of the entirety between proportionally symmetry and partially exaggeration, that of the dynamic state between intelligent decoration and freshening figures, that of the harmony between natural form and artistic distillation, and that of the symbol between pattern style and figure identification, which makes a good interpretation to the cultural personality of ideography in. the modeling.
Keywords:woodcarving of Huizhou  opera fiGure  costume modeling  cultural connotation
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