| 论《封神演义》中姜子牙的出场艺术处理 |
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| 引用本文： | 叶黄生. 论《封神演义》中姜子牙的出场艺术处理[J]. 广西商业高等专科学校学报, 2014, 0(3): 21-24 |
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| 作者姓名： | 叶黄生 |
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| 作者单位： | 杭州师范大学人文学院,浙江杭州311121 |
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| 摘 要： | 姜子牙是小说《封神演义》的重要形象之一,其出场的艺术处理,在表现人物性格特征、驱动故事情节发展、形成小说叙事框架等三个方面起到了尤为关键的作用。研究《封神演义》姜子牙的出场艺术,对于重新认识《封神演义》这部神魔小说的文学史地位具有广泛的意义和深远的影响。
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| 关 键 词： | 姜子牙 出场艺术 性格呈现 情节发展 结构框架 |
The Study about Jiang Ziya Playact Art in FengShen Yan Yi |
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| Ye Huangsheng. The Study about Jiang Ziya Playact Art in FengShen Yan Yi[J]. Journal of Guangxi Commercial College, 2014, 0(3): 21-24 |
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| Authors: | Ye Huangsheng |
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| Affiliation: | Ye Huangsheng ( School of humanities, Hangzhou Normal University, Hangzhou, Zhejiang 311121) |
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| Abstract: | Jiang Ziya is one of the most important images in the novel FengShenYanYi, his playact in the novel plays a critical role with regard to showing his personality traits, driving the novel plot, composing the narrative framework and so on. Therefore, investigating his playact has extensive significance and far-reaching influence for revaluing the status of FengShenYanYi in classical Chinese literature history. |
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| Keywords: | Jiang Ziya playact personality traits presentation plot development narrative framework |
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