| 谈后现代主义时装中的“颠覆美学” |
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| 引用本文： | 李宁.谈后现代主义时装中的“颠覆美学”[J].山东纺织经济,2009(5):82-84. |
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| 作者姓名： | 李宁 |
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| 作者单位： | 东华大学服装艺术设计学院,上海,200051 |
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| 摘 要： | 后现代主义作为设计观念,是指在反现代主义的过程中形成于20世纪60年代,发展于70年代,成熟于80年代的一股设计思潮。在后现代主义设计理念的影响下,时装设计从形象、材料、色彩、风格等方面都完全打破了传统的美学标准,形成了一种全新的"颠覆美学"。
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| 关 键 词： | 后现代主义 现代主义 时装设计 颠覆美学 |
Talking About "Subversion Aesthetics" of Postmodernism Fashion |
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| Li Ning.Talking About "Subversion Aesthetics" of Postmodernism Fashion[J].Economy of Shangdong Textile,2009(5):82-84. |
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| Authors: | Li Ning |
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| Institution: | Donghua University;Fashion Art Design Institute;Shanghai 200051;China |
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| Abstract: | Postmodernism, one school of design conceptions, refers to the train of thought in design that was raised in 1960's, developed in 1970's and ripe in 1980's, during the process of Anti-modernism.Profoundly influenced under the design perception of Postmodernism, fashion design formed a whole newly"Subversion Aesthetics"by breaking the traditional standards absolutely through fashion image, material, colour, style and so on. |
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| Keywords: | Postmodernism Modernism fashion design Subversion Aesthetics |
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